Hungerstone by Kat Dunn
Genre: Gothic historical
I read it as a(n): Digital ARC 
Length: 336 pp 
Her Grace’s rating: 4.5 stars
2025 Reading Challenge tasks: TND: #1 – a 2025 release 

Lenore Crowther learned at a young age that nobody can save her but herself. She spent her childhood after the death of her parents learning everything a titled lady would need to know, secured herself a wealthy but untitled husband, and carried out a campaign to ingratiate him into the social circles that he craved. 

Ten years later, the shine is worn off the marriage and she has no children to occupy her time like a proper Victorian wife should have. When her husband, Henry, buys a large estate, Nethershaw, Lenore is hopeful it will be just what she needs to break the doldrums. 

However, the decrepit mansion is not at all what she’d hoped for, and the arrival of a mysterious woman who survived a carriage wreck only brings about more dissatisfaction. 

This atmospheric novel drips with the Gothic elements that so many of us love. The mansion isn’t a dark and drafty castle, but it is dilapidated and a sad shadow of its former imposing glory. The place is surrounded by misty heaths, treacherous cliffs, and windswept fields. The landscape and mansion are both characters in themselves, which is always a fun experience for readers, though significantly less so for the characters. 

Lenore tries her hardest to conform to the Victorian ideal of the Angel in the House, but as we read on, we learn that underneath her soft outer layers is a ruthless core of iron. Carmilla, the carriage-crash survivor who is recuperating at Nethershaw, is strange and defies every social convention there is. She awakens previously unknown desires in Lenore that are catalysts for her drastic change throughout the novel. 

This story is so much more than a retelling of Carmilla, as it is marketed, or even about hunger, as indicated in the Author’s Note. It is an examination of demand and dependency, societal expectation, and the injuries that cause invisible damage to us all. It is a commentary of society today as well. There is one quote that perfectly encompasses every issue the novel tackles: “What is a monster but a creature of agency?” Women’s agency, independence, intellect, women who decide for themselves what they want rather than allowing men to do it for them – all can be seen as monstrous depending on who’s doing the interpreting. What makes a monster or a savior is, in this novel, entirely in the eye of the beholder. 

Highly recommended for lovers of Gothic fiction, social commentary, and women who proudly identify as a problem.