Set in the late 1860s, Never Waste Tears is the story of Nathaniel Jacob Carter, a young man whose desire it is to find peace after the war, a life with a woman he loves, and the companionship of the friends he meets along the way. Dated April 12, 1861, the story starts with the journal entry of a young ten-year-old Rebecca who expresses wonder as to why her home town is so suddenly somber. Thirteen-year-old Nathan’s journal entry follows with the description of how, on his birthday, his family changes forever when his father and brothers leave to join the War Between the States. Through the personal journal entries of these two characters, Zachgo builds their relationship, and the relationships with their families. The conflicts Rebecca faces and the reasons which compel Nathan to leave his home behind soon become apparent, making the story of the young couple’s journey deeply personal.
Soon after their marriage, Nathan and Becca begin their adventures. They join a wagon train west with hopes of homesteading land in the New Frontier. Initially, the young newlyweds set Nebraska as their final destination, but after making a bonding friendship with another young couple, Carl and Hannah, Nathan decides to head for the Kansas territory instead. What awaits the young settlers turns Nathan’s life inside out. Zachgo’s use of historical facts and descriptions of the everyday joys and hardships faced by the pioneers adds to the realism of the time period and of the settling of the United States, west of the Mississippi River.
Zachgo moves the story forward through the use of journal entries of five different characters. Doing so provides a deeper understanding of the personal lives of pioneers, and the emotional bonds they form in order to survive. While the use of personal narrative through the journal entries is an interesting method of moving a story forward, the technique was initially confusing. The confusion was short-lived since it turned the story into a page turner that prevented me from setting the book down for even a moment.
Never Waste Tears is an interesting story about the post-Civil War settlers who traveled west in search of a new life. Zachgo does an excellent job developing characters that are true to the time period and the settling of the post-Civil War American West.
My mom occasionally listens to one of the more conservative radio stations in my hometown. That would be horrifying except they have plenty of *opinions* about 45 which are quite in alignment with my own, which is a delightful surprise given that I am…super not conservative. Anyway, this station plays Dave Ramsey every day for 2 hours and I’ve often heard his show. I have always enjoyed listening to him when I catch his show because so much of his financial advice is so common-sensical and down to earth. I like his tough love approach and how he tells people what they need to hear rather than what the want to hear. Since I have a little bit of debt – thankfully not very much at all – I decided to take a look at his book. I am glad I did because I learned a lot of things that are relevant even for people without a crushing amount of debt!
I found the book to be broken down in a clear and easy to understand format. You would think that should be a given, but nope. I’ve read other finance books and it was like, “WTF does that even mean?” I have literature degrees for a reason, folks. Anyway, Ramsey’s premise for becoming debt-free is to follow his Baby Steps. These steps are:
Save $1000 for an emergency fund
Pay off all debt (except mortgage) using the debt snowball
Save 3-6 months of expenses in a fully funded emergency fund
Invest 15% of your income in retirement
Save for your children’s college funds
Pay off your home early
Build wealth and give
The first two steps are supposed to take the longest, especially if you have a ton of debt. Since I don’t have a lot of debt and only recently discovered Dave Ramsey, I already have well over $1000 for an emergency fund. I’m sure he would think it is an excuse, but I will never use all my money to pay off the one debt I have because I have a house and the mortgage is more than $1000 a month. But I did recently manage to make a giant payment to the one loan that I have, and am making a budget, which I’ve never done before. I will be able to get that thing paid off within this calendar year if I plan right, and then I will be able to start saving for a new car, finally, which I’ll pay cash for. I will be able to save money for my daughter’s college fund, and invest for retirement the way I want to. I want to follow a mix of Dave Ramsey/ Mr Money Mustache/ The Minimalists approach to life, because that seems the type that is the likeliest to bring the most joy and value to my life.
Is this book for everyone? Nope. If you have the attitude that the world owes you something or that certain things are just *necessary* for life when they really aren’t, or you aren’t willing to make sacrifices for a while to get out of debt, then you probably won’t respond well to this book. Ramsey is also religious and he sometimes throws in quotes from the Bible to support his financial practices. I’m as atheist as they come, but I didn’t find these to be irritating or anything; they were the common sense kind of quotes, like “Lazy hands make for poverty, but diligent hands bring wealth” (Prov. 10:4). The source here is irrelevant. The message is the same – getting out of debt and gaining financial freedom is hard work and you can’t be lazy about it. But I suppose it might be annoying to some people who aren’t able to separate their secularism from everything else.
I also learned some things that I should have learned long before now, in my early 40s, but I suppose better late than never. Like about the protections on debit cards, for example. Never knew how those worked before now. Made me feel dumb, but now I am glad to know how it works because I can use my debit card with no concerns now. It will make things easier to budget, that’s for sure!
Even though I don’t have a ton of debt, I am still really glad I read this book and will be using the steps to pay off what debt I do have, and to help me manage my money better in the future. Definitely recommended for people who are in debt and are motivated to get out, who want to manage their finances better, and who want to understand how their money works better.
The Green Phoenix by Alice Poon is a sweeping saga of a fascinating woman, the Empress Xiaozhuang. She began as Bumbutai, a Mongolian princess who became a concubine at the Manchu court when she was 12 and later, became the first empress of the Qing Dynasty. She guided her country through political machinations, upheaval, and strife to see it become one of the most powerful dynasties on earth.
I confess that I know nothing at all about Chinese history. Going into this, I couldn’t have been more ignorant about a topic if I tried. That said, The Green Phoenix was an absolutely riveting novel, and appears to be meticulously researched. The atmosphere hooked me from the start and I simply didn’t want to put it down. I lost rather a lot of sleep over this book. The politics of court life were complex and, at times, harrowing, on par with anything the Tudors or Plantagenets could come up with. The intrigues and plots were so intricate and delicately wrought that I found myself breathless, wanting to know how this woman would make things right or take advantage of the situation. I found myself rooting for a person who has been gone for nearly 400 years – her story is over and unchanging at this point, but it was as gripping to me as if it were happening in real time.
The characters in this novel are people readers grow to care about. Some of them I hated, but I was supposed to. I admit that I did have some trouble keeping many of them straight, partly because there were so many of them and partly because I was having a hard time with the names. That is all on me, though; I wonder if it might be easier to keep characters straight if I could listen to this as an audiobook. Perhaps one day it will be available through Audible, but it seems not to be at the moment.
Poon’s use of language can only be described as elegant. I highlighted many of my favorite passages, as is my habit when reading any book, but I think my favorite was, “A kind ruler is an invincible ruler,” something many leaders even today need to learn. Hong Taiji really embraced that when Bumbutai first joined his court as a child bride/concubine. He allowed her to continue her education, something that was precious to her, and he was kind to her. It can be hard to understand, even for seasoned readers of historical fiction, a girl marrying at 12 years old. For Bumbutai to go from a child at the beginning of the book to the formidable woman she was is a treat to witness, all thanks to Poon’s masterful wordsmithing. Bumbutai was a woman of great strength, generosity, love, and humility. I would have liked to know her, and after reading this book, I felt almost like I did.
Overall, this was a captivating book, and it read very quickly despite its length. Very highly recommended!
This memoir/introduction to minimalism, Everything That Remains is a slim book that covers a whole lot of ground. Written primarily by Joshua Fields Millburn (the footnotes are all by Ryan Nicodemus), it is the author’s memoir, his early life with an addicted mother, his rapid rise in the corporate world, and how he had all the outward appearances of wealth and success but none of the actual realities of it. His discovery of minimalism changed his life and, in many ways, probably saved it.
I picked this up from my local library because I love listening to The Minimalists podcast, but I’m not always a huge fan of memoirs. I do have their other book, Minimal, but haven’t read it yet. This one is a good though typical memoir, discussing Joshua’s road to discovery and why he chose a minimalist lifestyle. It is a helpful tool for anyone wanting to learn more about this lifestyle, and can help to figure out one’s own version of minimalism. I liked that it stressed minimalism looks different for everyone. I think that is an important point and something not everyone stops to think about.
Ultimately, this was a useful memoir for me, as I am going full stop on embracing minimalism. I am doing all I can to learn about it, and this was one way to learn one way to go about it.
In late-14th century France, Charles VI “the Mad,” rules. Probably a lot of people would like for France not to be ruled by a guy who is off his rocker, including his brother, the Duke of Orleans. Then, at a masquerade ball, the king and several of his friends decide to cause some mayhem and dress up like wildmen. To do so, they stick fur and leaves to themselves using pitch. This turns out to be a spectacularly bad idea, because a spark, presumably from the Duke of Orleans’s torch, catches on one of their outfits, causing four of the men to burn to death and the king to narrowly escape the same fate. Everyone suspects the Duke. However, some other people attending, including Christine de Pizan (yes, that Christine de Pizan) see something others didn’t – another torch, which was thrown from a spot far away from the Duke’s location. He still had both of his torches and yet there was a third torch on the floor, in the middle of the burning men. The Queen, Isabeau of Bavaria, asks Christine to find out who wants the king dead, for she is certain that he was the target of an attempted assassination. Aided by a colorful array of sidekicks, including a prostitute who actually makes her living at embroidery, a dwarf who works for the Queen, and a deaf girl who takes care of the King’s lions, Christine undertakes an investigation. It leads her from the twisted politics of the court, to various potential targets and culprits with different reasons to want the victims dead, and straight into the sights of a killer.
In the Shadow of the Enemy is actually the second in the Christine de Pizan series, but it was the first one I’ve read. That made no difference to my utter enjoyment of the book, though, as this story is a standalone. The first book was referenced enough that it filled in any gaps there might have been, sometimes a little too thoroughly – there are totally spoilers for the first book, so I didn’t think that was very well done at all. I’m still going to read the first book, though, and just hope that I’ve forgotten what the spoilers are by the time I actually get around to it.
I adore the fact that Christine de Pizan, author of The Book of the City of Ladies (Penguin Classics), is the protagonist here. I love it when real women from history are the stars in literature interesting new ways. She is a complex character, and all the secondary characters are multifaceted as well. Marion the prostitute was my second favorite, with her big personality and capacity for warmth and generosity and her inexplicable reluctance to tell people she isn’t actually a prostitute anymore. Christine’s mother, Francesca, was also a fun, minor addition. She reminds me of my grandmother in a lot of ways. The one thing I thought was weird was Klara’s utter and sudden change of heart regarding her husband Martin and her views on her brother, Willem. Those both seemed too convenient for me, but in the scheme of things, I can overlook this minor quibble.
The mix of medieval attitudes towards people, including those deemed “defective”, such as dwarves or deaf people, and even towards Christine herself, is so realistic. People thought Loyse, the deaf girl, had demons because they didn’t understand that she acted as she did simply because she couldn’t hear or understand others. The dwarf, Alips, was viewed with deep suspicion and hatred because it was thought that dwarves bring bad luck, or that the way they look on the outside reflected a corrupt soul. And, of course, women were viewed as second class citizens and were treated as such. So much religious bullshit. The research that clearly went into the novel is apparent and appreciated. The imagery brings to life medieval France in an immediate way, from the descriptions of the court and its kitchens and gardens to the streets and their various inhabitants. The plot was pleasingly complex and included a lot of history about French warfare, or at least one battle in particular. Overall, this was a fast, fairly light read and I happily recommend it. I even went to the library and got the first one in the series. I’ll read a few other books before I read that one, though, to see if I forget the spoilers for it that were in this book. Hmph.
*This is a much longer and more detailed review of the one which was originally published by the Historical Novel Society.
Black Lily is the tale of Zenobia and Lily. Zenobia was born into poverty, the daughter of an impoverished young girl who became the mistress of a shipping mogul. It is possible he was Greek or Middle Eastern but if it ever said, I missed that part. He was surprised when Zenobia was born blonde. Lily is a black woman who was brought to London from the Caribbean on a sugar and slave ship as a toy to a rich lord. She was a kept woman for a rich merchant who ended up being connected to Zenobia in a surprising way. The lives of these women continue to intertwine in intricate, often horrific, ways, and they both have to learn how to navigate society to her best advantage when her value is entirely decided by the men who control them. Lily ends up being a hidden driving force throughout Zenobia’s entire adult life in ways she never even knows. In turn, Zenobia unwittingly is a savior of sorts to Lily. Another woman, Lily’s maidservant, Agatha, is yet another link between the three women, forging deeper connections and bonds that are strong enough to keep the secrets they all hide from society and the men around them. Read More »
Circe is the tale of a fascinating but somewhat overlooked woman from Greek myth. She is the daughter of the sun god Helios, a lesser divinity, immortal, and a witch. She has the power to transform things and she knows the inherent magic in plants. Most of us know her from her role in The Odyssey, which was significant even if it wasn’t long. This novel tells her tale from her childhood, her self-discovery, and how she finds a place for herself in the harsh world of the gods.
I absolutely loved how Circe deals with her role in and among the gods. She never has an easy time – she has the worst time, really – but she is a woman in a man’s world and she still makes a place for herself. She is seen, and forces the divinities to acknowledge her in some way, whether any of them like it or not, including her. I think this really mirrors the experiences of modern women in that we still struggle to be seen and be taken for granted, not be underestimated, and not shuffled off or ignored as though we are worthless.
When Circe encounters Prometheus, it sets the stage for her entire life. She learns she can defy the gods to an extent. Perhaps she will be punished for her defiance if she gets caught, but she also learns they don’t actually know everything and there are things people can do and get away with that they never know about. She manages to make this idea central in her own life, defying the gods in subtle and not so subtle ways.
I really loved the way crafts were woven throughout as well. They were, however, divided by traditional gender roles. It makes sense within the context of the narrative, though, since Circe, Penelope, Medea, were expected to know certain things and not others, and vice versa for Odysseus or Daedalus. The women knew weaving and spinning, herb lore, healing and midwifery. The men knew smithing, metalwork, sculpting, and woodworking. Breaking down crafts by gender roles reinforces the roles and highlights the fact that even the gods are similar to humans in this world, which is super interesting because, even though the gods are immortal and have various powers, they are still limited in some ways with what they can do. They are governed largely by their emotions and desires. In many of the ways that count, they act more like immortal toddlers than as wise beings. Humans tend to be more reasonable in some situations than the gods, which I think is interesting. Is it how Circe sees the gods and humans, or is that how it truly is here? Intriguing commentary, either way.
There are just too many things that could be discussed for one review – how parents view their children and vice versa; the relationship between Circe and her sister Pasiphae or her brother Aeetes; how Daedalus affects Circe; Medea; Penelope, Telemachus, and Odysseus; power dynamics; transformations of a multitude variety. Like the Greek myths themselves, you could probably write a dissertation about the ways to interpret this novel, how the characters influence each other and the world around them, gender roles and expectations, or the role of choice and fate. I loved this book, and I love strong women, and strong women figuring out that they are strong is just the best.
I haven’t even gotten into the sheer beauty of Miller’s writing style. I think I will have to do a separate post just with my favorite lines from the book.
In any case, this is very highly recommended and an excellent way to get a ton of Greek mythology without reading the source material, if that isn’t really your thing. Though everyone should read The Iliad and The Odyssey at least once in their life.
In an action-packed, heroic story, Michael McNamara leaves Bristol, England, in search of himself. McNamara starts with a dream to become an officer in the Royal Navy. When an opportunity presents itself, he is accepted into the navy as a volunteer – per – order, after providing a reluctantly written letter from his father. When McNamara is then drummed out of the navy, he uses his skills with a small sword to become a fencing instructor, only to be let go from this position a year later. He then decides to pursue a fresh start in Kingston, Jamaica. Once McNamara arrives there he finds himself in a duel with a group of ruthless Caribbean pirates and thus is set in motion a series of events that leads him to the magnificent Dona Catalina Moore Viuda de Caldeira and her infamous fiancé pirate, Captain Stephen Reynard. What happens next takes our hero on a journey that comes to define his purpose in life through his experiences with The Brotherhood of the Black Flag, and this is where the real story begins.
Cohen does an excellent job building a fast-paced story that moves McNamara’s adventures forward with vivid descriptions of battles and fights that take place on land and at sea. His knowledge of 18th-century weapons, specifically swords, helps readers to visualize the time period and the character’s personas. Readers feel McNamara’s tenacity and commitment to life by Cohen’s balance of the accuracy of facts with the originality of his fictional story.
Throughout the book, readers come to respect McNamara for his loyalty and duty to those in his life. The character builds relationships and establishes his reputation as a strong, principled individual who holds steadfast to his ideals. Equally, readers also come to know and understand the beautiful Catalina, whom McNamara comes to love; and the pirate Reynard who appears to be working on changing his swashbuckling lifestyle. When Cohen moves the story into a sudden and unexpected twist of events, readers wonder whether they missed something along the way – but soon realize the author’s masterful writing skill.
The only thing that lets the book down is the cover. The narrative is exciting, the cover isn’t – for young adults or a children’s book it would have been fine, but not for an adult read.
The Brotherhood of the Black Flag is a must read for anyone who is captivated with the Age of Piracy. Cohen has done a remarkable job developing a story that places readers in the middle of the action, and into the heart, soul and spirit of the hero, Michael McNamara.
Set in 1846 England, Hooks and Eyes by V. L. McBeath is the story of Mary Jackson, a young widow, and the journey she takes to ensure that she can aptly raise her two young children during the Victorian Age. After the death of her husband, Mary decides to leave her in-laws’ country home to live with her deceased husband’s Aunt Lucy and Aunt Rebecca in the city. Determined to make her own choices about what is best for her family, Mary, against the advice of her aunts, marries William Wetherby, her former employer, a bully, and a womanizer.
Throughout the novel, McBeath intertwines the lives of multiple families while incorporating accurate historical elements into each chapter. She touches on how the non-mechanized businesses transitioned into the mechanized factories of the Industrial Revolution. Most importantly, McBeath opens the reader’s eyes to the difficulties faced by widowed and older, unmarried women during the mid-1800s.
The author did a good job capturing the emotional struggles faced by the women throughout the novel. Readers will sympathize with Mary’s emotional and psychological pain. Seeing how women could choose to support one another, as Mary’s aunts try to do, was enlightening. Unfortunately, some of Mary’s choices do not set well with her Aunt Lucy.
Instead of using Mary and Wetherby’s marriage to focus the many subplots more effectively into the central narrative of female strength, McBeath moves the story forward by introducing multiple characters to create short, family dramas that are frequently left unresolved or are irrelevant, and because of this, the one storyline that moves the main idea forward is unresolved. Had it been, it could have given Mary profound insight into her original choice, creating a smoother transition into the final scene.
Hooks and Eyes starts with a narrative that captures the emotions of the main character and the journey she takes because of the death of her true love. The subplots are interesting and build a sense of the period, but they fall a little short of connecting that main storyline introduced in the beginning of the novel, with the climax in the final paragraphs.
However, an interesting novel for those readers interested in this period.
The Year the Swans Came is a tragic story for anyone who wants to become captivated by the lives of two girls who are literally polar opposites of each other. It is a story of one girl’s love of herself and her physical world, and the story of another girl’s unconditional love for the people in her life. It is a story of passion and a story of anguish. Spencer has done a wonderful job subtly showing how magical realism is a real part of the mythologies of a culture.
One of my favorite authors, still sadly an obscure name, is Christy Nicholas. I had the good fortune to review a few of her books forDiscovering Diamonds. A few of her other books are also reviewed on DDRevs by my fellow reviewers which I didn’t read, but they are worth checking out for sure. One reason I enjoy Nicholas’s books so much is because she imbues them with so much feminine power. They are accurate within the scope of their timeframe, yet the women in each one are strong, bold, as feminist as possible. She pushes the boundaries of creating feminist characters and isn’t shy to use mythical characters, such as The Morrigan, to be more feminist. I fucking love it.
Below are a couple reviews, submitted as a guest post by Cathy Smith, who is also a reviewer at DDRevs. My own reviews of Nicholas’s books that have already been posted can be found both onDDRevsas well as on this blog.
Legacy of Hunger, book one of Christy Nicholas’s Druid’s Brooch Series, takes readers on an unforgettable quest from the shores of 1846 America to the distressed Irish countryside of Valentina McDowell’s ancestors. Driven by her mother’s legends and a desire to find an old family brooch, Valentina finds early on in her quest that she will discover friendship and come to realize the betrayal of enemies. She will see beauty and face tragedy. Guided by her mystical visions, Valentina’s journey is filled with joy and sorrow as each step of the quest prepares her for what awaits at the end.
Nicholas does an excellent job developing the story by painting detailed descriptions of the characters themselves, their past, and their present. Readers also feel the intensity of the characters’ personalities through the descriptive images of the ship’s voyage across the sea and of the Irish villages and countryside. Nicholas stays true to the history of 19th century Ireland. She uses this history, as well as the legends from the ancients, to provide readers with a real-world sense of Valentina’s adventures.
As I experienced Valentina’s journey to find the answers to the mysteries that haunted her from childhood, I thought of a time when my own father told me the story of his grandmother who came to America as an indentured servant during the An Gorta Mór – The Great Hunger. He told the story of how she met my great-grandfather while working off her servitude in a well-known Colorado bar. As I read Nicholas’ story, I realized that the legacy of hunger is a legacy that affects generations of people even into the 21st century.
Although Nicholas provides closure in the last chapter and epilogue, the happily or not so happily ever after resolutions of the individual character stories left me with deeper questions. It is my hope to see future novels that develop some of these characters’ journeys.
Legacy of Hunger is the story of the Irish people who suffered during the Great Hunger. It is the story of how Valentina McDowell journeys to find her strength, courage, and inner soul by overcoming the challenges to complete a quest that reveals her destiny.
Other books by Christy Nicholas:
Nicholas also has a standalone novel that I reviewed for DDRevs as well, Call of the Morrigu. The full review is here, as I forgot to post it to my own blog before now.
In late 1700s Ireland, rebellion against oppressive English rule was on the rise. In one quiet corner, however, society was still relatively peaceful. Theodosia “Dosey” Latimer lives with her grandfather in their family’s country estate of Strokestown. On the property, they discover a mysterious cave filled with ancient carvings and decide to try to excavate it. In the process, they accidentally awaken The Morrigan. Yes, that Morrigan. The mythical Irish war goddess. Now it is up to Dosey and her grandfather to teach Morrigan how to behave like a proper 18th century lady – and keep her out of the rebellion coming their way.
This was, simply put, a remarkably fun read. Author Christy Nicholas weaves in mythology and history smoothly throughout the narrative. Readers are given glimpses of Celtic myth alongside bits of information about the 1798 Irish Rebellion, led by Wolfe Tone. Parts of the story were surprisingly funny as well. Morrigan learning 18th century table manners is exactly what you would hope for.
The parts of the book that I most appreciated were its many feminist elements. Feminism was a necessary component of the plot for Dosey to be able to grow as a character and a woman. She also was a product of her time and none of her actions were unbelievable or out of place in the story. However, it’s hard for me not to cheer and fall in love with characters who make comments like “I do not understand the shame your society has for the body. It is a glorious thing, full of life and pleasure” or “You are power. You are woman. All woman are power.” Here, Morrigan was reflecting what was understood to be the typical pre-Christian culture of ancient Ireland (or at least the author’s interpretation of it), but it remains highly relevant in today’s society where women’s rights are still challenged and threatened by the patriarchy. Having a mythical character speak the words makes them no less relevant, and allows a certain safe distance from which we can examine our modern morals and values. I loved it.
My only criticism is that I felt some of the secondary characters could have been developed a little more. I wanted to get to know Nan better, and Cillian and Marcus. They were fine, but they felt like they were placeholders or extras just playing a necessary part in a formula. However, they were not totally flat or one-dimensional, either, and they served their respective purposes well enough.
Overall, I loved this book and look forward to reading more by this author. Strongly recommended for anyone who is interested in Irish mythology, history, or the influence of women on either subject.
In this ninth installation in the GoddessGirls series, Pandora opens that bloody box. The Titans, Epimetheus and Prometheus, are new students at Mount Olympus Academy and they are rather outcasts for the role the Titans played in the war between the Titans and Olympians. Spoiler alert: the Titans lost. Epimetheus has a box with him that makes odd noises and, of course, Pandora is intensely curious about it. When the godboys decide to play a game of keep-away with the box, it falls into Pandora’s hands without anyone noticing and it opens. Almost as if it were fated to do so. Huh. The box contained ten bubbles, which all floated out except one. Pandora seems to be the only one able to see the bubbles, so she is also the only one able to observe the effects of the bubbles bumping into people. So when Athena, for example, is bubble-bumped, Pandora hears it whisper “Ditz” and then Athena turns stupid. Similarly, another bubble bumps Aphrodite and whispers “rude,” and Aphrodite proceeds to become a vulgar and disgusting example of everyone one ought not to do, ever. Pandora doesn’t know whether or not to trust the Titans with this information, because she thinks they may have come to MOA to help take over and pave the way for a new Titan war against the Olympians. She has to decide who to trust and figure out how to reverse the effects of the bubbles before all hope is lost. See what I did there?
As with all the previous books in this series, Pandora the Curious provides an excellent way to begin teaching younger readers about the Classical myths. This one also provided a good example of troubleshooting and problem solving as well as making sure to give people second chances and not to judge based on a group but rather on an individual basis. Pandora learns a lot about herself and how curiosity can be both good and bad, depending on how it is used. She also learns that just because a person is a Titan and fought against the Olympians doesn’t make them a bad person and she should always take an individual approach to judging someone. This was a good way to talk about a variety of social issues with my daughter. We see in the news a lot of racism and sweeping generalizations made about entire groups of people. So we had a chat about how any group of people can include bad people, but that we should always try to get to know the person in front of us and not judge them or assume they are bad just because someone else like them did a bad thing. That’s no way to live.
Overall, the series has piqued my daughter’s interest in mythology, all kinds, not just Greco-Roman. At the end of the day, even if some of the stuff is silly or trite, I can live with that because of the interest it’s sparked in her for better things.