Category: Tudors

Anne Boleyn’s Little Neck

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Of all the Queens throughout British history, one of the most infamous surely must be Anne Boleyn (c. 1501 – May 19, 1536). Painted throughout history as a temptress, seductress, traitor, and worse, Anne Boleyn has gotten a seriously bad rap. But where does this image of her really come from? Was she really these things? The answer is probably no, not really. Possibly the truth is somewhere in the middle, or maybe we will never know the truth at all. Many historical novelists have had their own interpretations of Anne over the years, and depending on their perceptions, readers are presented with very different people.

A very quick history lesson:

  • Much of our basis for how we view Anne Boleyn comes from the letters and documents of Eustace Chapuys, the ambassador for the Holy Roman Emperor, Charles V.
  • Chapuys’s job was literally to report what he heard at Henry VIII’s court, including about Anne, much of which came from her enemies. His actual letters reported others’ words, not necessarily his own.
  • The Holy Roman Emperor was Catherine of Aragon’s nephew, so he was naturally inclined to dislike Anne based on her replacement and treatment of his aunt. Often, he referred to Anne as “the Concubine,” which was recorded in letters to and from Chapuys.
  • Chapuys didn’t like Protestants or the French. At all. Anne was both Protestant and had French mannerisms, so it’s easy to see why historians think he hated her.
  • Chapuys and another man, Pedro Ortiz, exchanged a lot of letters in the course of their duties and the two might have become conflated over time. Ortiz was Catherine of Aragon’s proctor in Rome. HE REALLY loathed Anne, and his letters do actually prove it. Chapuys’s letters are fairly unbiased.
  • Chapuys only met Anne once, in April of 1535. All his other information about her came from other sources, including her enemies.
  • Chapuys was one of the only people who publicly stated that he thought Anne was innocent of the charges brought against her and was a victim of political machinations.
  • Regardless of politics, Anne was unpopular. Her failure to have a son gave Henry VIII the impetus he was looking for to have Thomas Cromwell charge her with adultery, incest, and treason.
  • Adultery, when one is married to the king, is high treason, punishable by death.
  • Five other men were charged with Anne and executed.

One scene that is often seized upon by authors occurs during Anne’s tenure in the Tower. While she was held in the Tower, both before and after her trial and sentencing, she was attended by Mary Kingston, the wife of the Tower constable, Sir William Kingston. The conversations Sir William recorded and reported to Cromwell were used at that time to seal Anne’s fate, as well as that of the five other men who were executed with her. Today, Kingston’s letters are considered among the most important bits of evidence that Anne and the others were totally innocent. In a letter written May 19, 1536, the morning of Anne’s execution, Kingston wrote:

 This morning she sent for me, that I might be with her at such time as she received the good Lord, to the intent I should hear her speak as touching her innocency alway to be clear. And in the writing of this she sent for me, and at my coming she said, ‘Mr. Kingston, I hear I shall not die afore noon, and I am very sorry therefore, for I thought to be dead by this time and past my pain.’ I told her it should be no pain, it was so little. And then she said, ‘I heard say the executioner was very good, and I have a little neck,’ and then put her hands about it, laughing heartily. I have seen many men and also women executed, and that they have been in great sorrow, and to my knowledge this lady has much joy in death. Sir, her almoner is continually with her, and had been since two o’clock after midnight.

 This statement serves as the focal point for many interpretations of Anne’s behavior in various novel, TV, and film adaptations. On a surface reading of Kingston’s letter, we might assume that he thought her actions to be aberrant, considering that he noted other condemned prisoners had displayed “great sorrow” at their impending demise, but Anne instead had “much joy in death.” However, a closer look indicates that he isn’t actually offering a commentary on Anne’s state of mind. He is merely observing what his charge is doing, as his job requires, like a doctor charts a patient’s progress. There is no judgment in Kingston’s letter. To the contrary, the letter implies he is a compassionate jailer. He attempts to calm her fears about any pain she will face during her execution, which he didn’t have to do. Perhaps he was kind to her because he believed she was innocent. We may never know, but writers certainly have their views on the matter. Two popular historical novelists, Margaret George and Alison Weir, have each tackled this scene, with very different results.

In Margaret George’s novel The Autobiography of Henry VIII, the scene in the Tower is unsettling to Kingston, who is distracted by preparations he must oversee for the executions. Kingston is on the verge of exhaustion, frazzled by the multitude of administrative functions he has to fulfill, and is perturbed by the lack of instructions from Henry VIII about Anne’s coffin. “Dawn came before five, and Master Kingston was already exhausted from the tasks of the day ahead. …[H]e naturally had many details of both practicality and protocol to attend to. … He was running late. … But still no word about the coffin!” (George 542). Kingston, when he goes to Anne’s rooms to deliver news of her delayed execution, is relieved by it because it gives him more time to carry out his other duties. When he speaks to Anne, he’s obviously in two places at once and has to force himself to pay attention to her. When she speaks, Anne’s dialogue is consistent with Kingston’s description in his letter to the king. Upon learning of the delay, Ms. George describes Anne as disappointed and sad. Anne goes on to comment that she thought by noon to be past her pain. But then she grabs Kingston’s arm and whispers frantically to him that she is innocent. Abruptly, she has another mood swing and asks him fearfully if her death will be painful. Her volatile swings in mood make her seem mentally unstable, which at that time in history would also imply her guilt. This version of Anne is worried about how big the executioner’s axe is: “I have a little neck. … But the axe is so thick, and rough” (George 542). Upon learning that she was to be beheaded by a swordsman, she laughed, saying that Henry was ever a good and gentle sovereign lord. That, friends, is what I like to call sarcasm. Her laugh is described as “that hideous, raucous laughter” (George 542), like a witch’s cackle, and Kingston is thoroughly unnerved by it. Anne’s laughter again starts up when she jokes to Kingston that she will be known as Queen Anne Lack-Head. Here, George describes Anne’s laughter as “shrieking” (543) and Kingston is actually frightened by it, all but fleeing her Tower chambers. The overtones of witchcraft, overlaid with her added comments about Henry making her a martyr, underscore the implied mental instability implicit in the text, neatly tying up the issue of her unsuitability to be queen. All told, her mannerisms combine to create a character that is unsympathetic, severing any lingering tender feelings readers may have had for her. Given that this novel is told from Henry’s perspective, it makes sense for Ms. George to make Boleyn a character that readers no longer like at this point. We are seeing her through his eyes, and by now, he truly believed that she was guilty and had wronged him grievously.

In Alison Weir’s novel, Anne Boleyn: A King’s Obsession, readers get another interpretation of Anne’s famous “little neck” comment. Right away, the novel has a decidedly favorable tone towards Anne, whereas George’s novel did not. From the moment Anne arrives at the Tower, concessions are made to her rank as queen: She was given the same rooms she had used before her coronation, she had several ladies attending her, she ate with Sir William and his family. Her clothes were richly described, and pomp and ceremony were seen to more so than in other novels. Kingston is referred to as the “Gentleman Jailer” (Weir 527), making him sound as though he is a courtier there to wait upon her and lending more dignity to Anne’s imprisonment than it would have had otherwise. After her sentencing, Kingston was more forthcoming with Anne and was very gentle, taking time to talk with her and answer any questions she asked of him, acting very much the gentleman indeed. When he informed Anne of the time of her execution, she was relieved, for she had just been forced at Henry’s order to watch from the Tower the executions of the other five men. Kingston showed no hint that her relief was aberrant, as in other interpretations. Here, Anne is described as “agitated and panicky” (539) when her execution is delayed. This seems the more natural reaction in the two novels. Who among us hasn’t been agitated and panicky over facing something that we are dreading and have no choice to go through with? Hysteria and inappropriate reactions seem the most logical explanation. Anne has spent days dwelling on the fact that she’s going to die by having her head cut off. She is asking a normal question to a person who is a logical choice, having witnessed many executions in his line of work. Anne says, as we know, that she had hoped to be past her pain, because she’s been brooding about it and the suspense is eating her alive. Kingston is quick to reassure her it will be painless. When Anne says, “I have heard you say the executioner is very good, and I have a little neck” (593) she gives a nervous laugh afterwards. Of course she is nervous. She’s beyond nervous; she’s petrified. But she is also acknowledging Kingston’s role as a figure who has given her succor, because he was the one who told her about the swordsman from Calais, and that he was skilled and humane. Kingston went out of his way to try to calm her, without judgment. She explains to him that she wants to die now but her body “shrinks from it, so I am heartily glad it will be over quickly” (540) and Kingston assures her it will be, and squeezes her hand kindly. This is a very human moment for both of them, the most poignant and touching of the entire book, to be honest. This is a woman who went from being a queen to taking comfort from the man who will lead her to her execution. More so than any other scene, this is truly the full circle moment for Anne.

There is a reason why novelists continue to write about the Tudors. Yes, in part it is because the books will sell. But more than that, there is still a deep current of compassion we feel towards the people then, a desire to understand their motives and thoughts, and to better understand ourselves through them. Anne Boleyn remains a tragic figure – hated by some, beloved by others, mysterious in many ways to all. Her story encompasses so much depth that it is hard to look away, regardless of how one views her. Nearly 500 years after her death, the lingering controversy, intrigue, and curiosity surrounding Anne Boleyn may be the best elegy she could have asked for.

 

References:

Bordo, S. (2012, May 6). When fictionalized facts matter. The Chronicle Review, retrieved from https://www.chronicle.com/article/When-Fictionalized-Facts/131759

George, M. (1987). The Autobiography of Henry VIII, With Notes by His Fool, Will Somers. St. Martin’s Griffin: New York.

Mantel, H. (2012, May 11). Anne Boleyn: witch, bitch, temptress, feminist. The Guardian, retrieved from https://www.theguardian.com/books/2012/may/11/hilary-mantel-on-anne-boleyn

Mantel, H. (2012). Bring Up the Bodies. Henry Holt and Co: New York.

McKay, L. (2016, May 6). Did Eustace Chapuys really despise Anne Boleyn? HistoryExtra.com, retrieved from https://www.historyextra.com/period/tudor/did-eustace-chapuys-really-despise-anne-boleyn/

Weir, A. (2017). Anne Boleyn: A King’s Obsession. Ballantine Books, New York.

 

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Dissolution

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Dissolution by CJ Sansom

Genre: historical fiction

I read it as a(n): audiobook

Narrator: Steven Crossley

Length: 14:33:00

Her Grace’s rating: 3 out of 5 stars

The first of the Matthew Shardlake mysteries, Dissolution, features Master Shardlake being sent off to an abbey where one of the King’s commissioners had been murdered. Shardlake is a lawyer and clerk for Thomas Cromwell and is tasked with bringing the commissioner’s murderer to justice. When he arrives at the abbey, he finds it to be a seething morass of corruption, deceit, and forbidden faith. And of course the body count goes up and up the longer he’s there.

This was a good read overall. The setting was well described and the historical details were nicely researched. Sansom created a scene that easily came alive through his use of descriptive language. I am glad I don’t live in the Renaissance. The smell alone would kill me, if I somehow managed not to get burnt as a witch. 

The plot was complex and twisty without being overly complicated or unbelievable. I figured out the mystery, or one of them anyway, fairly early on but probably that’s just because I read a lot of mysteries. I was entertained throughout and the secondary plot/ mystery was one I didn’t guess before all was revealed. 

Would certainly read more in this series.

“…The Common Ties of Humanity…:” 20th Century Lessons from More’s Utopia and Roddenberry’s Star Trek

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Throwback Thursday meets fandom and academia. I was cleaning out a bunch of old files on my computer and found a paper I wrote when I was a little baby undergrad many moons ago. I am amused. LOL. And yes, it was still the 20th century when I wrote it. I am an old.

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Image copyright watschi, posted on https://www.designcrowd.com/community/contest.aspx?id=1673030

Is it possible for two men who lived 400 years apart to have similar premonitions of the possibilities human society could achieve? Although there is no way to tell for sure, seems that Thomas More, author of Utopia, and Gene Roddenberry, the creator of Star Trek, both had such visions. The society of the 24th century that Roddenberry so vividly brought to life and the society of the Utopians are both ideal cultures and are similar to each other in many ways. They also have some contrasts as well. Despite the few differences between the two works, Star Trek and Utopia both paint very realistic descriptions of an idyllic society that humanity may one day attain.Read More »

The Heart and Stomach of a King

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Elizabeth I in her Coronation Robes

The Virgin Queen. Good Queen Bess. Gloriana. By whatever name one called her, Elizabeth I, daughter of Henry VIII and Anne Boleyn, granddaughter of the indomitable Elizabeth of York, was no woman to be trifled with. On September 7, we mark the 484th anniversary of her birth and the beginning of a long, tumultuous, vibrant life. Her reign is known as the Golden Age of England, during which time writers such as Shakespeare, Marlowe, and Spenser crafted their literary masterpieces; artists like Hilliard, Gower, and Segar painted portraits still recognized the world over; and the music of Tallis, Dowland, and Campion echoed in cathedrals and town squares alike. Elizabeth was quite possibly the apex of the British monarchy, but there are several things not commonly known about this Renaissance powerhouse.

Elizabeth may have been more traumatized by her mother’s execution than she could risk admitting to. She grew up hearing her mother called “The Great Whore,” who was beheaded by her father, Henry VIII, on false accusations of treason and adultery, before Elizabeth was three. However, there are signs that Elizabeth was secretly devoted to her lost mother in ways she couldn’t express openly. A locket ring was removed from her hand after her death which held a miniature of Anne. In a family portrait, she also wore a necklace with her mother’s “A” at her throat, an act which would have landed her in quite a lot of trouble had her father noticed it. At various times of her youth, she was a princess, declared a bastard and removed from the line of succession, reinstated, a political prisoner held in the Tower, and survived sexual scandal that led, in part, to the execution of Sir Thomas Seymour. All without a mother to comfort her.

Her difficult childhood tempered her, though, and her humanist education honed her already keen intelligence. Elizabeth was a polyglot, fluent in six languages by the time she was 11 years old – French, Greek, Latin, Spanish, Welsh and of course English. She also studied others and had a functional understanding of Flemish, Italian, and Gaelic. She learned Gaelic as part of her diplomatic attempts to subdue an Irish rebellion in the 1590s. Diplomacy and oration were great strengths for Elizabeth. She often used flirtation and flattery in her diplomacy to goad her male contemporaries into granting her political wishes. England was in dire straits when she came to the throne and she was pressured on many fronts to marry to secure various alliances and produce an heir, yet Elizabeth remained steadfastly unwed while still maintaining good relations with the majority of Europe throughout her reign. In a 1559 speech to Parliament, she said,

…I am already bound unto an husband, which is the kingdom of England, and that may suffice you. And this… makes me wonder that you forget, yourselves, the pledge of this alliance which I have made with my kingdom. … And reproach me so no more … that I have no children: for every one of you, and as many as are English, are my children and kinsfolks…. (Elizabeth I, 2000, p. 59)

Remaining unwed and fully in control of her government during a time in which women were most often used as bargaining chips, means to getting heirs, securing alliances, and bettering one’s social standing was a testament to Elizabeth’s strength of will and shrewd political acumen.

Another pressing issue of her reign was poverty. Elizabeth created the Act for the Relief of the Poor in 1597, which was the first fully comprehensive bill for poverty relief. It was later amended by the Elizabethan Poor Act of 1601, which remained unchanged until the mid-1800s. The Elizabethan Poor Act essentially taxed the wealthier citizens of the country to provide food, shelter, and clothing to the poor, generally within their own communities. People who were unable to work, such as the very young, the elderly, or the mentally or physically disabled, were cared for in an almshouse or poorhouse. People who could work were sent to “houses of industry.” These were the precursors to the infamous Victorian workhouses, but in Elizabeth’s time, they were a vast improvement over being labeled a vagrant, a hanging offence. Children who were old enough to work were made apprentices in various trades. People who were too lazy to work, though, were on their own and would either have to decide to work or would eventually wind up in prison or be hanged as a persistent beggar, as the term was known under the Vagrancy Act of 1547 (Rathbone, 2017). Elizabeth instituted what were, for the time, sweeping reforms for the care of the poor.

Elizabeth may be best known for reigning during the time of Shakespeare, Spenser, Marlowe, and the like, but her own contributions to her country and culture cannot be overlooked. She was the woman who was never meant to be Queen but who became one of the most beloved monarchs of the British monarchy. She was the woman who roused her troops with speeches worthy of the gods. Gloriana.

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The Darnley Portrait

Elizabeth I. (2000). Elizabeth I: Collected Works. Leah S. Marcus (Ed.). Chicago: University of Chicago Press.

Rathbone, Mark. “Vagabond!” History Review. March 2005, Issue 51, p. 8-13.

The Best Books about Anne Boleyn

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On May 19, 1536, an English queen was executed. She really hadn’t done anything wrong, other than failing to give her king the son he craved. So, in order to get rid of her, some trumped up charges of adultery – treason at the time – were thrown at her and she was executed by beheading. The queen was, of course, Anne Boleyn.

668,Anne Boleyn,by Unknown artist Unknown artist

People may think of many different things when they think of Anne Boleyn. I tend to think primarily “mother of Elizabeth I” and “she was framed.” Others may see her as a victim (yes, indeed), as a homewrecker (no, read more history), an advocate for Protestantism (certainly, and likely the catalyst for Anglicanism, having owned copies of Tyndale and showing them to Henry at the right moment), generous to the poor (yes), and many, many other things. She was a skilled musician, dancer, and linguist. She was a genuine Renaissance woman. I think her full impact on history may never be fully understood.

Anne was born at her family home in Blickling probably in 1507 (some scholars say 1501) and grew up at Hever Castle in Kent. When she was about 7 years old, she went to Austria at the invitation of Margaret of Austria to study with her wards. In 1514, she went to the court of Queen Claude of France, where she stayed for several years. In early 1522, she returned to England, where she became a lady in waiting to Katherine of Aragon and caught the eye of Henry VIII. The rest, as they say, is history.

There remains a fascination with Anne Boleyn, and rightly so, in my opinion. By most accounts, she dazzled. She was witty and enjoyed dancing, riding, and hunting. She enthralled a king, and then she died for it. It’s hard not to be fascinated by her. Other people would seem to agree, if we take the many books written about Anne as evidence. Below are a few of my favorites.

Nonfiction:

31088The Rise and Fall of Anne Boleyn: Family Politics at the Court of Henry VIII (Canto) by Retha Warnicke. Warnicke was one of my college professors. She is a little crazy, and some of her theories about Anne are not really mainstream. But she is a fierce defender of Anne and for that, I have a soft spot for Warnicke.

The Life and Death of Anne Boleyn by Eric Ives. Ives and Warnicke had disagreements. A lot of them. I approve of academic nerdrage.

Anne Boleyn: Henry VIII’s Obsession by Elizabeth Norton. This is a relatively short, accessible scholarly work by one of my favorite historians.

18111981In the Footsteps of Anne Boleyn by Sarah Morris and Natalie Greuninger. This is a really cool book which informs readers not only about Anne, but also about the places she lived and traveled. It tells about each home, manor house, church, chapel, castle, abbey, and so on that Anne ever went to. It shows each room of those places, as much as is possible to do so now. It really helps bring Anne to life in ways that simply writing about her cannot, because it shows up the places where she lived and laughed and grieved. An absolute must-have. I wish more books like this existed for other historical figures.

Fiction:

The Secret Diary of Anne Boleyn by Robin Maxwell. It’s been years since I read this one, but I still remember it as the one that really sparked my interest in the Tudors.

10108The Autobiography of Henry VIII: With Notes by His Fool, Will Somers: A Novel by Margaret George. Not about Anne Boleyn, per se, but she featured prominently, of course, and Margaret George is awesome. There are few authors who can tell such a terrific story while also being accurate.

The Last Boleyn: A Novel by Karen Harper, about Mary Boleyn, the other one. Published about 20 years before the other book about Mary Boleyn that most people seem to know about, and which I’m not mentioning because it was awful, this one is nice because it gives readers the big events but entirely through the POV of Mary. None of the major characters we know – Anne, Henry, Katherine of Aragon, Cromwell, etc – appear unless it is when Mary encounters them. I liked it, too, for its more optimistic tone.

Brief Gaudy Hour: A Novel of Anne Boleyn by Margaret Campbell Barnes. One of the older books, but still super interesting. This is not one of the most accurate books you’ll ever read, but it does do a fantastic job of giving Anne a rich internal life, something that not all historical novels really do, oddly. Well worth a read despite the quibbles with the accuracy.

13540943The Queen’s Promise: A fresh and gripping take on Anne Boleyn’s story by Lyn Andrews. This one focuses on Anne before she met Henry, and the love affair she may have had with Henry Percy, Earl of Northumberland. Told primarily from Percy’s perspective, readers get a version of this familiar story from an entirely different angle than we usually do.

Wolf Hall by Hilary Mantel. I’m a little torn at including this one. Too many people use this as an example of how things really were, but Mantel herself has said no, it is her perception of how Cromwell might have viewed things, which makes sense since it’s from his POV. But it is a terrific read and it’s my blog, so I’m adding it because I liked the book and I want it on the list.

There are sooooooooooooo many other books, both fiction and nonfiction, I could have added here, but I had to rein it in or this would just get out of control. These are just a small handful of my favorites. Are there any others you would recommend?

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The Creation of Anne Boleyn

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15814396The Creation of Anne Boleyn: A New Look at England’s Most Notorious Queen* by Susan Bordo

I read it as a: paperback

Source: my own collection

Length: 345 pp

Publisher: Mariner

Year: 2013

The Creation of Anne Boleyn is a study on the woman, in all her various incarnations, who was wife to a king, a catalyst to the English Reformation, and mother to Elizabeth I. The book covers a wide range of areas ranging from actual history to literature, film, TV, and pop culture interpretations of Anne Boleyn.

There were some enjoyable things about this book. Bordo takes a feminist approach to her writing and interpretation of Anne, which of course is something I appreciate. She is a women’s studies professor, so approaching the topic of Anne Boleyn from the perspective of gender studies rather than a pure historian’s point of view is a nice change of pace from some of the recent things I have read on the subject. I also think that, because the writing tone is engaging and entertaining, it might entice other readers who are new to the topic of Tudor studies to be inspired to learn more about the subject on their own as a result.

There were many issues throughout the book as well, though. As many others before her, I think Bordo leans too heavily on Eustace Chapuys’s letters about Anne. It is true that he did not like her and had many reasons to hope for her downfall. However, although Bordo frequently states in one way or another that Chapuys shouldn’t be trusted in regard to his opinion on Anne, not once did she mention that he only had a couple interactions with Anne directly. Most of his information about Anne came second- and third-hand from others, which she did mention in passing, but I think it is important to remember that his whole job was to report to his boss, Charles V, what was said at court. Chapuys was Charles’s ambassador, so he was likely repeating many of the things he had heard; he was doing his job when he said that “a gentleman known to me” called Anne a whore or said that she had adulterous relations or whatever else. We cannot possibly know that he was “gleeful” when Anne’s downfall came, because unless one is a time traveling mindreader, there’s simply no way to know what he was thinking. I think we really have to take much, if not most, of what Chapuys says in his letters about Anne with a grain of salt. No, he probably didn’t like her at all, but it doesn’t necessarily follow that every single word he wrote about her were his own true thoughts, either.

The book also had a tendency to attack authors with whom Bordo disagreed, which I don’t think is the most professional approach. She makes a lot of valid points about many popular authors who seem to think their historical fiction books are the same as gospel truth and are well researched, when in fact neither is true. I won’t say which authors Bordo takes such exception to, only that I completely agree. They, at least, tell a good story even if it’s totally inaccurate. Bordo, however, champions some authors who also have problems as well, if not to the same degree as the others. The difference seems to be that the ones she champions are ones who paint Anne in a very positive light rather than as the traditional Jezebel or even as a flawed and imperfect woman. Her own bias comes through the most strongly here. Also, Bordo herself does the same things she accuses others of doing, which is to make declarations of historical fact without supporting evidence, or making claims that are contrary to evidence in hand. At one point, she calls Henry a pussy-whipped husband, which is really unlikely to be true, don’t you think? There is evidence that he was ruthless and even brutal when he needed or wanted to be long before he met Anne. Similarly, her treatment of Katherine of Aragon and Mary is really bad. You don’t have to be Team Katherine to be able to acknowledge that Henry treated his first wife and daughter abominably. Fighting to keep a marriage and position to which she was born does not make Katherine stubborn or self-righteous, as Bordo suggests. It makes for good historical fiction, perhaps, but not really for nonfiction. Additionally, I really don’t think quoting people from one’s own Facebook page is adequate for a “scholarly” book. I was really annoyed by that and disappointed that this book was passed off as scholarly. It’s kind of the equivalent of “My mom thinks my story is cool,” and it doesn’t pass muster. For someone who is a doctorally prepared professor, she should do better than resorting to ad hominem attacks on authors or scholars whose positions she disagrees with, and use better supporting evidence.

At the end of the day, this is far more a pop culture commentary than a biography. It is useful in its way for a starting point into further, more academic studies by actual Tudor scholars. It was interesting as a feminist cultural study, but I wouldn’t recommend it as a source for any theses.

A Murder by Any Name

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51orh40ubylA Murder by Any Name by Suzanne M. Wolfe

I read it as an: ARC

Source: Publisher/HNS

Length: 336 pp

Publisher: Crooked Lane Books

Year: 2018

In this series debut, Nicholas Holt, the younger son of a fictional nobleman, is a soldier as well as a spy for William Cecil. He is home in London to report on his mission from the Continent when he is instead assigned to investigate the brutal murder of Queen Elizabeth’s youngest, most innocent lady in waiting, right in the heart of the court. The murder is disturbing, not only because it strikes at a young and innocent girl, but because the body was posed in the chapel in a gruesome imitation of prayer. When a second lady in waiting is murdered shortly after the first, the stakes get even higher for Nick, whose loyalty as a member of a recusant family might be in question if he cannot discover the identity of the  murderer. The political overtones imply that someone is striking now at Elizabeth herself, implying that her reign is illegitimate and that Catholics should be ruling England. Nick relies on the help of his friends – Spanish Jewish doctors Eli and his beautiful twin sister Rivkah, his childhood friend John, and his faithful and well trained wolfhound Hector – to hone in on a cold-blooded killer who won’t stop until forced to by the Queen’s executioner.

A Murder by Any Name was a fast-paced and entertaining read. It held my attention throughout, even though I totally figured out who the killer was quite early on. I’ve read too many mysteries to be surprised by very much, and this plot was really pretty standard. However, the historical details and character development were really well done and more than made up for any lack of surprise for me. Wolfe’s attention to detail was such that I could practically smell the stench of the Thames – or Elizabeth’s breath from her black and rotting teeth! Gnarly. The atmosphere she created was rich and full of emotion, enhanced by the physical details surrounding the characters. The brittle cold, icy water, foggy riverbanks, echoing chambers or chapels, all contributed encompassing the feelings of fear and paranoia that pervaded society at the time. So often, the Jewish communities were the scapegoats for anything that went wrong, as Eli and Rivkah had painful reason to know. Skillfully, Wolfe crafted a protagonist who was sympathetic as well as empathetic while retaining historical accuracy, a tremendous balancing act in itself. Nick Holt was a product of his time, but he was not hardened or indifferent to the suffering of those beneath him on the social scale. I thought Wolfe did a fantastic job of weaving feminism into her story while still being accurate to the social mores of the time. I thought that was excellent. Nick was a wonderful, sensitive, believable character, and I wish there were more period pieces with men like him in them as opposed to sexist men who are written like barbarians simply because the author seems to think that is how it was back in the day, or maybe because an author is himself a sexist. Instead, A Murder by Any Name is the best of what happens when you get a woman to write a well-researched historical fiction. I am looking forward to reading more books in this series, and I can happily recommend this one.

 

Regina Futurum Sit Hodie Natus Est

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Today, a future queen is born. Elizabeth, daughter of Henry VIII and Anne Boleyn, was born today in 1533. So sure were Henry and Anne that she would be a boy that they had already drawn up birth announcements proclaiming a Prince. They had to be hastily amended with an additional S. You can see it in the third line down, about halfway: “…deliverance and bringing forth of a Princess…” Whoops. Little did they know that Elizabeth would go on to be one of the longest-reigning British monarchs, would unite her people in ways they hadn’t been in centuries, and would usher in an age of music, art, literature, and exploration. The Elizabethan Age was rightfully called a Golden Era.

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Image courtesy of Elizregina.com

Everyone knows Shakespeare, but he wasn’t the only one who put pen to paper. There was also Christopher Marlowe, who I am convinced we would be studying instead of Shakespeare if he hadn’t been killed when he was only 29; Thomas Kyd; Phillip Sydney; Edmund Spenser; and Robert Ascher, to name a very few. There were plenty of women who wrote at the time as well. Aemelia Lanyer was the first English woman who wanted to support herself as a poet and sought out the support of prominent female patrons. One of Lanyer’s patrons was Mary Sidney, the sister of Philip Sydney, herself a famous poet. Mary Sidney influenced Shakespeare, and she completed her brother’s work on poetic meditations on the Psalms after he died. Elizabeth I herself was also a very talented writer and poet.

Some of my favorite music also came from this period. I ADORE Thomas Tallis, William Byrd, John Taverner, and Thomas Morley. I sang a LOT of these mens’ songs in chorus when I was in school, which I’m sure influenced my interest in them, but I genuinely appreciate the music for itself. I find it soothing and will put it on if I want to work on writing something. Tallis is playing right now as I write this, in fact.

Elizabeth may have had her flaws – a volcanic temper was reputed to be one of them – but she was also a huge patron of the arts and literature. She fostered diplomacy on a scale that makes my greatly missed President Obama look like an amateur. She was, in short, a shining example of what a leader is. I can think of one so-called leader who should read up on her, but alas, it seems he can’t read.