Book review · historical fiction · Medievalism

The Good Wife of Bath

good wife of bath

The Good Wife of Bath by Karen Brooks

Genre: historical fiction

I read it as a(n): paperback

Length: 541 pp

Her Grace’s rating: 5 out of 5 stars

Eleanor is the daughter of a brogger, the mediaeval term for broker, in 1380s England. Her mother dies when Eleanor is a baby and her father when she is about ten. She goes into service for the local gentlelady and from there, proceeds to have men ruin her reputation, her joy, and her sense of self. She’s married off when she’s 12 to a man who is in his 60s and, to modern audiences, it goes downhill from there. However, Eleanor finds her joy in her many marriages and the found family she gains in her long life. Her friendship with a man of the merchant class, one Geoffrey Chaucer, ensures that she remains known and beloved for all time, living as his (in)famous Wife of Bath.

Or at least, this is the fictional take on how a real-life woman might have become the Wife of Bath. 

Replete with vivid images, sights, and sounds of mediaeval England, The Good Wife of Bath takes readers on a pilgrimage through this turbulent period of history seen through the eyes of an equally turbulent character! 

It’s been a long time since I read The Canterbury Tales, but this made me want to read them again. It would have been fun to do a side-by-side readalong sort of thing. Eleanor is, of course, modelled on the Wife of Bath, but other figures in the story are also modelled on other characters from the Tales. A new interpretation of them would be fun for this book nerd.

I loved the insights we got into Eleanor’s character in the chapters that were written as letters to Chaucer while she was on one pilgrimage or another. We got to see glimpses of this woman throughout the book anyway, but much of that was the public mask she put on. Her letters revealed her innermost thoughts and they were quite something! She would be fun to have drinks with for sure. The letters showed an irreverent, irrepressible person who found a way forward regardless of what misfortunes came her way and took absolutely zero shit in the process. She really took to heart the idea that if life gives you lemons, then squirt the juice into the eyes of your enemies! 

The differences in her various marriages were really intriguing, more so because of how Chaucer’s actual Wife was written. Brooks’s Eleanor marries three times for convenience and twice for love. The love matches were hot, stinking garbage fires of a relationship and the marriages of convenience were the ones that actually resulted in a good and pretty happy life for her. In particular, I loved her first husband, Fulk Bigod, and third, Mervyn Slynge the best. The second, Turbot Gerrish, was ok in the end, though he himself was a ridiculous caricature of a man. But Fulk allowed her to tell him what to do and as a result, they got significantly wealthier. Mervyn became a genuine friend to her and, although he had other issues, was a wonderful husband. I sometimes wish a kind old rich gay man wanted to marry me for beaver cover and then leave me all his piles of money when he died. 

Her convenient marriages allowed her to have the control over her own choices that she desired. Her love marriages were far more restrictive and made her a slave in more than one way. She had far less freedom in those. It’s an interesting point and one that would make for an excellent group discussion.

Ultimately, what I think Chaucer’s Wife wanted wasn’t control, or mastery, as he wrote it, over men. What she wanted was control over her own choices, her ability to choose for herself. Sovereignty over one’s choices, one’s body, one’s relationships, one’s money, was not something most women had in 1300s Europe. Really, it is a pathetic commentary on men and modern society that a very great many women still lack these things. The ones who do have them are either single, managed to find a truly feminist partner, or are old, rich, and widowed. Not a whole lot has changed in the 700 years since Chaucer wrote the Tales. Stop the ride, I want off. 

Overall, I highly recommend this to anyone who loves mediaeval historical fiction, and especially to those of us who hold a special place in our hearts for Chaucer.

wife-of-bath-British Library

Book review · books · fantasy · random · sci-fi

A random list of books based on an IG challenge

Greetings, fellow book nerds! I hope your summer is off to a good start and that you have many adventures to look forward to. I am looking forward to a couple short trips and, of course, making some kind of dent in my TBR. Which is hard because I seem to be in a reading slump and I haven’t read very much lately. 

Sometimes when I’m in a reading rut, I will try reading a genre that is completely opposite of the book I just finished. That often helps me get back on track. That doesn’t always work, though, and then I have to try something else. This time, I went to Instagram and dug around in the #bookstagramchallenges hashtags. I also follow the bookstagramchallenges channel to see a variety of book and reading challenges. Sometimes those are great for kicking me out of a reading rut. Plus, they’re just fun! Also, they’re like lists! I love lists. I love getting to cross things off of them. 

For this, I absolutely cherry-picked the prompts I wanted to use from a few different challenges. I went with an all science fiction and fantasy theme for these, since I’m in a big sci-fi mood. I also recognize that there are entirely too many books listed here. I had a hard time picking just one for some of the questions! 

  1. Last, current, and next reads: The Buried Giant by Kazuo Ishiguro; The Big Book of Science Fiction, edited by Ann and Jeff Vandermeer (print) and Seveneves by Neal Stephenson (audio); The Sound of Stars by Alechia Dow. 
  2. Favorite SFF series: Sci-fi – The Expanse series by James S.A. Corey; Fantasy – The Dragonriders of Pern by Anne McCaffrey.
  3. Side characters you wanted to see more of: Kamazotz, the Death Bat from Gods of Jade and Shadow by Silvia Moreno-Garcia. I guess it isn’t really a proper sidekick, but I would have a ball flapping around on a death bat while on epic quests. 
  4. Quick reads: All Systems Red by Martha Wells. We need more Muderbot in our lives!
  5. Sad reads: Never Let Me Go by Kazuo Ishiguro; “There Will Come Soft Rains” by Ray Bradbury; and several of the stories in Alexander Weinstein’s excellent collection Children of the New World, in particular the titular short story as well as “Saying Goodbye to Yang.” 
  6. Funny reads: Job: A Comedy of Justice by Robert A. Heinlein (possibly the most hilarious book I’ve ever read); Redshirts by John Scalzi; How to Live Safely in a Science Fictional Universe by Charles Yu. 
  7. Weapon on the cover: The Rising of the Moon by Flynn Connolly.
  8. Favorite mentor: Ged from The Earthsea trilogy by Ursula K. Le Guin. 
  9. Books and drinks: Split and Scumble, both from Terry Pratchett’s Discworld series! And, although these aren’t from books, honorable sci-fi drink mentions are: Green (AKA Aldebaran whisky) from the episode “Relics” from Star Trek TNG and A Warrior’s Drink (prune juice eww!) from the TNG episode “Yesterday’s Enterprise.”
  10. Unpopular opinions: Only Dune is good in the Dune series. The first rule of reading the Dune series is that you should only bother with Dune, not the rest of the books.
  11. The chosen one: Bastian Bux from The Neverending Story by Michael Ende.
  12. Revenge plotlines: Ancillary Justice by Ann Leckie.
  13. Favorite creatures: Mother Thing in Have Space Suit, Will Travel by Robert A. Heinlein; the Tendu, the frog-like beings in The Color of Distance by Amy Thomson; and the hen with a demon in her in Nettle and Bone by T. Kingfisher. 
  14. Loyal and noble: Robbie the robot, the titular character in Isaac Asimov’s short story “Robbie.”
  15. Book that I would recommend to new SFF readers: The Long Way to a Small, Angry Planet by Becky Chambers. For fantasy, I’d go with Spinning Silver by Naomi Novak or Daughter of the Forest by Juliet Marillier.
  16. Maps: There’s an awesome map in Cyteen by C.J. Cherryh. Also, I know I mentioned her several times in this post,  but the Dragonriders of Pern series by Anne McCaffrey has some excellent maps as well. I spent hours as a child poring over those, visualizing the various weyrs and halls of the planet. 
  17. Favorite anthology: The Paper Menagerie by Ken Liu; Black Thorn, White Rose, edited by Ellen Datlow and Terri Windling (any anthology edited by either of these women are excellent); and Mirrorshades, edited by Bruce Sterling. Click on the clicky-link! It takes you to a free, online version of the Mirrorshades anthology, which is awesome since it’s almost impossible to track down a copy anywhere. 
  18. Book that takes place during winter: City in the Middle of the Night by Charlie Jane Anders. Well, it isn’t winter so much as the night side of a tidally locked planet. Cold counts as winter, right? 
  19. High-flying characters: Sirantha Jax in Grimspace by Ann Aguirre.
  20. Favorite villain: Sydney from The Prey of Gods by Nicky Drayden; The Gentleman with the Thistle-Down Hair in Jonathan Strange and Mr. Norrell by Susanna Clarke.
  21. Cool animal companions who aren’t main characters: The Wolf in The Witch’s Boy by Kelly Barnhill; Solovey, the horse in The Bear and the Nightingale by Katherine Arden.
  22. Hopeful characters: Keyne from Sistersong by Lucy Holland.
  23. Rogues and scoundrels: Trouble and Her Friends by Melissa Scott.
  24. Ocean or beach setting: The Mountain Under the Sea by Ray Nayler.
  25. Bounty hunters or assassins: Warcross by Marie Lu.
  26. Droids and robots: Starship Grifters by Robert Kroese.
  27. Purple book stack: Star Trek TNG: Q-In-Law by Peter David; Sword Stone Table, eds. Swapna Krishna and Jenn Northington; Flames of the Dark Crystal by J.M. Lee; Prickle Moon by Juliet Marillier; and Smoke by Dan Vyleta. 
  28. Monthly book haul: Print books – The Rex Nihilo series by Robert Kroese, Star Trek Discovery: Somewhere to Belong by Dayton Ward, Loki’s Ring by Stina Leicht, The Blighted Stars by Megan O’Keefe. Audiobooks: Bacchanal by Veronica G. Henry, Anathem by Neal Stephenson, The Municipalists by Seth Fried, The Fold by Peter Cline, and the Themis Files trilogy by Sylvain Neuvel.
  29. Monthly wrap-up: I’ll be working my way through The Big Book of Science Fiction for quite a while. I haven’t been reading as much as usual. Also, Seveneves will take me forever to listen to because I can usually only listen when I’m driving. WFH and my kid’s summer break means that I hardly drive anywhere. So I expect that my reading stats for the month won’t be too much bigger than those two books plus The Buried Giant that I read for book club. 
Book review · historical fiction

Everfair

everfair

Everfair by Nisi Shawl

Genre: fantasy

I read it as a(n): audiobook

Narrator: Allyson Johnson

Length: 12:44:00

Her Grace’s rating: 2 out of 5 stars

Everfair by Nisi Shawl is a steampunk alternative history novel that presents a fascinating premise: the people of the Congo discovering steam power before they were invaded by Belgium. Afro-Victorian Steampunk? Hell, yes! Alas, while the concept is intriguing and offers great potential, the execution of the story leaves much to be desired. There is a plethora of characters and an overly ambitious narrative, so the book struggles to maintain a cohesive and engaging plot in my opinion.

One of the main issues with Everfair is the overwhelming number of characters. While a large cast can add depth and variety to a story, Shawl’s approach feels excessive and convoluted. With so many characters competing for attention, I never really could invest emotionally in any one individual. The lack of a clear focal point or well-developed protagonists hampers the overall cohesion of the plot and makes me care a lot less about their individual story arcs.

Another drawback is the sheer number of ideas and themes that Shawl attempts to explore within the confines of a single book. From political intrigue to social revolution, colonization to racial tensions, and the development of steam-powered technology, the novel feels…crowded. Really, really crowded. Like a college dorm room crowded. The result is a fragmented narrative that lacks the necessary depth and exploration to do justice to any of the ideas presented. The overarching story gets muddy and confusing and fails to provide a satisfying resolution for any of the themes introduced.

While the premise of an alternate Congo with steam power is undeniably captivating, the execution of the story falls flat. The pacing is uneven, with long stretches of slow development punctuated by sudden jumps in time and perspective. This disrupts the flow of the narrative and makes it difficult to fully immerse oneself in the world Shawl has created. 

It’s obvious that Shawl did a shitton of research and has a genuine passion for the subject matter, particularly in her exploration of the impact of colonization on the Congolese people. However, the execution of the story fails to translate that passion into a compelling narrative. The book’s potential is undermined by its disjointed structure and a lack of focus.

At the end of the day, Everfair by Nisi Shawl presents a fascinating premise that I really wanted to love so much, but it was just too much. It was a disappointing and tedious read.

Book review · fantasy

The Queen and the Cure

the queen and the cure

The Queen and the Cure by Amy Harmon

Genre: fantasy

I read it as a(n): audiobook

Narrator: Steve West

Length: 10:57:00

Her Grace’s rating: 2 out of 5 stars

Amy Harmon’s The Queen and The Cure, the highly anticipated sequel to The Bird and The Sword, unfortunately falls short of its predecessor’s brilliance. While Harmon’s writing style and world-building skills are still evident, the book suffers from weak character development, a lackluster setting, a generally weird approach to magic, and a failure to establish strong connections to the previous installment.

Character development plays a crucial role in any story, and it’s here that The Queen and The Cure stumbles. The main character, Kjell, who we met in the previous book, lacks the depth and complexity that made Lark so interesting. Actually, Kjell himself was more interesting in The Bird and the Sword than he is in his very own book. His journey felt underdeveloped, and I felt there was a sense of disconnect and missed potential. Sorsha/Saoirse was just weird to me. She doesn’t remember, which, fair. Then proceeds to wrap Kjell around her little finger, falls in love with him in turn, then discovers her true identity and just like that can return to it? Sure, it says she wanted to stay with him but couldn’t. But why? It’s not even her home to begin with that she was returning to. It was an awkward plot device just to get Kjell to Sorsha’s home and have those events transpire. The supporting characters also lacked the growth and depth necessary to become fully fleshed people on a meaningful level.

The setting, a world filled with enchanting magic, was a standout feature in The Bird and The Sword. It was woven into the politics and culture and everything else. However, in this book, it felt almost like an afterthought. Like Kjell might be able to heal, but he does so reluctantly and still with a sense of shame that he is gifted. Either make him come around to the fact that he has an awesome skill, or else work out deeper reasons for why he continues to resist. But Harmon’s descriptions about that felt lacking in detail and failed to create a satisfying explanation. 

The lackluster setting also added to the overall disappointment of the book. Maybe it’s just me but I never got any real sense of the places where the action took place. I don’t know about the kingdom Kjell traveled to, or any sense of the trip itself, or the palace once we got there. Maybe I just didn’t care about the story much by that point.

The connections to the previous book were another letdown. I had hoped for a continuation of the story and a further exploration of that world, its politics, and its characters, but other than a few of the same characters making cameos, the sequel felt disjointed and lacked a strong connection to its predecessor. The references to the events and characters from the first book felt forced and superficial.

Despite its flaws, the book still had her signature writing style, which is fluid and engaging. Harmon’s ability to craft beautiful prose is evident throughout the book, making it a pleasant read despite the disappointment in other areas. The real saving grace for me was the narrator, Steve West. He did a terrific job with his reading and made the book more interesting to me than I think it would have been had I eyeball read it.

Overall, The Queen and The Cure falls short of my expectations. I didn’t hate it but I definitely didn’t love it as much as The Bird and the Sword and I have no intention to read it again. 

Book review · sci-fi · Star Trek

Star Trek Picard: Rogue Elements

STP rogue elements

Star Trek Picard: Rogue Elements by John Jackson Miller

Genre: sci-fi

I read it as a(n): paperback

Length: 406 pp

Her Grace’s rating: 4 out of 5 stars 

John Jackson Miller’s Star Trek Picard: Rogue Elements offers readers an escapist journey through the Federation’s seedier underbelly, a slightly different approach than the typical Trek novel. The author’s note indicated that it was written specifically to serve as a much-needed escape from the grip of the COVID pandemic lockdown. I, however, am several years behind in all of my reading, including Trek, so I only just now read it. It was still perfect escapist reading. With a focus on the charismatic Rios, the acquisition of the ship La Sirena, and seamless connections to the TV show Star Trek: Picard, this novel is a delightful addition to the Star Trek universe.

One of the standout elements of Rogue Elements is the exploration of Cristóbal Rios’s character and back story. I am a major sucker for a good back story, as anyone knows who has had the least contact with me and my bookish preferences. In fact, I’m pretty sure even the Awá people are aware of my love of back stories. Miller expertly delves into Rios’s past, unravelling the layers of his personality and providing readers with a deeper understanding of this complex character. Through actiony adventures and poignant moments, we witness Rios’s growth, gaining insight into the experiences that shaped him into the man we see on the TV show. 

The acquisition of La Sirena, a ship that holds its own aura of mystery, brings a new dynamic to the story. Miller paints a vivid picture of this ship, portraying it as a character in its own right. I also really fucking love it when inanimate objects are their own characters. Oh hi, The One Ring! Excalibur! Rocinante! As readers explore the ship alongside Rios and his ragtag, accidental crew, there is a palpable sense of adventure that permeates every page. 

Rogue Elements effortlessly weaves its story into the broader tapestry of Star Trek: Picard. Fans of the TV show will appreciate the integration of familiar faces and storylines, providing a sense of continuity and further expanding the world created on screen. Miller’s attention to detail ensures that the novel feels like a natural extension of the television series, making it a must-read for any true Trekkie.

Book review · fantasy

The Witch’s Boy

the witch's boy

The Witch’s Boy by Kelly Barnhill

Genre: fantasy

I read it as a(n): paperback

Length: 372 pp

Her Grace’s rating: 4 out of 5 stars

Once, there were twin brothers, Tam and Ned, who built a raft to go to sea. The raft broke and Tam drowned in the river. Ned nearly died of an infection until his mother, grieving over the loss of Tam, captured Tam’s soul and stitched it to Ned. The villagers said that the wrong boy lived because Ned was never the same, speaking with a terrible stutter and not being able to read or write. At the same time in another part of the world, Aine, the daughter of the bandit king, learns that the wrong boy will help her and save the kingdom from a devastating war.

This book was pure fantastical joy. It seamlessly wove together the magical with the mundane, which is one of my favorite storytelling tropes. Everywhere in the story, there are elements of magic, from the way Ned’s mother, known as Sister Witch, captures Tam’s soul, to the forest that moves and protects those it cares about, to the standing stones and their living memories. Magic in this world is wicked, always trying to lead those who wield it to misuse it in some way. Sister Witch remained good and uncorrupted by the magic because she kept it in a clay pot in the basement. Her one time slipping up was in stitching Tam’s soul to Ned. The villagers in general are quick to leave her and eventually Ned on the outskirts of society, but are even quicker to call on her if they need help to heal a sick child or injured adult. Ned, too, is shunned and demeaned, blamed in some way for Tam’s death and treated as an idiot because he couldn’t read or write and could barely speak. 

Set as a counterweight to Sister Witch’s goodness and her resistance to the corrupting influence of the magic is Aine’s father, the bandit king. He has a talisman made from a piece of the stones that hold most of the magic in the world. The stones are ready to move into a new form and leave the world, taking the magic with them. Aine’s father, however, is driven partly mad by the magic and he is at its whim, using it for wicked deeds and lacking the strength of will to control it. 

The way people view Sister Witch and Ned explores the idea that the things we fear the most can also be a source of salvation. The dichotomy between being seen as outcasts but also as someone who is needed is a great metaphor for the dualities we face in ourselves. It also shows that embracing differences and facing down our fears can lead to self-discovery and growth.

Love and friendship are central themes in the story. The unconditional love between Tam and Ned is fairly gut-wrenching. When Aine comes along, the friendship she and Ned form help him to deal with his grief and guilt while at the same time giving Aine a new focus for her unmoored existence. The bonds that form between Ned and Aine as well as between the wolf and both children show how genuine love and friendship can help to heal, awaken hidden strengths, and inspire deep courage. The trust, loyalty, and unflagging support this unlikely group of friends share with one another transcend the social norms of both their societies and defy the expectations of all who know them. In the end, Aine’s love for her father is what redeems him, though his redemption comes at a high price, and the love Ned’s parents have for him and his brother breaks the curse he’s had of carrying a soul that is not his. All of these various relationships highlight the transformative power of love.

At its core, The Witch’s Boy is a story about the transformative power of love and the unbreakable bonds of friendship. Barnhill effortlessly captures the essence of these emotions, exploring how they can guide us through life’s darkest moments. 

Favorite line:

  • A word, after all, is a kind of magic. It locks the substance of a thing in sound or syllable, and affixes it to the ear, or paper, or stone. Words call the world into being (29).
Book review · sci-fi

Starship Grifters

starship grifters

Starship Grifters by Robert Kroese

Genre: sci-fi

I read it as a(n): audiobook

Narrator: Kate Rudd

Length: 7:26:00

Her Grace’s rating: 4 out of 5 stars

We’ve been lucky to have a ton of sci-fi space opera to read, and recent additions to the canon have been both full of action as well as making some astute social, religious, or political commentary amid various interstellar adventures and cosmic battles. Robert Kroese’s Starship Grifters is another refreshing and hilarious addition. This satirical space opera combines elements of classic science fiction tropes with a witty narrative that grabbed my attention (almost) from the start. I had a moment where I wasn’t in the mood for sci-fi the way I thought I was, and so it took me a little bit to get into this story. Once it got me hooked, though, all I wanted to do was listen to it.

I think the character development is a strength of the book. The protagonist, Rex Nihilo, is a lovable scoundrel with an insatiable appetite for trouble. Kroese skillfully crafts Rex as a charming yet flawed character (actually, he might be kind of a sociopath. I’m not entirely sure), whose resourcefulness and smart mouth often lead him into outrageous situations. As the story progresses, Rex just keeps landing himself in a series of progressively crazier calamities. At the same time, he also shows some surprising layers of depth beneath his initially superficial exterior. He’s still mainly superficial and does things that are the best for him, but he managed to surprise me on several occasions.

The supporting characters in the novel are equally memorable. Sasha, Rex’s robot sidekick, adds a touch of practicality and grounding to their escapades. She is the voice of reason that Rex decidedly ignores at every opportunity. Kroese infuses each character with unique traits and motivations, making them each well-rounded and fully-realized. The interactions between the cast are lively and entertaining, creating a dynamic ensemble that kept me interested in them and their adventures.

The setting overall is a delightful blend of futuristic technology and retro aesthetics. Do you remember that movie The Rocketeer? Sort of a steampunk/mid-century/detective noir aesthetic? This book was kind of like that, but in space. Kroese constructs a vivid universe filled with bustling spaceports, eccentric alien species, and advanced gadgets. The author’s attention to detail creates an immersive experience in this universe. It was pretty easy to visualize the places described and see the story as though I were a character observing from a distance. The world-building is done in a way that embraces the absurd and eccentric elements sometimes (but not always!) associated with science fiction, complementing the overall tone of the book.

Speaking of tone, humor permeates every page of Starship Grifters. Kroese combines witty banter, situational comedy, and clever wordplay to great effect. The narrative tone is lighthearted, and the author’s comedic timing shines throughout the story. That timing is further enhanced by Kate Rudd’s masterful narration. She nails Sasha’s dry tone perfectly and that deadpan delivery made for more than one laugh out loud moments. The humor is not only used for entertainment purposes but also as a vehicle for social commentary, poking fun at various aspects of human nature and society. This satirical approach adds an additional layer of depth to the story and elevates it beyond a simple space adventure story.

Going back to the audiobook and narration, as soon as I finished this book, I wanted to go and get the next one to listen to. Imagine my supreme disappointment when I discovered that Kate Rudd does NOT narrate the rest of the series! What the fuck? Why would you change a narrator from a good one to a not good one? The sample of book two wasn’t too promising and my skepticism regarding the skill of the new narrator seems to be borne out by many, many reviews saying that the story of the next two books are fun but the narration sucks. So unless the next books are ever an Audible daily deal or something, it is not very likely that I will bother listening to them. Maybe I’ll buy the print versions, though my self-imposed moratorium on buying new books is putting a crimp in that idea. 

All told, Starship Grifters is a highly enjoyable space opera that combines character-driven storytelling, an imaginative setting, and a comedic tone. Robert Kroese’s skillful development of the protagonist, engaging supporting cast, and the vibrant universe they inhabit make this novel a standout in the genre. Fans of science fiction with a penchant for humor will find themselves thoroughly entertained by this intergalactic romp. The main caveat I have is, if you are inclined to listen to the audiobooks, just know that Rudd won’t be narrating them all. You might want to steer clear of starting an audio series without knowing about the change in narrators. I wish I had known before I got this one.

Book review · fantasy

Snow and Poison

Snow and Poison

Snow and Poison by Melissa de la Cruz*

Genre: fantasy

I read it as a(n): digital galley

Length: 288 pp

Her Grace’s rating: 2 out of 5 stars

De la Cruz’s lush retelling of Snow White is set in 17th century Bavaria. The central figure is Sophie, the Duke of Bavaria’s daughter, and her love interest is Phillip of Spain. They meet at her debut ball, which is also the marriage of her father to a woman called Claudia, who hails from a remote region of Bavaria. Events are set in motion that will test the strength of Sophie’s resilience as well as the bond between Sophie and everyone she loves.

There were many things to like about this book. In particular, the relationship between Sophie and Claudia was delightful; it’s always refreshing when an author makes a traditionally negative character into one worthy of love and respect as she did with Claudia. She turned the trope of the wicked stepmother on its head. 

There were several drawbacks to the novel as well, though. The pacing was generally poor. The first three-quarters of the book were a straightforward historical story; one wondered when or if there would be any elements of the Snow White tale. I had actually wondered if this was perhaps the first part of a duology or trilogy. Then, in the last quarter of the book, the dwarves’ and the wicked witch’s characters were introduced and the whole rest of the fairy tale proceeded from there in a very rushed manner. Mostly because of the inconsistent pacing, the characters in general all lacked development, and a couple of them who had the potential to be honestly fascinating were more or less glossed over in favor of concluding the story. Many unanswered questions remained as a result of the pacing deficiencies.

The novel should appeal to younger teens or established fans of de la Cruz, but I think it would disappoint older teens or adult YA readers.

*This review was originally published with the Historical Novel Society

Book review

The Black House

the black house

The Black House by Peter May
Genre: mystery
I read it as a(n): Kindle book
Length: 401 pp
Her Grace’s rating: 3 out of 5 stars

The Black House by Peter May is marketed as a mystery that will leave readers spellbound. Set on the isle of Lewis in the Outer Hebrides, the book brings Detective Inspector Fin MacLeod back to his hometown to investigate the murder of a local man. MacLeod finds himself on a journey into the heart of darkness, where secrets and mysteries are closely guarded by the insular community.

I say it was marketed as a mystery because I didn’t think there was really all that much mystery to it. Yes, there was a murder being investigated. But except for a couple scenes interviewing people and a thoroughly described autopsy, the main part of the story focused on the villagers of Lewis and their connected past. That is actually a-ok with me, as I was far more interested in the culture of the Outer Hebrides than I was in the murder. I actually learned a lot and am curious to visit, though I am in no way strong enough to live in a place like that.

May’s writing is atmospheric – he includes vivid descriptions of the island’s rugged landscape and the harsh realities of life in the remote community. The characters are complex and nuanced, with their own secrets and motives that are slowly revealed throughout the book. I learned that the Outer Hebrides is primarily where Gaelic is spoken today, and it is still actually the primary language. So now I’m on a mission to visit so I can hear it in the wild, so to speak.

One of the things I really liked about The Black House is the way May weaves together multiple storylines and perspectives. He did so in a way that meshed together seamlessly, creating a tapestry of intrigue and suspense throughout. The pacing might be slow for some readers but I liked the greater focus on the Hebridean culture more than the actual mystery portion anyway. I did not figure out who killed the man on Lewis or why until it was revealed in the story. When it was revealed, I thought it was rather rushed and not believable. However, there was another tangent that MacLeod missed entirely and he was surprised when he learned about it. I am guessing a woman would not have been surprised and probably would have figured it out right quick.

Overall, The Black House is an interesting bit of storytelling, combining beautiful scenic descriptions, complex characters, and a mostly ok plot into a quick read.

Book review · fantasy

The Bird and the Sword

the bird and the sword

The Bird and the Sword by Amy Harmon
Genre: fantasy
I read it as a(n): audiobook
Narrator: Trina Nishimura
Length: 10:57:00
Her Grace’s rating: 4 out of 5 stars

Set in a world where certain people possess magical abilities, referred to as Gifts, The Bird and the Sword tells about a Gifted young woman named Lark. Her Gift is the power to control words: she can come up with a rhyme and manipulate creatures, objects, and other people. However, in order to remain safe, her mother, who was also Gifted, put a spell on Lark that she must remain silent and never speak. As a result, Lark is mute and cannot even write because in their world, Gifts are seen as wicked and the Gifted are objects of hatred and persecution, outlawed by the king himself.

I loved the discussion about the power of words in this book. That concept has been explored in literature forever. Authors from antiquity to Shakespeare to modern-day novels have recognized the impact that language can have on our lives. The whole purpose of writing is to manipulate words and reality. So I liked that play on, well, words woven throughout the novel.

The new king, Tiras, takes Lark as a hostage to ensure her father’s compliance, but doing so has a far greater impact on their lives and the political landscape of their entire kingdom. As Lark navigates the political machinations of Tiras’s court, she discovers the true extent of her power. Her ability to control objects and beings is not limited to spoken words but extends to the written word as well. She can change reality just by altering the words on a page.

Through Lark’s experiences, Harmon highlights the immense power that words hold. They can be used to create and inspire, or they can be used to destroy and manipulate. In the hands of those who understand their power, words can change the course of history.

Related to that, the book also examines the responsibility that comes with possessing such power. Lark’s silence is a reminder of the danger that comes with speaking carelessly. Her ability to manipulate words also puts her in a position of great responsibility. She must use her power for good and resist the temptation to use it for personal gain. If ONLY certain U.S. politicians could grasp that very basic concept! The idea of words holding power is certainly not a new one, but The Bird and the Sword offers a fresh take on it. Harmon’s use of a fantasy setting allows her to explore the theme in a unique way, creating a world where the power of language is literal rather than metaphorical. Once again, this helps prove my point that sci-fi and fantasy are the perfect genres in which to examine social, political, religious, scientific, or other topics that people might object to if they were set in a realistic and recognizable world. 

The world-building in the book was vivid and imaginative. I was able to get fully immersed in the story. I always appreciate a well-planned and richly political story, and this checked those boxes. I think it is interesting to see how differently we can imagine various worlds or ways of managing a government. The character development was pretty good, though Tiras and Lark were the most developed of the cast. Some of the other characters were flatter or seemed there more to fill a role than to be a wholly-realized person. 

I listened to the audiobook version, narrated by Trina Nishimura, rather than eyeball reading this one. Nishimura’s performance was ok. I didn’t think it was the best, but it was certainly not the worst I’ve ever heard. Her voice isn’t as low or rich as some women’s voices are who narrate other books, so she sounded a little shrill sometimes. I am also firmly convinced that she should never, ever narrate a book with a lot of children characters. Her child’s voices were obnoxious and I’m glad there were only a couple short bits with children speaking. Overall, she did fine and it wouldn’t stop me from listening to another book if she were the narrator. She’s just not one of my favorites, and that’s ok. 

Overall, The Bird and the Sword is a fun and fast-paced read that offers an insightful commentary on the power of words. It serves as a reminder that words can be both a tool and a weapon and that we must use them wisely.