Soothsayer by Kathryn Amurra (Website)
Genre: historical romance
Setting: Roman city of Lugdunum (modern day Lyon, France)
I read it as a(n): ARC
Source: Helen Hollick at Discovering Diamonds
Length: 212 pp
Published by: Kathryn Amurra/ independently published (10 May 2020)
Her Grace’s rating: 3.5 out of 5 stars
Set in the Roman Empire, Soothsayer is the story of Aurelia, a beloved daughter of a minor nobleman. She is determined only to marry a man she loves and her doting father agrees, allowing her to turn down several potential suitors. His death, which takes place before the book begins and thus is no spoiler, places her in an unstable situation, not just on her own behalf as an unwed young woman, but because of her brother, Angelus. Angelus is what we would consider developmentally disabled, possibly autistic, and Aurelia is desperate to prevent him being inevitably killed during the mandatory military service required of men when they turn 16. The best way to do this is for Aurelia to marry the regional governor, an old friend of her father’s, who can give Angelus a dispensation from military duty.
Sent to bring Aurelia and her unpleasant aunt to the governor’s estate is Cassius, a career military man and captain of the governor’s soldiers. He was told by a soothsayer as a child that his life would be short, so Cassius has spent his whole life to date avoiding close attachments. He figures it would be better for others not to get attached to him only to have him die young. Of course, making a plan is the best way to make the gods laugh, so Cassius finds himself in charge of Aurelia after a series of small disasters separates them from the rest of Aurelia’s retinue and sets them alone on the road to the governor’s estate.
This novel was a delightful surprise. I chose to read it mostly because I hadn’t read anything set in the Roman Empire in a long time and I felt the urge to, despite the obvious romance elements it contains (I’m NOT a reader of romance). What I found was not the usual predictable romance but rather a very well researched story about ancient Rome that just happened to have a little romance in it. Murra set this story solidly in a historical framework and adhered to the facts we know.
Aurelia was a complex and well-crafted character. She did not come across as shallow or frivolous, which she could easily have done considering her young age of 19. She was a mature woman by the standards of the time and she was portrayed as such on the page, a fact I highly appreciated. She was the mistress of her own household once her father died, and she took her duties seriously. Her care for her brother would probably have been a pretty rare thing for the time, when no developmental delay was really understood. Many people, including Aurelia, thought Angelus’s defects were a result of his mother’s sins. When he got into some trouble with Cassius’s soldiers, it was evident that they probably would have killed him if Aurelia and Cassius both hadn’t intervened. With that kind of society, Aurelia learns that she has to make sacrifices to save her brother from a horrible life and quick, probably brutal, death.
The title Soothsayer is interesting considering that the soothsayer in question had a very tiny on-page presence. But the notion of fate and one’s future is prevalent throughout. Aurelia thinks it is her fate to be unhappy but she is willing to make that sacrifice on Angelus’s behalf. Cassius thinks he is fated to die young. The choices each of them makes are informed almost entirely by their interpretation of the soothsayer’s predictions. The cool thing about fate, other than how it doesn’t exist, is that you can interpret a prediction in just about any fucking way you please. Which, in this case, provides a pleasing denouement to the story
The only thing I didn’t like was that I felt there needed to be a little more description. Murra discussed the clothes the characters wore in that she called them a palla, tunic, or toga, but there wasn’t a lot of describing what those actually looked like. Same with the buildings. Wealthy Roman houses had an atrium with some kind of catchment for collecting water, gardens, various rooms. None of these were really described. It would help bring the story even more to life if these details had more prominence. But their lack did not take away from the story very much, so maybe other readers won’t care.
Overall, I would definitely recommend this book and would gladly read others by the same author.