Margery Kempe, a Pronoun, and her Earthly Associations*

*I wrote this paper something like 15+ years ago in grad school, in one of my Middle English courses. My instructor was the amazing Dhira Mahoney, who recently passed away. I wanted to repost one of my newbie grad student papers that I wrote for her as a tribute to the mentoring she gave me and the lessons I learned, both from her and since then because of her. 

Margery Kempe, a Pronoun, and her Earthly Associations

Margery Kempe is a woman of many titles. She is a wife, a mother, a mystic. Her contemporaries termed her a nuisance, a heretic, a saint. One scholar accurately calls her ‘the woman who would not go away.’1 But how does one woman fall under so many titles? Regardless of how people regard her, it is Margery’s use of language that defines her identity to various individuals. This paper will examine how Margery uses language and tone in her dialogues between earthly men and women in her Book to define her relationship with and authority to the people in her life.Read More »

Rereading Mordred

I have a paper due tonight, 3000-4000 words. I started writing it yesterday, which is the absolute earliest I could find time to sit my butt down and start writing. It is no reflection on the calibre of my instructor, the course, or the institution, though, which are all excellent. 

Rereading Mordred

Once upon a time in literature, a boy pulled a sword from a stone and Arthurian literature was born. However, there is no one genesis of the Arthur legend. Correspondingly, various changes take place throughout the canon, from the way the knights’ armour looks to the way the characters themselves are portrayed. A character who has undergone a great deal of change over time is Mordred. From various medieval texts to J.R.R. Tolkien’s interpretation, Mordred’s competence, approach to leadership, and relationship with Gwenhwyfar are woven together to create a highly complex, often misunderstood character. Read More »

Maiden’s Quest: The Hero’s Quest and Cycle of Feminine Power in _The Princess and the Goblin_

I wrote this paper for a class I am taking on the history of The Hobbit. I was rather pleased that I still remember how to write academic papers… 

 

Maiden’s Quest:

The Hero’s Quest and Cycle of Feminine Power in The Princess and the Goblin

Faerie stories are replete with women whose underlying message is often that they must be divorced from their power to be of true worth. Traditionally, faerie story heroines depend on their ability to secure a man’s protection. One story that may be viewed through a more empowering lens is George MacDonald’s The Princess and the Goblin. Princess Irene and her Great-Grandmother each serve as two separate facets of the Triple Goddess cycle of feminine power, representing the Maiden and the Crone, respectively. Irene undertakes a Maiden’s Quest and in doing so, manifests her own feminine identity and power.Read More »