A Monster Calls

A Monster Calls coverA Monster Calls by Patrick Ness (Website, Insta)

Her Grace’s rating: 4.5 out of 5 stars

Genre: YA, possibly a little younger

I read it as an: audiobook

Narrator: Jason Isaacs

Source: my own collection

Length: 3:59:00

Published by: Brilliance Audio (23 Sept 2011)

All the spoilers below!

Connor O’Malley is a 13-year-old boy whose mother is battling cancer, only no one really calls it that. She is also dying, but no one talks about that, either. Every night since his mother started her treatments, Connor has had the same nightmare. One night, he wakes up and finds a monster outside his window. He had expected the one from his dreams but it wasn’t; it was an actual monster that comes from ancient British folklore. It tells Connor that he himself summoned the monster because he wants something from it. With each encounter Connor has with this creature, the closer he comes to the truth, painful and bright. 

I confess I bought this audiobook purely because Jason Isaacs narrates it and, since it’s a kid’s story, I figured I could just put it on and not pay much attention to it beyond being delighted to hear Isaacs’s lovely, gravelly British voice reading to me. I never expected that I would actually like the story, which I did, immensely. The story was not about cancer or illness so much as a study in grief from both a young boy’s perspective and his mother’s. It is about how childhood friendships shift during times of tragedy and how we learn who our true friends are. 

I really loved the theme of stories taking on lives of their own. The monster tells Connor that ‘Stories are wild creatures. When you let them loose, who knows what havoc they might wreak?’ I like this passage because it shows how stories can be interpreted differently by different people, how each person might take a wholly new meaning from it or react to it in an unexpected way. They may not even anticipate how they themselves will react until the story is told. Connor reacts more and more violently with each story the monster tells. If his situation had been different and he heard the same stories, undoubtedly his reactions would not have been the same. Similarly, when writing a story, I’m sure many authors don’t know exactly where their story will go, how it will end up. I can’t be the only writer who is often surprised by what my characters decide to do. Stories weave themselves into the fabric of culture and inform society at many levels; the monster is just highlighting that fact in ways Connor doesn’t always appreciate. 

Another big theme is truth. Connor’s mother has cancer. Truth. She is going to die. Truth. No one comes out and directly says any of this, beating around the bush about it, even though everyone knows what is going to happen. The monster helps Connor to see that the truth, though often painful, is the only way he can be healed, and that that is why the monster came. Not to heal Connor’s mother, but to heal Connor himself. Connor has to learn that the truth is the only way he can learn to let his mother go and also the only way to live through it. And he has to learn to forgive himself. Everyone lies to themselves sometimes, and to others. It is a human trait to ward off pain and to comfort themselves. But ultimately, facing the truth is the only way to relieve that pain, no matter how pleasant the lie is. 

Learning a little bit of woodlore is always an added bonus. There was a lot of discussion about the yew tree, which is what the monster is. Yew trees are what the dreaded English longbows were made from in the Middle Ages. The tree is symbolic of death, rebirth, and immortality likely because old yew branches that droop to the ground can take root and grow new yew trees and they are incredibly long-lived. There are a lot of churches in Britain that have yew trees around them, particularly in cemeteries. They are highly toxic and their needles can produce fatal results if ingested. The berries are also hallucinogenic and lethal. The tree can also symbolise silence, introspection, and aloofness, possibly because they’re very twisty trees with lots of nooks and crannies for solitary creatures to live in, or for ways to the Underworld in Celtic mythology. The Long, Long Life of Trees by Fiona Stafford would make an interesting companion read, at least her chapter on yew. 

As for the audiobook element, yes, I got it for Jason Isaacs. However, he honestly is an excellent narrator, doing various voices and accents with great facility. His performance draws listeners into the story swiftly and seamlessly. He is one of my favorite narrators, right alongside David Tennant, Simon Preble, Davina Porter, Wil Wheaton, and Simon Vance.

Strongly recommended, especially the audio version. 

Favorite part/ lines (potential spoilers!):

  • You do not write your life with words…You write it with actions. What you think is not important. It is only important what you do.
  • Stories are wild creatures, the monster said. When you let them loose, who knows what havoc they might wreak?” 
  • Don’t think you haven’t lived long enough to have a story to tell.
  • Stories are important, the monster said. They can be more important than anything. If they carry the truth.” 
  • You were merely wishing for the end of pain, the monster said. Your own pain. An end to how it isolated you. It is the most human wish of all.” 

 

 

 

Fence, vol. 1

Fence vol 1 coverFence vol. 1 by CS Pacat (website, Twitter); illustrated by Johanna the Mad (Twitter)

Her Grace’s rating:  3.5 out of 5 stars

Genre: contemporary literature/YA

I read it as a: graphic novel

Source: public library

Length: 112 pp

Published by: BOOM! Box (31 July 2018)

Nicholas Cox is something of an outcast, the illegitimate son of a retired fencing champion. He wins a scholarship to Kings Row Boys School, where he will fight to earn a place on the fencing team. Failure to make the team will result in losing his scholarship. To his horror, he discovers that not only is his half brother Seiji Katayama attending Kings Row for fencing as well, he is also his assigned roommate. Nicholas and Seiji have only met in competition, where Seiji defeated Nicholas by a huge margin. Volume 1 leaves off with the tryouts for the fencing team still ongoing.

I really enjoyed this one. I don’t often read graphic novels, but I picked this one because it fits the bill for two Read Harder tasks, and I like fencing. Not that I’ve ever done it myself, but I think it’s cool, and I have a friend who used to be a competitive fencer. It is maybe one of a handful of sports I can watch without wanting to scrape my eyeballs out of my face through my ears. I generally hate sports. 

I liked the diversity in this book, though it seems that every student at Kings Row is queer, which kind of throws the stats off a bit, I think. But still, I love  the way they all interact with each other. Seems believable for a boarding school. Also, there are lots of kids who are people of color, not just all rich white snots. 

I loved the tidbits of fencing information scattered throughout. I know nothing about it at all, so that was just interesting to me. An educational graphic novel, this. 

There is a lot of simmering romance between several characters, mainly members of the fencing team. I saw that a lot of people ship Nicholas and Seiji, but unless there’s something I missed, they are half brothers so that totally grosses me out. Pair them up with anyone else, but I’ll skip the incest, thanks. 

I plan to read all the rest of this series. It was a delightful surprise for me. 

The Book of Essie

The Book of Essie34503571._sx318_* by Meghan MacLean Weir (website, Twitter)

Her Grace’s rating:  2.5 out of 5 stars

Genre: YA/ contemporary fiction

I read it as a: hardback

Source: my own collection

Length: 336 pp

Published by: Knopf (12 June 2018)

Seventeen year old Esther Anne Hicks, known as Essie, is the youngest child of a famous TV preacher, similar to the Duggars. Essie has grown up with cameras always on, hair and makeup having to be done Just So all the time, most of the family’s conversations scripted and rehearsed. Everyone who watches their show of course thinks the Hicks family is perfect and a model of Christian whatever. The issue, though, is that Essie is pregnant. Her mother has a meeting with the show’s manager, excluding Essie from the discussion, about what to do – do they sneak her out of the country for an abortion? Does Essie’s mother fake a pregnancy to be able to claim it as hers? Essie convinces her mother to marry Roarke Richards, a boy at her school. Roarke’s parents are deep in the hole and are about to lose everything they have. An ‘arrangement’ with the Hicks wherein Roarke marries Essie will ensure that the Hicks will pay off all their debts and allow them to be comfortable for life. Against all odds, they talk Roarke into this plan. But he and Essie each have secrets that they fear to share with anyone. 

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