Enigma Tales (Deep Space Nine)

Enigma Tales DS9Enigma Tales (Deep Space Nine) by Una McCormack (TWITTER)

Her Grace’s rating:  4 out of 5 stars

Genre: sci-fi

I read it as a: mass market paperback

Source: my own collection

Length: 350 pp

Published by: Pocket Books (27 June 2017)

Fan favorite Elim Garak is now castellan of the Cardassian Union. Part of his plan is to open enquiries into Cardassia’s war crimes against the Bajoran people, which may well turn the military against him and is making for some very awkward and tense situations. Enter Katherine Pulaski, who can, and does, make already tense matters into an interstellar incident. She is on Cardassia to accept an award on behalf of her and the team of doctors who solved the crisis of the Andorians’ fertility. The team had included Julian Bashir, who now lives on Cardassia under Garak’s supervision, trapped in his own mind from his previous encounters with Section 31. At the same time, a new head of academics at the University of the Union is to be appointed and the frontrunner is Natima Lang, a darling of the public eye and one of the rare genuinely innocent Cardassians. However, a document uncovered by a researcher may expose that Lang is hiding some of the worst crimes of all.

So, Una McCormak now ranks right up there for me with authors like Peter David for favorite Trek authors. I’m not always a fan of DS9 but McCormack’s books are always really fun and the writing is at an actual adult level. I loved seeing more of the inner life of Garak. He was my favorite recurring character in DS9, as I think he was for many people, so it was great to see lots of him and get inside his head a bit. Really, I think I am not out of line to suggest that ONLY Una McCormack be allowed to write Garak. 

I never liked Pulaski – I was too much a P/C shipper to welcome her onto the show – but in this book, she was a lot of fun. Salty and utterly unrepentant, Pulaski had plenty of moments to shine here, both in diplomatic situations (oh hai, let’s make a diplomatic incident!) to quick thinking and bravery when kidnapped (if she hadn’t been a fraction of a second too slow, she would have totally kicked that guy’s ass), to helping rescue someone else (she WILL hunt you down and find you). She was really a fun element to the story, and for me, it was a very pleasant surprise.

I loved the somewhat more minor but vital plot with Natima Lang. I loved seeing how she stuck to her guns and fought for what she wanted, even going toe to toe with Garak, even though it made her shake to do so. I think his plans for her are putting her talents to much better use than her previous ideas. I hope to see more of Lang and Garak in future books. 

Beyond just the delight of getting to know Garak and Pulaski better, the overarching theme was how societies can recover from the ills of their past and set to rights the wrongs they had done previously. The message rang through strong and clear that no one is above the law, not castellans, not presidents, no one. All the quotes scattered throughout about how literature reflects a society and can lead the way to the cure is really spot on. They reflected the Cardassian Union here, but of course reflect the problems plaguing modern society as well. I thought all those quotes were perfectly timed.

Highly recommended!

Favorite part/ lines (potential spoilers!):

    • There is nothing quite to compare with arriving on a new world. … Questions form in the mind: What will I see that is new? Will I learn something? Will I be surprised? Will my visit here change me in some small but significant way? 
    • “Popular culture,” said Garak portentously, “can tell us a great deal about a society.”
    • Monstrous behavior speaks for itself.
    • “They’re [genre fiction stories] more interesting than that,” Lang said. “They offer a microcosm for society and, I think, the means to diagnose its ills – and, perhaps, the method to bring about its cure.” “I think you see more deeply than the average reader,” said Parmak. “But I have come to believe that this is what literature always does – reflects back some part of the reader. You see a means to reform society.”
    • “A free and open society,” he said. “It’s the ideal toward which we aim, isn’t it? Even if we don’t always manage it.” “Hey, mister,” said Pulaski. “I think we do pretty damn well.” She looked around the room. “And you know what? I think these folks are doing pretty damn well too.” Parmak raised his glass and clinked it against Pulaski’s. “I’ll drink to that,” he said. Land and Alden raised their glasses. “To the ideal,” said Lang. “Elusive, and perhaps ultimately unattainable. But always worth the effort.”
    • T’Rena tasted the tea. “Not unpleasant.” “Mostly harmless,” said Garak. She looked up at him calmly. “I beg your pardon?” “It’s a quotation from a human classic,” said Garak. Rather a flippant one. He tried to get a grip on himself. 
    • Don’t assume cleverness when a cock-up is the more likely explanation.
    • Newscasts, broadsheets, channel upon channel – there is too much. It keeps a lot of people very busy. Still, I foresee some difficulties ahead. The proliferation of material means that people might start to become selective about what they consume and, if my instincts are correct, they are likely to read only that which confirms what they already know. This means they will never have their ideas tested. I worry that as a result, people will form tight groups around those who confirm their biases, mistrusting those whom they encounter who think differently. 
    • She found that she completely admired [the Cardassians]. They had guts, grit, and determination. To come through this hell, to keep on digging deeper into themselves to find the place where hope lived and to keep drawing from that well, to keep on trying and building and healing. That, she thought, was worthy of her respect.
    • [H]e thinks that “on balance you add greatly to the gaiety of life.”

 

  • Do no harm was a good rule to live by, but Do good with everything you have? That was a great deal better…

 

  • “I admire them [humans] for how far they’ve come. But in one respect they fail. They continue to be convinced of their superiority. But not us.” Garak shook his head. “We will never – I hope – tell ourselves such lies again. And perhaps that is what we have to offer.” 
  • Sometimes, Garak thought, one did not need a confessor. One simply needed to sit and examine one’s conscience alone.

 

 

Star Trek Prometheus: Fire with Fire

Star Trek Prometheus 1 coverStar Trek Prometheus: Fire with Fire by Bernd Perplies and Christian Humberg 

Her Grace’s rating:  1.5 out of 5 stars

Genre: sci-fi

I read it as an: audiobook

Narrator: Alec Newman

Source: my own collection

Length: 11:02:00

Published by: Titan Books (28 Nov 2018)

After several terrorist attacks claim the lives of thousands, Starfleet sends the ship Prometheus to the Lembatta Cluster, from where the attackers hail. The region is already unstable and the crew of Prometheus are tasked with stopping further attacks and potential galactic warfare. 

I really wanted to like this book. I thought it was rad that an original Trek novel was written in a language other than English at last. But damn, it read like fanfiction. I mean, I suppose all of the novels are fanfiction, but they don’t act like it. Other Trek novels are better written and more engaging. The crew of Prometheus are, frankly, kind of boring. There really aren’t any stand-out characters for me. I kind of wonder if the authors recognized that, weren’t sure quite how to fix it, and so brought in a shitload of cameos by other characters to make up for it. The Klingons were more interesting, which is saying something coming from me since I’ve never been that interested in the Klingons. 

Parts of this also came across as almost…racist? I’m not sure it is that blatant, but the way in which some of the characters were described or spoken to just put me off. If someone said things like that to me or in front of me, I would have told them off. I can’t even think of an example of it anymore – I listened to the audiobook rather than reading it where I could make notes on the pages – but some phrases just set me on edge and not in a good way. Maybe it was a translation issue, I don’t know.

The audiobook thing is another issue. Normally, I love audiobooks. I have never listened to a Trek audiobook, though, since if it’s a book about, say, Lorca, I want Jason Isaacs to narrate it. Or Patrick Stewart for a Picard-centric book, Michelle Yeoh for Georgiou, etc, etc. Since this book isn’t set in one of the actual series with the characters I know and love, I figured it wouldn’t make me mental to have someone who isn’t Jason Isaacs/ Patrick Stewart/ Michelle Yeoh narrating. And in that regard, I was correct. It didn’t bother me that the narrator didn’t sound anything like them. He has a pleasant voice, in fact, and I would probably listen to more of the things he’s narrated. However, it drove me nuts at how many words he mispronounced. It wasn’t a dialect thing, either, or a Britishism. It was just wrong. Like ‘hegemony.’ Got it wrong every time. A few other actual words I can’t think of now. And even words specific to the Trek-verse were wrong. I know, I know, they are made up and not real but even so, can you at least pronounce them like they are in the various series? It’s TAL shee-AR’ not ‘tal SHY-er,’ ‘KIT-o-mer’ not ‘kit-OH-mer.’ … It’s levi-OH-sa, not levio-SAR. I mean, it’s the little things, you know? 

Overall, this is a solid ‘meh’ for me. I like a new Trek book, but this one fell short for me. 

History Rhymes: The Function and Importance of Historical Fantasy*

Within every issue of Historical Novels Review one section of reviews is labeled “Historical Fantasy,” where readers find books like Guy Gavriel Kay’s that introduce magical or supernatural elements into their historical framework. Tolkien is perhaps the most famous writer to have brought the realms of myth and magic into solidly historical contexts. Certainly, one result of this blending of history and fantasy is greater entertainment — escape, if you will. On this subject, Tolkien, in his essay “On Fairy Stories” wrote:

I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which ‘Escape’ is now so often used: a tone for which the uses of the word outside literary criticism give no warrant at all. (Tolkien, 1947)

Most of us enjoy escaping through fiction and agree with Tolkien’s embrace of it as a virtue of reading. But, along with providing marvelous exits out of the everyday world, historical fantasy also appeals to so many readers because it is a particularly rich and effective medium to explore current social issues.

More than one study shows that the genres of science fiction and fantasy promote deeper empathy in readers who are introduced to the genre at a young age. One study published in the Journal of Applied Social Psychology quantifiably demonstrates how reading books like Harry Potter increases tolerance and reduces prejudice (Vezzali, et al., 2015). Vezzali explains that the fantasy genres are “especially effective in assuaging negative attitudes [toward social issues] because the genre typically doesn’t feature actual populations and thus avoids potential defensiveness and sensitivities around political correctness” (quoted in Stetka, 2014). Writing fantasy grants authors the creative room to explore sensitive or controversial contemporary issues without triggering readers’ preset ideas and biases. Combine fantasy with the distancing effect overall of any historically set fiction and readers find a potent mix for examining controversy without building mental barriers.

Exploring this mind-opening aspect of historical fantasy with several writers of the genre seemed particularly worthwhile amidst our current social debates. I therefore approached Guy Gavriel Kay, Judith Starkston, Juliet Marillier, Marie Brennan and Roshani Chokshi to get their views on writing historical fantasy that addresses current social issues.  The resulting conversations offer an insider’s view of these authors’ approaches regarding emotional engagement with social issues.

When asked how writing historical fantasy allows him to bring current social issues to his readers’ awareness, author Guy Gavriel Kay (A Brightness Long Ago, Berkley Books 2019) explained, 

I have argued for the universalizing effect of deploying the fantastic. Stories and themes from history cannot be read as specific only to a given time and place. Beyond this, I find it important to explore both the “strangeness” of the past and the ways in which people and lives can offer a startling familiarity at times. Among other things, this can erode an a-historical sense that what we are living through is new. Usually it isn’t.  As has been said, history may not repeat, but it rhymes.

Through historical fantasy, authors highlight issues that continue to concern modern society as well as help readers learn more about a topic. However, as author Judith Starkston (Priestess of Ishana, Bronze Age Books 2018) noted, “Combining history and fantasy has to be done with care.” She explained that being able to lift readers out of the regular world is liberating for both author and reader. Starkston believes when readers experience a book that draws them into its own world, they tend to leave behind the locked, preconceived notions of how things are and how they ought to be. Incorporating fantastical elements into historical events or people lets us 

accept unusual solutions as entirely normal. When I talk about the historic queen who is the model for my main character, people are incredulous that a woman held such power and influence across the ancient Near Eastern world. We harbor a false notion of history as gradually progressive. Things are supposedly better now and worse in the past, but that isn’t accurate.

Starkston added that the best way to accomplish this blend of magic with historical accuracy is to adopt “fantastical elements that arise from the beliefs and practices of the period. That the Hittites practiced so many rites we would call magical made this especially easy for me—I had only to extend their scope.” Fidelity to history even within the magical creates believable historical fantasy. Incorporating elements of reality that lend themselves well to the use of magic helps to carry readers over the threshold of disbelief and encourages new patterns of thought, precisely the area in which historical fantasy excels.

Juliet Marillier (The Harp of Kings, Ace 2019) also takes a similar approach in her own writing. She stated that her writing has three main purposes: “to teach, to heal and to entertain … Real life challenges (tyranny, cruelty, conflict, flood, famine) might become the dragon, the monster, the fearful place in the dark wood.” Using real life examples of illness or emotional damage brings such topics front and center while at the same time fostering empathy and an awareness of their causes. The capacity to heal in particular has found a vibrant ally in Marillier. Many of her books deal with themes touching on violence, repression, PTSD, or other issues that Marillier draws from historical fact as well as current events. She highlighted the vital role literature plays: 

Storytelling is a powerful tool for helping the troubled (and for helping others understand and support them.). Many other issues relevant to contemporary society find a place in my books – notably, women dealing with domestic violence or other forms of repression. The voice of those characters, whose stories come from long ago and are touched by the uncanny, still seem to ring true for today’s reader. 

Seeing in works of historical fantasy topics that are relevant to contemporary society strikes a chord with readers who may be struggling to make sense of the world and the current events. Ultimately, it can help bring about hope and healing.

Marie Brennan (Turning Darkness into Light, Tor Books 2019) and Roshani Chokshi (The Gilded Wolves, Wednesday Books 2019) both discussed the importance of historical fantasy mirroring reality at least tangentially in order to create a believable and relevant world. Brennan stated that historical fantasy “has the advantage of being able to come at a topic from a slantwise angle. It lets us show how various problems have played out in the past—which encourages the reader to think about how things have and haven’t changed, or what alternatives might look like.” Holding up a mirror of our world through the lens of historical fantasy does, indeed, allow authors to look at our own world, society, or beliefs in new ways. By doing so, Brennan goes on to say, showing a world “in the context of a society that’s not the one we currently live in, it can slip its points in under the radar, instead of having to come at them directly.” Chokshi’s position also meshes with Brennan’s in that she finds that historical fantasy “allows me to take an issue and breathe life into it by tangling it up with a character’s emotional stakes and placing it beneath a lens of magic. A story is nothing if it evokes no feeling. I want to make my readers feel even as they’re thinking, and hopefully that inspires my audience to research an issue further.” Inspiring feelings and igniting curiosity in a topic seems to be a unifying goal for these authors, even if they know their role is not to solve the questions their works may pose. Rather, they seek to “make it a present question in the minds of my readers,” as Chokshi explains. This is an important point because authors have the platform to effect change and influence society. Consider the changes that were inspired by novels such as Uncle Tom’s Cabin, The Jungle, or Beloved. What we read has a definite impact on what we think, and authors have the power to influence societies. 

Other influential authors, including Zen Cho (The True Queen, Ace 2019), Mary Robinette Kowal (The Fated Sky, Tor 2018), and Nalo Hopkinson (The Salt Roads, Open Road Media Sci-Fi & Fantasy 2015), impact the way readers think by incorporating an abundance of diversity in their novels. Their novels have a focus on the strength of women, the second-class role of women and people of color, sexism, and narratives of freedom, highlighted beautifully by fantasy/speculative elements. On her website, Cho states that she writes in the genres she does because “It’s as good a form for understanding the world as any other” (Cho, 2019). Kowal, in a blog post, makes an excellent point: homogeneity in historical literature is a choice, for the fact is that Europe and the UK had a “wide range of classes and abilities/disabilities. … People of color were throughout the UK and Europe and had been basically since people started to travel, which means always” (Robinette, 2012). Hopkinson draws on the deep traditions and narratives of the people brought as slaves to what is now Haiti, exploring various themes of freedom, linked by elements which bind women across the world: blood, sweat, tears, birth fluids, and sex. On her website, Hopkinson states that certain genres “…allow us to step outside our known reality and examine that reality from a different perspective. They do so by creating imaginary worlds as lenses through which we can view our world” (Hopkinson, 2019). 

Historical fantasy holds a striking place in literature through its universalizing effect to allow readers to internalize new views on social issues and to understand the ways in which history “rhymes.”
References

Hopkinson, Nalo. “FAQ.” Nalo Hopkinson, Author, 2019.

Kowal, Mary Robinette. “Don’t blame the homogeneity of your novel on historical accuracy. That’s your choice, as an author.” Mary Robinette Kowal, 2012.

Kowal, Mary Robinette. “About the Lady Astronaut series.” Mary Robinette Kowal, 2019.

Stetka, Bret. “Why Everyone Should Read Harry Potter.” Scientific American, 9 Sept 2014. 

Tolkien, JRR. “On Fairy Stories.” In Essays Presented to Charles Williams, compiled by CW Lewis, Oxford University Press, 1947.

Vezzali, Loris, et al. “The Greatest Magic of Harry Potter: Reducing Prejudice.” Journal of Applied Social Psychology, 45, 2015, pp. 105-121.

*Originally published in Historical Novels Review, issue 90, Nov 2019.

Medusa’s Ankles

Medusa's Ankles
Screenshot from Vimeo

As anyone who follows my blog knows, I usually do book reviews. However, I recently watched a short film, discovered because of my unabashed infatuation with Jason Isaacs, called Medusa’s Ankles. It was directed by Bonnie Wright (Ginny Weasley of Harry Potter fame), adapted from the short story of the same title by AS Byatt. You can read it here. You can, and should, also stream the film for free here on Vimeo.

Medusa’s Ankles shows Susannah, a middle aged Classicist, who is concerned about signs of aging. She wanders into a salon, owned by Lucian, because she’s drawn to the Matisse painting in the lobby. She becomes rather infatuated with him over the months she comes to his salon, eventually coming unhinged and wreaking havoc on his newly remodeled salon when she hates the style Lucian’s assistant gave her.

There was so much character development in this tiny little film. It was about 20 minutes long and in that time, we see Susannah evolve from a meek and retiring woman to someone a little bolder, and eventually to an hysterical basketcase. Of course, her fit wasn’t really because of a hairdo. It was years of worrying over her aging and feeling out of place in her own skin as well as in a society which seems to be gearing more and more towards the younger generations. She feels left behind, unattractive, unwanted, and scorned. That Lucian, the object of her fixation, is another source for these emotions contributes to her snapping at the end. 

Unlike Susannah, Lucian is flighty and temperamental, never landing on one thing for long. He is essentially her complete opposite, and yet he comes to be a person she relies upon in some ways. She goes to him to help her see a younger version of herself, which will never happen, and when she realizes this, she snaps. Lucian helps her to see that younger self but it is, of course, illusory, as is his interest in her as a person. He is vain and shallow, telling Susannah that he is leaving his wife because ‘She’s let herself go. It’s her own fault. She’s let herself go altogether. She’s let her ankles get fat, they swell over her shoes, it disgusts me, it’s impossible for me.’ He is too self-absorbed to realise that his comments hit home for Susannah, who also has fat ankles now, and his comment serves as a catalyst for her destroying his salon. 

The link to Greek myth is interesting. At first, it isn’t clear what Medusa has to do with anything, but it becomes clear that she – and her ankles – are a proxy for women and being weighed down by the expectations of men. Medusa was once beautiful and then she was transformed into a monster. Susannah seems to view herself in this way as well, acknowledging that she was never beautiful but was attractive, then remembering a day spent with an Italian lover when she was young. Her body, which doesn’t feel like she remembers or wants it to, brings her back to present with a jolt when she realizes that her reflection is like her mother’s had been, all fake and unreal and trying entirely too hard to look young again. 

Her fit and destruction of Lucian’s salon may be a catharsis, but Lucian himself gives her permission and tells her it’s ok, the insurance will pay for it and he kind of wants out anyway. When she gets home, her husband really sees her for the first time in a long while and kisses her neck. Are both these instances freeing for Susannah, or do they reflect more of the control men have on society? Lucian essentially pats her on the head and sends her home when he should have rightfully been pissed off. Is her husband’s approval something she desires and feels good about, or is it effectively Perseus cutting off Medusa’s head? It raises a lot of interesting questions. I would love to analyze this in a proper literature course. 

Also, I just want to say that I think Jason Isaacs is a seriously underrated actor. I don’t say that just because I’m currently in love with him; it’s because he can inhabit the lives of so many different people in a totally convincing way. Not all, or even most, actors can do that. Actors like Harrison Ford or Tom Cruise might be famous and popular, but they all generally play the same kind of character. Ford is usually a dorky hero, whether he’s playing Han Solo, Indiana Jones, or the President of the United States; Cruise is generally an arrogant hero. Not so with Isaacs. He has played a wide range of characters including a racist, aristocratic bully (Lucius Malfoy in the Harry Potter movies); an Irish-American mobster from Rhode Island, complete with the heavy accent (Michael Caffee in Brotherhood); an arrogant and disinterested charmer (Lucian in Medusa’s Ankles); and a morally questionable, warmongering Starfleet captain (Gabriel Lorca in Star Trek Discovery). And he doesn’t just play villains in everything. He was a super dorky yet sexy dad in The Chumscrubber, a possibly mentally ill cop in the TV series Awake, an elegant ambassador in The State Within, and a beleaguered detective in Case Histories. He is utterly believable in every single role, and not one of his villainous roles, of which there are many, are at all similar to one another. I think he is in no danger of being typecast.

The Way to the Stars (Star Trek Discovery)

The Way to the Stars (Star Trek Discovery)The Way to the Stars (Star Trek Discovery) by Una McCormack (Twitter)

Her Grace’s rating:  4 out of 5 stars

Genre: sci-fi

I read it as a: paperback

Source: my own collection

Length: 276 pp

Published by: Gallery Books (8 Jan 2019)

Sylvia Tilly is the youngest Starfleet cadet to be accepted into the Command Track program. As she prepares to start her first day in the training program aboard the USS Discovery, she has hidden reservations about her qualifications and ability to do well. This leads to a night of her telling her history to Michael Burnham, starting from her teen years being bullied by a domineering mother and missing her father while he is on a deep space mission. 

McCormack nailed Tilly’s voice in this novel. We see how Tilly has grown into her role on the show, although she still has a long way to go. But this novel shows readers a glimpse into her life before Starfleet, some of the reasons why she is so unsure of herself despite being one of the most promising officers in the fleet. 

Lorca is still my favorite character, but Tilly comes in a close second. I love getting to see her history. Her mother is awful. I think we all know someone like her in some way, and they’re just as awful in person as Tilly’s mom is on the page. Her dad is a good guy but he’s absent when she needs him the most, which is irritating to see just because I know how sensitive Tilly is and it made me feel bad for her. 

Personal growth and evolution from a child to a young adult is always painful, and Tilly really fucked up a few times but she learned from her mistakes and used them to become a better person. She’s a diamond in the rough with the best possible future ahead of her. As Stamets said, Tilly is incandescent. I can’t wait to read more books focusing on her.

Fence, vol. 1

Fence vol 1 coverFence vol. 1 by CS Pacat (website, Twitter); illustrated by Johanna the Mad (Twitter)

Her Grace’s rating:  3.5 out of 5 stars

Genre: contemporary literature/YA

I read it as a: graphic novel

Source: public library

Length: 112 pp

Published by: BOOM! Box (31 July 2018)

Nicholas Cox is something of an outcast, the illegitimate son of a retired fencing champion. He wins a scholarship to Kings Row Boys School, where he will fight to earn a place on the fencing team. Failure to make the team will result in losing his scholarship. To his horror, he discovers that not only is his half brother Seiji Katayama attending Kings Row for fencing as well, he is also his assigned roommate. Nicholas and Seiji have only met in competition, where Seiji defeated Nicholas by a huge margin. Volume 1 leaves off with the tryouts for the fencing team still ongoing.

I really enjoyed this one. I don’t often read graphic novels, but I picked this one because it fits the bill for two Read Harder tasks, and I like fencing. Not that I’ve ever done it myself, but I think it’s cool, and I have a friend who used to be a competitive fencer. It is maybe one of a handful of sports I can watch without wanting to scrape my eyeballs out of my face through my ears. I generally hate sports. 

I liked the diversity in this book, though it seems that every student at Kings Row is queer, which kind of throws the stats off a bit, I think. But still, I love  the way they all interact with each other. Seems believable for a boarding school. Also, there are lots of kids who are people of color, not just all rich white snots. 

I loved the tidbits of fencing information scattered throughout. I know nothing about it at all, so that was just interesting to me. An educational graphic novel, this. 

There is a lot of simmering romance between several characters, mainly members of the fencing team. I saw that a lot of people ship Nicholas and Seiji, but unless there’s something I missed, they are half brothers so that totally grosses me out. Pair them up with anyone else, but I’ll skip the incest, thanks. 

I plan to read all the rest of this series. It was a delightful surprise for me. 

Forward: Stories of Tomorrow

Forward: Stories of TomorrowForward: Stories of Tomorrow Edited by Blake Crouch (website, Twitter), written by Veronica Roth, Blake Crouch, NK Jemisin (Twitter), Amor Towles (Twitter), Paul Tremblay (Twitter), and Andy Weir (Twitter)

Her Grace’s rating:  4 out of 5 stars

Genre: sci-fi

I read it as an: audiobook

Narrators: Evan Rachel Wood, Rosa Salazar, Jason Isaacs, David Harbour, Steven Strait, and Janina Gavankar

Source: my own collection

Length: 08:24:00

Published by: Brilliance Audio (8 Oct 2019)

This short story collection features six stories on the future state of society. Most are dystopian or post-apocalyptic settings, and others are scary in how recognizable they are. 

I like short story collections written by a variety of authors. There is something for everyone in those kinds of anthologies and, though it’s not typical to like every story included, generally there are a couple gems that make the entire collection worthwhile. I found that to be true for Forward as well. There was really only one story I truly didn’t care for, but the rest, even the ones I didn’t love, all put in a solid showing.

“Ark” by Veronica Roth was maybe my favorite story in the collection. It is a surprising look at a handful of people and their lives in the last days before a world-destroying asteroid is due to hit Earth. I enjoyed the exploration of what makes a place “home” as well as the remarkably hopeful ending.

“Summer Frost” by Blake Crouch was one of my least favorite in the collection, mostly because I don’t care much about AI or gaming. Even so, it was an interesting topic and very well written, which made up almost entirely for any lack on my part. It dealt with themes of identity and awareness as well as what makes us human.

“Emergency Skin” by NK Jemisin was also maybe my favorite story in the collection. It is told from the point of view of an AI embedded in the brain of a man who is sent to Earth to collect vital samples. Earth isn’t what the man was led to believe, and it raises excellent questions about what makes an advanced civilization advanced. 

“You Have Arrived at Your Destination” by Amor Towles is a really intriguing think-piece about what ramifications there might be when we choose the kinds of children we have. It also makes the main character, as well as me, think about his own choices in the past. 

“The Last Conversation” by Paul Tremblay. This was easily my least favorite of the lot. I thought it dragged on and on. It was a story about consciousness and ethics. 

“Randomize” by Andy Weir was a look at the function of the future of computers and they ways in which they can be misused. Set in a relatively benign setting – Las Vegas – it took apart ways people can use technology to do criminal things. It was interesting, but I wasn’t sure it really felt very “future” to me. Other than the quantum computers, there wasn’t much that struck me as being sci-fi or dystopian or post-apocalyptic at all, but it was a recognizable setting that brought an immediacy to the story. 

Favorite stories (in this order):

  • Ark by Veronica Roth. Who knew the apocalypse could be so hopeful? (Tied with Emergency Skin)
  • Emergency Skin by NK Jemisin. What a cool twist! (Tied with Ark)
  • You Have Arrived at Your Destination by Amor Towles. Who hasn’t thought about designing one’s own children?

Favorite narrators (in this order):

  • Jason Isaacs (Emergency Skin). Though I expect nothing less from him, Jason Isaacs delivered a thoroughly riveting performance. He does tons of accents flawlessly and made the point of view character who narrates the story sound utterly disgusted with its observations. Disgusted, but still funny in that dry manner the Brits pull off so well. I hope Audible uses him as a narrator a LOT more.
  • David Harbour (You Have Arrived at Your Destination). He’s just reading the story, but he puts feeling into it. Nothing overacted or melodramatic, but just a super entertaining narration. 
  • Janina Gavankar (Randomize). Gavankar elevated what I thought was one of the weaker stories in the collection and made it a lot more interesting with her skillful narration. As with Jason Isaacs, she had a broad range of accents and inflections that really brought the characters to life.

Drastic Measures (Star Trek Discovery)

Star Trek Discovery Drastic MeasuresDrastic Measures (Star Trek: Discovery) by Dayton Ward (website, Twitter)

Her Grace’s rating:  4 out of 5 stars

Genre: sci-fi

I read it as a: paperback

Source: my own collection

Length: 400 pp

Published by: Gallery Books (6 Feb 2018)

***I’m not even going to pretend this post doesn’t have spoilers. It has all the spoilers.***

Drastic Measures takes place about 10 years prior to the Battle of the Binary Stars in Discovery, and focuses mainly on Gabriel Lorca with Philippa Georgiou playing a large key role. Set on Tarsus IV, Lieutenant Commander Lorca is in command of a small outpost on the colony planet. When a large group of colonists from another world are relocated to Tarsus after a natural disaster on their own planet, Tarsus finds itself suddenly infected with a spore which destroys nearly all the colony’s food supplies. Help is weeks away, by which time the colonists will mostly have starved to death. Lorca and his small team at the outpost give all their uncontaminated food to the colonists, hoping to buy some time. But a lack of strong leadership in the colony’s government results in the ouster of the governor Gisela Ribiero, who is replaced by Adrian Kodos, known to the Trekverse as Kodos the Executioner. 

Kodos’ plan is really a final solution. Gathering up those colonists he has deemed to have less value, he and his supporters slaughter 4,000 unarmed citizens in an attempt to save the rest of the colony from starvation. The colony, reeling in shock and grief, is relieved only days later by the arrival of the starship USS Narbonne, bearing Commander Philippa Georgiou and a team of doctors and scientists ready to help the colonists. With medical and food aid now available, Lorca is free to head up the hunt for Kodos, which he takes up with a vengeance because he also suffered a personal loss during Kodos’s “Sacrifice.” 

This entire novel was a nice homage to TOS with the inclusion of a teenage Jim Kirk. The TOS episode “The Conscience of the King” referred to a tragic event in the past life of Kirk. This is that story, but it is solidly anchored in the Discovery cast with Kirk only making a very small cameo in this nice. I thought that was very deftly written. It also fills in a couple continuity gaps from a hazy past event in Federation history deserving of more notice.

Some of the writing seems a little out of character. For example, the massacre on Tarsus IV didn’t really appear to affect Lorca all that much. This is not Mirror Lorca, he’s Prime Lorca. He should have been horrified, maybe even in tears, over the thousands of deaths, especially since his girlfriend was among them. He could probably still do his duty as an officer but it didn’t seem believable that he could just shake it off like that, or compartmentalize things so thoroughly. He is still human, and not from the Mirror universe, which would make more sense with his reactions. There was a lot of telling rather than showing that Lorca was upset, and because of that, it didn’t seem genuine. It was only near the end that we saw him act in a manner that might be consistent with the behavior of a grieving man. Throughout the novel, a lot of the things Lorca said or did were inconsistent with a Prime universe Starfleet officer, which is disappointing because it may not be at all the way Prime Lorca would act if he were to appear in the show. Ahem. I think this is an excellent argument in favor of bringing back Lorca in the series; we only ever saw Mirror Lorca in the show, so we really don’t know who the “real” Lorca is. I would very much like to. I mean, I’d be cool with it in real life, too. Hello, Jason Isaacs…*drool*

B&W Jason Isaacs
Oh, hai there! Image credit: Brian Higbee, Interview Magazine, https://www.interviewmagazine.com/culture/jason-isaacs

I thought Ward did pretty well with his portrayal of a younger Georgiou. She was not a captain yet, was clearly not as seasoned or wise as she is in the show, which makes sense. She only made a couple witty jokes, which is sort of a trademark for her in the show. But we could see in this story that she had the potential for that woman we get to know later, and it is always fun to see characters grow into their roles over time. 

I don’t mind that this is a Discovery book only in that there are two characters in this book who are also in the series. It’s called a backstory for a reason. All the characters in any series have a history, if it is a well written and complex world; none of them spring fully formed into the people they are in whatever TV show. So I think some of the lower ratings this book received are unfair and unrealistic. Was it a perfect book? By no means. It had plenty of flaws, perhaps even more than the average Trek novel. Yes, it dragged a bit in parts. Yes, the characters seem off. But I am going to give it the benefit of the doubt because it was likely in the process of being written as season 1 of the show was unfolding. Ward’s portrayal of Lorca as kind of a dick in places seems justified, since that is what we knew for most of season 1. We still didn’t know the characters well yet, and I think Ward did a good job incorporating what we did know with what he wrote. 

But! PRIME LORCA!! PRIME LORCA IN THE MIRROR UNIVERSE!! Who else could it be at the very end there if not Prime Lorca?? OMG please let there be a forthcoming book (or, preferably, books) about Prime Lorca and his stories in the Mirror Universe! Where can I preorder it? Shut up and take my money!

Favorite part/ lines (potential spoilers!):

  • “It won’t be easy,” said Georgiou. 

“Nothing worth doing ever is.”

  • Lorca said, “Utopia’s easy when everything works and all your basic needs are met. We tend to think we’ve traveled this long path toward peace and prosperity, but take away the necessities of living and it’s a short walk back to our baser instincts.”
  • “Upholding a set of ideals can be difficult, and sometimes it’s damned cruel. Being able to do that, especially during times of adversity and crisis and even great personal tragedy, is the true test of anyone privileged to wear this.” Reaching up, she tapped her chest to indicate her Starfleet uniform. “We’re bound to uphold and defend those ideals, but the harder job is living up to them.” 
  • “…Shannon, don’t you have something for Commander Georgiou?”

Instead of replying, Shannon held up the doll in her right hand. The stuffed Andorian companion now sported two antennae thanks to Georgiou’s repair efforts, and she noted that it had been cleaned since she last saw it. 

“I want you to take him. Maybe he can bring you luck now.”

The simple gesture was enough to elicit tears, and Georgiou reached up to wipe her eyes. “Thank you, sweetheart. I promise to take good care of him.”

  • The paper resting in the palm of his hand, Lorca studied the words it contained. 

Hate is never conquered by hate. Hate is conquered by love. 

 

The Ghost Brigades (Old Man’s War #2)

17201685The Ghost Brigades (Old Man’s War #2) by John Scalzi (website, Twitter)

Her Grace’s rating: 3 out of 5 stars

Genre: sci-fi

I read it as an: audiobook

Narrator: William Dufris

Source: my own collection

Length: 10:25:00

Published by: Macmillan Audio (11 March 2008)

The second in the Old Man’s War series, The Ghost Brigades focuses on the section of troops within the Colonial Defense Forces that are bred purely for fighting. Jared Dirac is something of an exception. He is a hybrid of the superhuman CDF soldiers and Charles Boutin, a notorious turncoat. The idea had been to transplant Boutin’s memories into a CDF clone of himself, but that failed and so Jared was given to the Ghost Brigades. Eventually, Jared’s ability to access Boutin’s memories works and he and his fellow soldiers go to hunt down the real Boutin before an alien alliance can devastate all of humanity. 

I think this is my least favorite Scalzi novel so far. It isn’t badly written or boring, but I felt it was a little long on discussion and a little short on action until near the end. To be fair, it would be hard, I think, to improve upon the titular novel in the series, Old Man’s War, which was one of the best sci-fi books I’ve read in years. Ghost Brigades wasn’t a sequel so much as a standalone novel set in the same world as OMW. I like standalone books and get weary of series that go on forever. 

Overall, this was fun and well worth the time to listen to it, but my favorite Scalzi is still Redshirts. 🙂 

Fear Itself (Star Trek: Discovery)

37542594Fear Itself (Star Trek: Discovery) by James Swallow (website, Twitter)

Her Grace’s rating:  3 out of 5 stars

Genre: sci-fi

I read it as a: paperback

Source: my own collection

Length: 290 pp

Published by: Gallery Books (5 June 2018)

Lieutenant Saru is a Kelpien, a species that is the prey of an apex predator species on his homeworld of Kaminar, and the only one of his kind in Starfleet. It is his nature to be fearful of everything, because he knows that the universe is a harsh place and fear can keep you alive. But on a rescue mission to assist an unaligned vessel in distress, Saru decides to try to overcome his fearful nature and steps out of protocol. As a result, he finds himself in command of an away team on a hostile ship that is then overtaken by a separate species. Saru’s next steps could either resolve an escalating situation between two belligerent races or be the first salvo in a war. 

On the show, Saru is basically everything Starfleet stands for. He is smart and honorable and can, when necessary, step past his fears and rise to the occasion. That said, he is still not one of my favorite characters. However, this book went a long way to remedying my thoughts on him. We get a back story that helps to explain the officer he is today and why he might act in certain ways. I would have liked to get more of Saru’s history in general – why did he get asylum in the Federation, what was his life like immediately after coming to Federation space, etc., and maybe we will get that in a future novel – but overall, the author captured the Saru from the show really well, aged him down a few years, and gave an entirely credible portrayal of a less-experienced officer. 

I really love the way Georgiou is such a mentor to all her officers. She could have busted Saru down to ensign. She could have tossed him in the brig and shipped him off for court martial. She could have yelled and screamed and dressed him down like anything. But she didn’t. She let him squirm a while, then she asked him what he learned from the experience. She asked him if he would make the same mistakes again in the future. She let him know that, while his actions were not acceptable, they aren’t insurmountable and taught him that even when everything goes sideways, there is learning to be had from it. 

I also like the way we see Saru and Burnham’s relationship and learn it was always a bit antagonistic. She had a fairly minor role in this novel, which makes sense since it’s Saru’s story, but I really like that, actually. Star Trek is often such a collaboration that there really isn’t just one main character. It is nice to get novels focusing on just one person or another, at least on occasion. I really hope future novels will be able Stamets and Georgiou or even the less central characters like Detmer or Owosekun. I am delighted that the next book is about Lorca, my new massive crush, though I inadvertently read these out of order and that should have been the second Discovery novel. 

Overall, a fun new addition to an awesome new Trek fandom. 

Favorite part/ lines (potential spoilers!):

 

  • You always expect the worst, Saru. Yes, he had replied, but I always hope for the best.

 

  • That’s the thing that separates a good officer from a great one, knowing when to bend and when to be firm. … If you want to command a starship one day, you need to learn when to make those calls. When to show boldness and when to use restraint.
  • Saru’s certainty that danger and death awaited him did not shade his life in morose tones. It made him all the more determined to live it, down to the very last second.
  • Violence will not change the facts. You cannot coerce reality into re-forming itself to your needs with a destructive act. 
  • “We are the sum of our natures. We’re all on the path that our birthright set out for us.” “I’m not sure if I agree,” [Saru] replied, taking another sip of tisane. “I took a different path from the one I was born into.” “Did you? Ejah smiled again. “Or did you just follow the way to the path that had been right for you all along?”
  • Compassion is not weakness. Enduring is not living. And belligerence is not strength. 
  • Now, as he had then, he pushed back with all the strength he could muster, struggling to free himself from the inexorable gravity of the terror. If he could just stop himself from giving in to the burning fear for a second more, for ten seconds more, a minute, then he could hold it back. I am afraid, he told himself. But it shall not rule me