book review · Medievalism

The History of William Marshal

29006215The History of William Marshal translated by Nigel Bryant

Her Grace’s rating:  3 out of 5 stars

Genre: nonfiction/biography

I read it as a: paperback

Source: my own collection

Length: 243 pp

Published by: The Boydell Press (1 Aug 2016)

This medieval chronicle, written in the 1220s in verse, depicts the life of William Marshal, The Greatest Knight. The author is unknown, but he was likely a close friend or a member of Marshal’s household. He wrote events as he knew them, both from firsthand knowledge or by asking those closest to Marshal. It certainly exaggerates Marshal’s life and abilities and glosses cheerfully over the times he blew it, but it is overall a valuable document of medieval noble life.

As a medievalist, I’ve read my share of chronicles and documents of the time. This one was a delightful change from the texts that are often dry accounts. It was easy to read and surprisingly funny. In part, this is due to Bryant’s skillful translation, but he can’t translate what wasn’t already there to begin with. The chronicler had a witty and sometimes playful tone to his writing. 

The whole document gives a fascinating glimpse into medieval noble life and the ways in which a knight can make a name for himself. The medieval mindset and things that the chronicler focused on are so intriguing. The politics and balancing acts these people had to perform must have been exhausting. It is also clear that women may have been respected (Eleanor of Aquitaine is mentioned in glowing terms) but they are still very much second-class citizens. One of Marshal’s horses is given a name, Blancart, and yet none of his sisters were named. Even queens are often referred to as ‘the queen’ or so and so’s wife. 

I wonder how much of the Stoics the author knew. Some passages were very Stoic in their reader: ‘But I tell you truly, no heart should grieve or rejoice excessively’ (p 28). Almost certainly he was influenced by Boethius as well; The Consolation of Philosophy had a lot of influence on medieval thought, and throughout Marshal’s history, numerous references exist to Fortune and her wheel. It feels like there may be some influences of the Beowulf poet on the chronicler as well. I’ll have to look into that more, because I’m a nerd. But the intro reminded me very much of the intro to Beowulf: þæt wæs god cyning! Yes, þæt wæs god knight! 

 This is definitely a must-read for any medievalist. Who doesn’t like learning about knights anyway, especially the one who was known as the greatest knight even in his own lifetime? 

Favorite parts/ lines:

  • On helping Empress Mathilda escape but she slowed them down by riding sidesaddle: ‘By Christ, lady, you can’t spur when you’re seated so! You’ll have to part your legs and swing over the saddle!’ (29)
  • And the fact is, sirs, the prowess of a single valiant knight can embolden a whole army… (37)
  • …joy and happiness are the due reward and stimulus for aptitude and prowess. (43)
  • Let’s be honest: being sedentary is shameful to the young. (52)
  • He won something of far more value, for the man who wins honour has made a rich profit indeed. (59)
  • I loved the part where the Marshal was at a tourney and he got smacked on the helmet so hard that it got stuck and he had to go lay on the smith’s anvil so the smith could pry it off. LOL. 
  • A man reveals himself by his actions! (70)
  • People often get what they deserve, and those who covet all lose all. (72)

 

 

academic · editorial · Elizabethan England · Tudors

The Heart and Stomach of a King

330px-elizabeth_i_in_coronation_robes
Elizabeth I in her Coronation Robes

The Virgin Queen. Good Queen Bess. Gloriana. By whatever name one called her, Elizabeth I, daughter of Henry VIII and Anne Boleyn, granddaughter of the indomitable Elizabeth of York, was no woman to be trifled with. On September 7, we mark the 484th anniversary of her birth and the beginning of a long, tumultuous, vibrant life. Her reign is known as the Golden Age of England, during which time writers such as Shakespeare, Marlowe, and Spenser crafted their literary masterpieces; artists like Hilliard, Gower, and Segar painted portraits still recognized the world over; and the music of Tallis, Dowland, and Campion echoed in cathedrals and town squares alike. Elizabeth was quite possibly the apex of the British monarchy, but there are several things not commonly known about this Renaissance powerhouse.

Elizabeth may have been more traumatized by her mother’s execution than she could risk admitting to. She grew up hearing her mother called “The Great Whore,” who was beheaded by her father, Henry VIII, on false accusations of treason and adultery, before Elizabeth was three. However, there are signs that Elizabeth was secretly devoted to her lost mother in ways she couldn’t express openly. A locket ring was removed from her hand after her death which held a miniature of Anne. In a family portrait, she also wore a necklace with her mother’s “A” at her throat, an act which would have landed her in quite a lot of trouble had her father noticed it. At various times of her youth, she was a princess, declared a bastard and removed from the line of succession, reinstated, a political prisoner held in the Tower, and survived sexual scandal that led, in part, to the execution of Sir Thomas Seymour. All without a mother to comfort her.

Her difficult childhood tempered her, though, and her humanist education honed her already keen intelligence. Elizabeth was a polyglot, fluent in six languages by the time she was 11 years old – French, Greek, Latin, Spanish, Welsh and of course English. She also studied others and had a functional understanding of Flemish, Italian, and Gaelic. She learned Gaelic as part of her diplomatic attempts to subdue an Irish rebellion in the 1590s. Diplomacy and oration were great strengths for Elizabeth. She often used flirtation and flattery in her diplomacy to goad her male contemporaries into granting her political wishes. England was in dire straits when she came to the throne and she was pressured on many fronts to marry to secure various alliances and produce an heir, yet Elizabeth remained steadfastly unwed while still maintaining good relations with the majority of Europe throughout her reign. In a 1559 speech to Parliament, she said,

…I am already bound unto an husband, which is the kingdom of England, and that may suffice you. And this… makes me wonder that you forget, yourselves, the pledge of this alliance which I have made with my kingdom. … And reproach me so no more … that I have no children: for every one of you, and as many as are English, are my children and kinsfolks…. (Elizabeth I, 2000, p. 59)

Remaining unwed and fully in control of her government during a time in which women were most often used as bargaining chips, means to getting heirs, securing alliances, and bettering one’s social standing was a testament to Elizabeth’s strength of will and shrewd political acumen.

Another pressing issue of her reign was poverty. Elizabeth created the Act for the Relief of the Poor in 1597, which was the first fully comprehensive bill for poverty relief. It was later amended by the Elizabethan Poor Act of 1601, which remained unchanged until the mid-1800s. The Elizabethan Poor Act essentially taxed the wealthier citizens of the country to provide food, shelter, and clothing to the poor, generally within their own communities. People who were unable to work, such as the very young, the elderly, or the mentally or physically disabled, were cared for in an almshouse or poorhouse. People who could work were sent to “houses of industry.” These were the precursors to the infamous Victorian workhouses, but in Elizabeth’s time, they were a vast improvement over being labeled a vagrant, a hanging offence. Children who were old enough to work were made apprentices in various trades. People who were too lazy to work, though, were on their own and would either have to decide to work or would eventually wind up in prison or be hanged as a persistent beggar, as the term was known under the Vagrancy Act of 1547 (Rathbone, 2017). Elizabeth instituted what were, for the time, sweeping reforms for the care of the poor.

Elizabeth may be best known for reigning during the time of Shakespeare, Spenser, Marlowe, and the like, but her own contributions to her country and culture cannot be overlooked. She was the woman who was never meant to be Queen but who became one of the most beloved monarchs of the British monarchy. She was the woman who roused her troops with speeches worthy of the gods. Gloriana.

330px-darnley_stage_3
The Darnley Portrait

Elizabeth I. (2000). Elizabeth I: Collected Works. Leah S. Marcus (Ed.). Chicago: University of Chicago Press.

Rathbone, Mark. “Vagabond!” History Review. March 2005, Issue 51, p. 8-13.

book review · fantasy · sci-fi

Suspicious Minds (Stranger Things #1)

40535559._sy475_Suspicious Minds by Gwenda Bond (website, Twitter)

Her Grace’s rating: 3.5 out of 5 stars

Genre: sci-fi/fantasy/horror

I read it as a: hardback

Source: my own collection

Length: 301 pp

Published by: Del Rey (7 Feb 2019)

*SPOILERS BELOW!*

Set in 1969, this first official Stranger Things novel focuses on Terry Ives, Eleven’s mother, and how she becomes entangled with Dr Martin Brenner and his MKUltra experiments. An ad in a local paper promises $15 (around $100 today) for each week a person participates in a top secret experiment. Terry joins the group and is subjected to Brenner’s work which involves loading up test subjects with LSD and other stimuli, including electroshock, to see if any specific combination will bring forth special powers. Terry and her friends – a motley group of people from various backgrounds – quickly figure out that Brenner is operating under the radar to perform morally compromised tests. The group struggles to find a way to escape Brenner’s control while also striving to bring him down and free a child who is trapped in his grasp.

This is a difficult review to write. On the one hand, I was delighted to read a Stranger Things novel. On the other hand, it was kind of a hot mess. If I didn’t pay attention to anything but the story, it was an ok read. But ONLY ok. If I pay attention to writing, plot holes, and lack of answers, this is a terrible book.

Let me first say this is in no way a personal attack on the author. However, what the fuck was Netflix thinking in hiring an author who, previously, has exclusively written YA?? Stranger Things is most definitely NOT a YA show, nor is it appropriate for children to watch. The books should similarly reflect the darkness and danger of the show. But this book barely touched on most of what we have come to love about the show, and is written in a very simplistic style, which one might expect for a YA novel or younger. 

I had hoped to get some answers that we missed in the show, such as more about Brenner himself. That was entirely missing from this book and Brenner remains as mysterious as ever, but not in a good way. The other people who joined Terry in the lab experiments – Gloria, Alice, Ken – were all very flat characters overall, as was Terry’s boyfriend Andrew, and even Terry herself. None of them seemed to have much depth. Terry even had a thought early in the book about how Andrew actually ended up having an interesting personality, opposite what she had experienced before with boyfriends, and yet we don’t get to see said interesting personality. He is vaguely anti-Vietnam, and yet he doesn’t hesitate when he’s called up for the draft and goes off to war with only a little backward glance. His draft lottery being pulled up was manipulated by Brenner, and then he dies in Vietnam. Everything about him is just too easy and convenient. The other people of the group are delivered to us as instant friends once Terry meets them, a pretty tired YA trope (insta-friends, insta-love, insta-hate, etc.). They aren’t developed enough as characters for me to care about them, not even when it’s discovered that one is being electrocuted in the lab. I didn’t even care about Kali, and she is just 5 years old in this novel.

In short, all the characters were just a facade with no depth, character growth, or personality traits to make them seem like real people with whom readers can form attachments. 

Nothing is really shown to us; we are told about things, emotions characters are feeling, etc, but it falls flat since little actual emotion goes into it. Terry was filled with rage. How do I know? Because the text says, ‘Terry was filled with rage.’ There are no indicators otherwise, such as clenched fists or stiff posture, to indicate her anger. Telling us she was filled with rage might work fine for a YA audience, but for most adults, this isn’t sufficient. We get beaten over the head that this is set in the 60s – yes, I know, there’s the moon landing; I know, there’s Woodstock; I know, there’s Vietnam and the draft – but there is very little feeling of the 60s about this novel. We want to be shown, not told. 

Brenner is the biggest letdown of all. He was not the creepy, dangerously calm man we see in the show. He was hardly even competent in this book. He was tricked into letting Terry join the experiment, even though she was found out to have switched spots with her roommate early on, and he appears to have little control over his staff. The plot to rescue Kali/008 was half-assed and yet it fooled Brenner quite easily. Yes, he still retains control in the end, but the fact that he was tricked at all by a bunch of mediocre undergrads doesn’t mesh with what we know of him. He didn’t get any of his back story filled in at all, which was kind of implied this book would focus on heavily. Also, holy lack of security on your top secret experiment, Batman! If it’s so top secret, why were any of the participants allowed to know each other? Why were they able to sneak out of their rooms and go gallivanting about whenever they wanted? Why weren’t they isolated and locked in their rooms each time at a minimum?

Also, I get that this was supposed to be a different time and people didn’t talk about pregnancy and/or birth control like we do now, but honestly. How does a woman not know she’s pregnant for seven months? Even if you don’t show a lot, you’ll show some, and there are other changes that might trigger normal women to at least see what happens if they pee on a stick. You don’t notice that your boobs hurt, that you are breaking out like a teenager, the crushing fatigue? This must be written by someone who has never had a baby and didn’t think to research the common signs of pregnancy. Similarly, why didn’t the scientists at the lab notice that the subjects were remarkably lucid and check that they had actually taken the LSD? Didn’t they monitor them for things like pupil dilation or other autonomic responses that can’t be faked? Why didn’t they stay with their assigned subject the whole time they were there each week to monitor things and make sure they didn’t OD or something? Worst scientists ever. 

If you want to read this purely because you’re a huge Stranger Things fan, like I am, and just want to read a Stranger Things book no matter what and don’t plan to read too deeply into the story, you’ll probably be moderately entertained by this. If you expect something actually good that answers questions you have from the show, and you can’t overlook the glaring plot holes and other problematic areas, get ready for disappointment.