book review · books · lifestyle

Guest Post by Leslie Key: Looking and Seeing: Nalanda Miksang Contemplative Photography

51eje8r2i8l-_sx398_bo1204203200_Title: Looking and Seeing: Nalanda Miksang Contemplative Photography by John McQuade and Miriam Hall

I read it as an: eBook

Source:  Leslie Key’s own collection

Length: 6 hours/more if using as reference

Publisher: Drala Publishing

Year: 2015

 

A Poem

Staying in One Place

Could it be that we like to stay

where it’s comfortable even to our dismay?

What turns the tide to rescue us?

How many turns must we pass,

before we choose the Way?

Sea Sand Stone and Shell 1 CR LR .jpg (1 of 1)
Sea, Sand, Stone and Shell 1

This poem and image were created during the moments of reflection on an experience I had with contemplative photography.

The book Looking and Seeing was my first formal introduction to the idea of contemplative photography, which is a focused and mindful visual experience with intention. Looking is the moment of perception that takes you into seeing, creating the personal connection. With my camera as my tool, it is a Way of Seeing the world around me, a perceptual wonder. McQade and Hall describe a Way as a path or practice to perception (seeing) (2015). In the second section of Looking and Seeing the authors explain what it means to have “view, motivation and intention” as it relates to capturing images through experiencing them with mind, body and spirit. I have used and am using this concept for several photographic projects now.

For example, over the 4th of July this year I visited friends in San Diego, CA. Every year they head down to Ocean Beach and typically arrive around sunrise to ensure they land a good spot near the pier. This year I decided to commit to Ocean Beach on the 4th of July and join my dear friends Benny and Shari each year to follow. I’ve also committed to visually capturing Ocean Beach in each visit during the wee hours of the mornings of each 4th of July. The images I captured in July of 2017 proved to be different than what I saw during my July 2018 visit.

This year during these wee hours the sea shore showed me places that were soon hidden by the high tide. I had several hours to capture the shore at low tide. I titled this photographic project “Staying in One Place.” The first image below captures the crevasses and streams of sea, sand, stone and shell. In contemplative photography I take the time to experience the environment that I plan to capture with my camera. This year I spent about two hours walking, listening and standing still with my eyes closed to listen carefully to what this place could show me. This is when I can hear what I see. McQuade and Hall call this a mind-set of practice using “view, motivation and intent” to be “fully human and awake” (2015, p. 19).

My view or orientation of the scene is when I can understand the journey in capturing the image. This is how I captured the image below and my perception when I clicked the camera shutter. As I angled my camera and tripod securely on a mossy and somewhat slippery stone, I began to compare the elements of sea, sand, stone and shell to people; people (including myself at times) who have decided to stay in their crevasses and still water, passing every opportunity to move on.

How many times in life are we forced to move and change? How many times is our positive, yet painful change forced by circumstances we are in through choices we have made? This can sound dreadful yet is a natural path to discovery.

The following three photographs are from my photo project “Stay in One Place.”

Sea Sand Stone and Shell 2
Sea, Sand, Stone and Shell 2
2 Sea Sand Stone and Shell CR LR .jpg (1 of 1).jpg
Sea, Sand, Stone and Shell 3

 

Tidal Force CR LR .jpg (1 of 1)
Tidal Force

Another recent photographic project I titled “From My Car Window” gave me a new Way of Seeing.  I focused on using contemplative photography on a recent road trip to Ottawa, Kansas. Because of a short time-frame and urgent need to get to my destination, I realized my car window was my only chance to capture some incredible scenes with full intention of using the “discipline of relaxation,” which McQuade and Hall describe as a moment of contemplative practice or intent. Here are a few images that I captured from my car window. The experience offered me a “Way of Seeing” while moving fast enough that if my camera settings were not perfect, the image would not display what I saw. In other words, I synchronized.

The following four photographs are from my photo project “From My Car Window.”

Cumulus LR .jpg (1 of 1)
Cumulus

Traces CR LR .jpg (1 of 1)
Traces

Two Horses CR LR .jpg (1 of 1)
Two Horses

High Desert CR LR .jpg (1 of 1)
High Desert

McQuade and Hall frequently refer to a “flash of perception” through synchronization or creating a state where eye, mind and world all come together at the same time (p. 21). To prepare for this experience, I ensure that my camera and equipment are ready to be put to use, a time when my logical, organizational mind begins to prepare for the contemplative photographic event.

In the final chapters of Looking and Seeing the authors give me a chance to put the concept of contemplative photography into practice. McQuade and Hall bring me into a world of new perception and thinking about what a miracle vision really is. The authors call it an unconditional miracle of “sheer manifestation” (p. 32). For example, we see color every day, right? Using the concept of contemplative photography, I first contemplate the color by first looking, then seeing (perceiving) the color, to making an image of the color. This same exercise is applied to light and shadows, texture and patterns. This is a process, an exercise in contemplative photography.

In closing I would like to say that I love capturing what I see and feel. I love the idea that sharing images for the sheer pleasure of sharing, is my goal. This book is for all types of photographers, from film and digital, to iphone, to the snapshot wonder. Looking and Seeing is a form of mindful meditation through a Way of Seeing and capturing the world we live in.

***

Leslie Key is, by profession, a full-time faculty of higher education. By hobby, she is a photographic hobbyist who loves to capture what she sees and feels, with intentions of becoming a professional nature photographer.

As a full-time faculty with the University of Phoenix, Leslie teaches courses in critical thinking, and general life and study skills to first year college students. She finds that she connects well with these students who are either returning or new to college. She identifies well the struggles to balance family, career, and college because this is what she did.

Returning to college at 45 years was interesting and scary, but Leslie achieved her goals and earned a master in adult education and learning theories. She then began her second career in higher education and has worked in student services, academic affairs, administration and now as full-time faculty.

Her background in photography started at age 5 when her father introduced her to a point and shoot camera, so she could take photos alongside him. Her interest continued through the years photographing people, places and things. Today, her intentions continue, and her focus deepens.

Leslie hopes you enjoy her guest blog post and photographs. She is in the process of creating her professional website, which is now under construction. In the meantime, please check out her Photography Profile

book review · books · sci-fi

Old Man’s War

51tnlj8xnbl-_sx342_Old Man’s War by John Scalzi

I read it as an: audiobook

Narrator: William Dufris

Source: my own collection

Length: 9 h 58 m

Publisher: Macmillan Audio

Year: 2007

In the future, the Colonial Defence Forces don’t want young people with no experience to join up. They are too green, too excitable, too likely to do something stupid. Instead, the CDF takes recruits when they turn 75. They give them a shiny new, genetically enhanced body, teach them how to be soldiers that would be the envy of the most badass Marines or SeALs, or astronauts ever. And then they send them off to the front, where they will do battle with all the aliens in the galaxy who surround all the human colonies, and who want to kill humans, often for food. Neat!

This first entry in Scalzi’s Old Man’s War series is some of the finest sci-fi I’ve read in years. It was full of action, excitement, adventure, and a shit ton of sarcasm. Scalzi is one of the funniest writers around at the moment, and his humor colors nearly every page, from boot camp to even the goriest of battles. Who knew it could be hilarious to read a scene where an entire unit dies but one man, who gets his jaw ripped off and kicks himself in the uvula in the process? I wouldn’t have thought that, but indeed I laughed out loud. It’s either excellent writing, or there’s just something wrong with me. Jury’s still out on that one, I reckon.

The narrator for this was also excellent. I am used to Wil Wheaton narrating Scalzi’s books, but this was read by William Dufris. It was a good choice because he sounds older, or made himself sound older at any rate, than Wil is. He was able to do some terrific crotchety old fart voices, and had a bunch of different voices and accents and overall just really played up the already terrifically fun story.

I have universally loved all of Scalzi’s novels so far, and I can’t wait to read the rest of the Old Man’s War series.

book review · books · historical fiction

Fire Catcher

Fire Catcher  by CS Quinn

I read it as an: audiobook

Narrator: Napoleon Ryan

Source: my own collection

Length: 14 hrs 29 min

Publisher: Brilliance Audio

Year: 2015

In this second installment of Quinn’s Thief Taker series, Charlie Tuesday finds himself on the hunt for a sea chest which contains papers that have the potential to bring civil war back to England. He and his reluctant new sidekick, a young Gypsy woman name Lily, have to race to find the papers before they burn in the Great Fire of London.

I cheerfully confess that I began reading this series because the first installment, The Thief Taker, was all about the bubonic plague. We all know I have an unhealthy fascination with plague. But this book was kind of a meandering mess. Charlie and Lily run from one clue to another, the fire destroys stuff, the bad guy Blackstone gets badder and crazier, and eventually they find what they are looking for and figure out the mystery. It was actually quite long and rather boring for what could have been a much more interesting story.

I don’t know a ton about that time period – I’m a medievalist, so the 1660s are too modern for me! – but I think this was not a very accurate book. The descriptions of the city didn’t mesh with what I know of historic London. I also don’t know about the Duke of Clarence.

Also, it’s magnum opus, not magnus opus. Jesus.

The pacing was another problem for me. While I enjoy a fast-paced book as much as anyone, things happened in this book too fast and without any real purpose. It was like that movie Speed, just too much going on and most of it was eye-roll worthy.

The narrator, Napoleon Ryan, literally was all that kept me listening to this. He did a fantastic job, doing different voices and accents. I could listen to him narrate a lot of things, even if the story isn’t all that compelling.

book review · books

A Man Called Ove

18774964A Man Called Ove by Fredrik Backman

I read it as a: paperback

Source: my own collection

Length: 337 pp

Publisher: Washington Square Press

Year: 2012

Ove is a stereotypical curmudgeon, which is a terrific word anyway, isn’t it. He is cranky, he feuds with his neighbors for not following the posted signs or the rules of the neighborhood association, and he just wants to be left alone. Really, what he wants is to die, and he has his own reasons for wanting that which are no one else’s business. But things keep happening that piss him off just enough to keep him engaged and living, and he knows from long experience that if he doesn’t handle it, it will never get done right. Such as teaching the new neighbor how to back up a trailer so he doesn’t run over his mailbox. Again. Or teaching the neighbor’s wife how to drive because the neighbor fell off a ladder and broke himself and needs someone to drive him around. Or teaching the local barista how to fix a bike so he can give it to his girlfriend. Or do battle with a corrupt White Shirt (Ove’s version of two by two, hands of blue) determined to forcibly remove a neighbor with Alzheimer’s to a nursing home against the wishes of the family. Along the way, even though Ove is a cranky old sod (he really isn’t), it becomes clear that he has a deep and painful past and that it’s always the quiet ones who are the most interesting, the ones you have to keep your eye on, and who care the deepest even if they don’t make a spectacle about it.

This was such a touching book. People who say nothing much happened didn’t pay attention. The people who disliked it just because Ove didn’t like the cat (or Jimmy, or the kid who couldn’t repair his own bike, etc) totally missed the point. I feel bad for those people. Ove looked past the exterior of people and saw the good in them, despite not being able to do things he thought they should be able to do for themselves. If they didn’t know something, he taught them. He was rough on the outside, but at heart he was a true teacher and went out of his way to help people when he didn’t have to. In the end, the community realized they were the ones who had been wrong about Ove all along.

Also, this book made me miss my grandad, even though he wasn’t a curmudgeon. But in a lot of ways, Ove reminds me of him anyway.

Some of my favorite lines (behind the cut in case of spoilers): Continue reading “A Man Called Ove”

book review · books

Small Country

36750086Small Country by Gaël Faye

I read it as a: hardback

Source: my own collection (BOTM selection)

Length: 192 pp

Publisher: Hogarth

Year: 2018

Small Country is Gaël Faye’s debut novel, and it is a gutpunch. The novel is told through the eyes of a ten year old boy, Gaby, who is the child of a French father and Rwandan mother. He and his younger sister, Ama, live a fairly privileged life in a neighborhood of ex-pats, relatively sheltered from much of the political instability and poverty that the rest of the country is subject to. Gaby’s father actively discourages him from listening to or learning about politics and doesn’t believe children should join in adult conversations, so for the first half of the book, most of the political events are filtered through the lens of a child who doesn’t really understand what is going on. Gaby’s main sources of concern are his parents’ fracturing relationship and maintaining his friendships with Gino and the other children in his neighborhood. When the war touches his family, though, Gaby grows up faster than any child should ever have to.

This was a difficult read, obviously. The topic alone would make it so, but seeing it through a child’s eyes made it worse. It was obvious that Gaby had no real idea what was happening and that his life was a lot more sheltered than the lives of many of those around him, including his household staff. Gaby’s home was in a fairly exclusive, guarded, safe-ish area. The cook and gardener who worked at his house everyday lived in a different area and were in danger every time they set foot in their homes. I don’t think Gaby ever fully realized that. It was just that one day, he noticed Donatien and Prothe were not there anymore and he wondered where they were. The political events were similarly vague until near the end of the book. They were all filtered through Gaby’s childish ignorance, which wasn’t all his fault. His father kept his children ignorant of politics, whether for their own safety or for some other reason, we never really know. Clearly, it didn’t work to keep them safe or clear from war. It came to them anyway. It stripped Gaby of his childhood, brutally. The writing reflects the way Gaby tried to cling to his childhood, wanting to keep things the way they were, just wanting to play with his friends and not worry about protecting his street or neighborhood. One of the most poignant lines of the book was when Gaby told his friends Gino and Francis, “You’re my friends because I love you, not because you’re from one ethnic group or another. I don’t want anything to do with all that!” (153). He is clinging to a childhood that has already deserted him, but he has not yet realized it, and it is heartbreaking.

How much of Gaby’s childhood was taken from him is really highlighted in the letters he exchanges with his French pen pal, a ten year old girl named Laure. In one of his letters, Gaby told Laure about the elections held in Burundi and how the people turned out in their droves to vote, told her about the political parties in the country, the candidates, and who ultimately won the election and why it was such a big deal to the people. In return, Laure sent a three-line letter, telling him she was having a fun vacation at the beach and that what he had written to her was funny. What Gaby wrote didn’t even register to Laure as an actual event, or that another child the same age as her could be living through something as impactful as a democratic election, as horrific as a genocide. It makes me think of this when he is thinking to himself, years later, “I used to think I was exiled from my country. But, in retracing the steps of my past, I have understood that I was exiled from my childhood. Which seems so much crueler.” (179).

This is a book that I will be thinking about for a long time.

book review · books

A Girl Like That

51h8gf05wjl-_sx329_bo1204203200_A Girl Like That  by Tanaz Bhathena

I read it as a: hardback

Source: library

Length: 384 pp

Publisher: Farrar Strauss

Year: 2018

Sixteen year old Zarin Wadia is a girl caught between family, social, and peer pressures. Orphaned at four, being raised by her hateful aunt and spineless uncle, Zarin has never really remembered a time when she felt loved. Her only friend is a boy she sees from her balcony who waves to her as he heads out to school each morning. When her aunt and uncle move her from her hometown of Mumbai to Jeddah, Saudi Arabia, Zarin has even more rules to follow, for interactions between men and women in Saudi are highly regulated and women are closely guarded. Zarin begins rebelling against the societal boundaries, learning to avoid the religious police as well as her aunt, just for an hour or two of unsupervised freedom. When she encounters Porus, a young man working at the neighborhood deli, they each recognize each other as the balcony friends they had been in Mumbai ten years earlier. Porus, against his mother’s wishes, stands by Zarin through bullying, slandering, assault, and abuse, determined to be everything for her that she never had before. When the two of them die in a horrific car accident (not a spoiler, it happens on the first page), the pieces of their stories come together in astonishing ways, revealing slowly just how Zarin came to be known as “a girl like that,” and how very, terribly wrong rumors and reputations can be.

This book was devastating. Utterly, completely, beautifully devastating. The pain the Zarin endured for so much of her life was tangible and leapt from the page. The bullying the girls at school put her through is something kids today across the world might be familiar with, which is disgusting as it is. Added to that was the way misogyny and violence towards women is codified into so much Arabic law. No, there was no hint of Islamophobia in this novel, as some reviews implied. It doesn’t make the author anti-Muslim to point out that Saudi Arabia actually has plenty of misogynistic laws reinforced by religious police. It was interesting to learn more about the region, and the various other cultural groups that live there besides Muslims. Zarin and her family are Zoroastrians, a small minority within the community. They don’t speak Arabic, or at least not well enough to defend themselves if they had been detained by the religious police. They spoke Hindi and Gujarati, mostly, and a little Arabic and Avestan. In my ignorance, I had never heard of Gujarati or Avestan in my entire life before reading this book. So I learned a few things, which is always good.

There were too many things that were sad and mad me cry in this. I loved the parts that made me happy, too. Porus is such a sweet character. We need more like him. The one thing I wanted more of was to know why her aunt was the way she was. Did she have schizophrenia? Early onset? Was she just an evil person? What happened to make her like that? What happened to Zarin’s uncle to make him lose his balls and not defend a child under his care from abuse? We also only got a little closure with the schoolmates. I get that the story was Zarin’s and not theirs, but they contributed to the misery of her life, so it would have been nice to know what happened to them beyond just a couple. I suppose we had some answers regarding the biggest offender, but I still wanted more about the other girls in the end.

I cannot overstate how much I enjoyed this book, how gutwrenching it was, and how important I think it is that everyone read it. It’s a major discussion on a multitude of topics from bullying to rape culture and toxic masculinity to the long term impact of an abusive home environment. It pulls no punches, nor should it.

book review · books

We Should All Be Feminists

51uuww2g32l-_sx342_We Should All Be Feminists by Chimamanda Ngozi Adichie

I read it as an: audiobook

Narrator: Chimamanda Ngozi Adichie

Source: library

Length: 45 min

Publisher: Random House Audio

Year: 2017

I’ve meant to read this book the split second it hit the shelves, and I haven’t got around to it until just now. Fail. But that doesn’t change the fact that this is a book I feel should be compulsory reading for every young person entering high school, and given as a graduation gift to every graduating student as well. I don’t mean just handing it to them and hoping they read it. I mean requiring active and participatory discussion. Make them think about what they read. Make your husbands read this with you. Make your daughters and sons read it with you and make them pay attention and make sure they understand that men as well as women can, and should, be feminists. Make sure they know that it is not unmanly, and indeed is a requisite life skill, to be able to cook and feed yourself, not something to depend on another person to do for you. Do not thank a father for participating in the caregiving of his own child – it’s called parenting, and it’s required. Do not ignore a woman when she enters with a man, as though she is a non-entity. Demanding these things does not make a woman an angry feminist or a man-hater. It means she respects herself and her sister women enough to expect that others treat her with respect as well. It is not acceptable that so many people do not understand this, or worse, do understand but simply don’t care or feel it is worthy of consideration. As Chimamanda Ngozi Adichie states, we all must do better.

book review · books · historical fiction

Pachinko

33905162Pachinko by Min Jin Lee

I read it as an: audiobook

Narrator: Allison Hiroto

Source: library

Length: 18:16:00

Publisher: Blackstone Audio

Year: 2017, listened to 7/2/18 – 7/13/18

Pachinko is a multigenerational saga about a family of Koreans who have to move to Japan because…reasons. Initially, Sunja, the beloved daughter of two older parents (older in that they were early 20s when she was born in the early 20th century), gets pregnant. Her lover, she discovers after it’s too late, already has a wife in Japan. One of the boarders at her parents’ boardinghouse, a preacher traveling to his new church, offers to marry her. She accepts and goes with him to make a new life in Japan. Together, they raise their sons in Japan and the story follows four generations of their family, navigating through wars, cultural upheaval, and constantly being viewed as outsiders even when one is born in Japan.

It’s been a really interesting read, though I am finding that I’m just not generally a fan of multigenerational narratives. Not in one book, anyway. This started out strong and then got rushed near the end, like there are too many stories, too many characters, and too much to say to give much attention to any one of them. The same thing happened with Homegoing. I loved the first half of the book and then it just got too rushed and I didn’t get to know the characters as well. I think doing multigenerational sagas over several books is a better way to go.

That said, this was an excellent read, especially the first half, and I learned a ton about Korean culture that I had no idea about before. I didn’t know so many Koreans had moved to Japan, nor that Japan had occupied Korea. Education fail in a big way! The way some of the people felt like they had to “pass” as Japanese just to be allowed to live in peace and make a life for themselves was so sad. Now I want to reread Passing.

Overall, though I had my quibbles with it, I thoroughly enjoyed Pachinko and would recommend it as an excellent and eye-opening read.

book review · books · lifestyle

French Women Don’t Get Fat

1320781French Women Don’t Get Fat by Mireille Guiliano

I read it as a: paperback

Source: my own collection

Length: 304 pp

Publisher: Vintage

Year: 2007

This book is about the French culture and how they manage to eat the foods they eat – lots of rich sauces and breads and wine and chocolate – without becoming obese the way so many Americans are. It’s the French Paradox, although I think that specific term was only used once in the whole book. I think that some people – a lot of people, actually, based on some of the criticism this book has received – might get defensive about what they view as an attack on American culture, or see it as fat shaming. But let’s face it: she’s right about a lot of things, like it or not. The main premise is simply to eat fresh, seasonal foods in moderation, get up off your lazy ass, eat with purpose and at an actual table off of actual plates with actual silverware, and drink a shitload of water. This isn’t a difficult concept to grasp, but I think American ideas of what is a portion are so overinflated that a correct portion seems like starvation rations. The entire framework requires a shift in mindset. It really struck me when Mireille wrote that French women are always thinking about good things to eat and American women are worrying about bad things to eat. I think that is true for many people, even those who are thin.

Throughout the book, Mireille tried to highlight the idea that food and eating should bring pleasure, not stress, anxiety, or shame. At the same time, she also stressed that there is no reason that pleasure from food implies it shouldn’t also be healthy. The concepts she claims are cultural to the French are very much common sense things that my own mother taught me. If you overindulge one day or one week, cut back a little until you feel back in balance. Don’t starve yourself. Have a good variety of foods that are in season. Eat lots of fruits and veggies. Walk or ride your bike to as many places as you can. I have a hard time with this one simply because it’s too hot to do that all the time where I live, and I also live in the suburbs. But when it isn’t over 90 (more often over 100), I do walk several times a week to the grocery store to buy what I need for a couple days. I make up for the lack of walking, which I love doing when it isn’t so hot it triggers a migraine, by going to my all-women’s studio gym, which I also love. I know Mireille hates the gym but I love beating the shit out of the mannequin Bob. I’m nicer after boxing. I take the stairs when I can, and I don’t park as close as I possibly can. I park where there is shade, no matter how far it is from where I need to go. When it gets cooler, I plan to get a bike and start riding it to the weekly farmer’s market. It should be fun, and buying fresh, local food items is a thing I support anyway. I’m rather looking forward to it!

There is also a huge component to eating at home and preparing your own meals. I think people now view cooking and food preparation as a tedious chore that has to be done, or else they don’t bother at all and just go out all the time or buy garbage you can throw in a microwave. And then kids have behavior problems because diet is absolutely linked to behavior. When my own kid eats healthy, she minds a lot better. She also has a healthier appetite when I don’t let her snack. She gets breakfast, lunch, a small afternoon snack, and dinner. She whines about it sometimes, especially if she’s been at my mom’s a lot because my stepdad eats constantly and she sees that bad example. When she gets back on a proper eating schedule, she eats well, and she is a lot more willing to try new foods. She also likes to  help me fix the meals on occasion, though I’m still trying to get her to understand that she has to follow a recipe until she learns what actually goes well together. But I try to make it fun and when she is able to make something well, she feels proud of herself. Cooking with my daughter is a lot of fun and is something I look forward to. It is my job to teach her how to be well and I see no reason why it should be a chore to do. There are a lot of recipes that were included in this book that we can try together that she would like. I also have a large collection of cookbooks that I use all the time, and I like to teach her how I plan a menu. She likes to pick out recipes so when I let her do that, it adds to her enjoyment of food and learning that it is a pleasurable thing to cook.

I liked that Mireille was careful to note that of course not every single French woman is thin. Being overweight or obese is a universal issue and not confined to American culture. It is, however, a lot more rare in France, where it is culturally ingrained to eat smaller portions, eat fresh and seasonal fruits and vegetables, walk everywhere as much as possible, linger over meals rather than cramming them down like you’re starving, drink tons of water, and any number of other things that Americans in general simply don’t do. Like it or not, the observations made in the book about American culture are pretty accurate. Some things may be a little out of touch, but overall, I thought this was a great intro to changing one’s mindset and relationship to food. Regardless of one’s social class or income, I think these basic rules are things most people can follow in their everyday life. It is just a matter of whether you want to or not.

book review · books · historical fiction · Medievalism

Misfortune of Time (Druid’s Brooch #6)

40176383Misfortune of Time by Christy Nicholas

I read it as an: egalley

Source: Helen Hollick at  Discovering Diamonds. 

Length: my file only gave Kindle locations, not page numbers. Super annoying.

Publisher: Tirgearr Publishing

Year: 2018

*Minor spoilers ahead. You have been warned.*

In this sixth installment of Christy Nicholas’s Druid’s Brooch series, Etain, a 12th century Irish woman, has the ability not to age thanks to the magic she draws from her Druid’s brooch. The brooch is an heirloom inherited from her mother, passed down the family line, first given to her family by a Druid in thanks for saving his life. Etain is able to change her appearance at will, so she can age herself appropriately over the years, but her natural appearance is of a woman around 30 years old. In truth, she is around 150. She has had many husbands, many children, and has had to leave them all behind in her long life to avoid being discovered and killed as a witch or Fae. Her current husband, Airtre, is a mentally and physically abusive putrescence of a man, a Christian priest whose primary goal is to move up in the Church to a bishopric. Etain stays only to protect her young grandson, Maelan, from Airtre. When events explode, Etain is forced to flee, getting help from some unexpected allies, including other priests and monks, as well as a few kindly Fae.

I have read several books by Christy Nicholas, including some in the Druid’s Brooch series, and I must say I think this is my favorite one so far. The characters were all multidimensional and interesting, for the most part, and I enjoyed seeing a variety of people mingling together in the villages Etain traveled to, even if life wasn’t really like that in 12th century Ireland. I think she captured the fear and ambivalence of an abused woman well, though I hope I never truly understand that. Etain had a horrific life and it speaks to the strength of her spirit that she kept going and trying to survive rather than just giving up and letting some mad horde kill her as a witch, for the brooch can’t protect her from death.

I loved the theme of tolerance woven throughout, as well as the Gaelic hospitality. There were many instances of travelers or even old friends being offered food, drink, and washing water the moment they set foot indoors. I loved that because that’s how I was raised and it felt like home to see it reflected on the page. As well, the tolerance was a thread throughout. Etain has lived long enough to know that belief isn’t what is important, it is people who are important. She tells Maelan that “a little kindness can have unexpected rewards,” and often she herself has to remember her own lesson and take the kindness of others. Later, Maelan’s wife, Liadan, tells her, “Before I met [Aes], I didn’t realize pagans were just normal people like you and me.” Learning that people have more similarities than differences is a vital life lesson that many people today still need to learn.

The one thing I wish was different was that some of the narrative felt rushed. When Etain left Faerieland and settled in the ringfort, working in the kitchens, for example, little time was spent there, little real detail. The same happened before she entered Faerieland, when she was in the village and traded all her herbs for a cow. I wanted more detail and time spent in those places. Doing so, I feel, would give more of a sense of loss, of fatigue, because Etain was happy in both of those places and then was forced to go again. But these are minor quibbles in my overall enjoyment of this very engaging historical fantasy.

Also, it totally made me think of Dar Williams’ song The Christians and the Pagans.