A Feather on the Breath of God

hildegard_of_bingen_and_nuns
Hildegard and her nuns

In the year 1112, a young girl who had been given to the church by her parents as a tithe was entombed in an anchorite’s cell with another woman, Jutta. The mass of the dead was performed over the enclosed cell, as was customary, and the girl became an anchoress until her eventual release in 1136 upon Jutta’s death. The girl, now around 38 years old, was then unanimously declared as the next abbess of the Disenbodenberg convent. She went on to become a renowned theologian, composer, and mystic. The girl was Hildegard of Bingen (1098 – 17 Sept 1179), medieval firebrand, visionary, thorn in the side of her male contemporaries, and she remains as relevant today as she was in her own time.

Hildegard was a product of her time and was not a feminist by any modern definition of the word, but she was a fierce advocate of the sacred value of women. Her theology was feminine, focusing largely on the idea of God as a cosmic egg, a womb that nurtures all things. She acknowledged the dogma of her time, which decreed that God was male, but she claimed that she was unable to bear looking upon the divine in her visions unless it presented as female. Although women were prohibited from preaching, nevertheless, she persisted, going on several tours to preach to her male superiors about the sins of the Church, which was rife with sexual misconduct and corruption. One of Hildegard’s more interesting visions, Ecclesia, depicts the Church giving birth to the Antichrist because of the venality of its clergy. She was not afraid of confrontation, and even wrote scathing letters to Pope Anastasius IV about the sad state of his Church:

You are neglecting justice, the King’s daughter [the Church], the heavenly bride, the woman who was entrusted to you. And you are even tolerant that this princess be hurled to the ground. Her crown and jeweled raiment are torn to pieces through the moral crudeness of men who bark like dogs and make stupid sounds like chickens which sometimes begin to cackle in the middle of the night. They are hypocrites. (Fox, 1987, p. 274)

At one point, Hildegard and her nuns were even placed under interdict for refusing to comply with orders to disinter a suspected apostate, whom Hildegard allowed to be buried in hallowed ground in her convent. Hildegard refused to relent and eventually the interdict was lifted. She could, and did, go toe to toe with male authority, and bravely fought for her beliefs within the system that was available to her.

Hildegard was also a gifted composer of music, another realm generally designated for men only. Because she was a Benedictine nun and adhered to that order’s strict daily schedule, she sang the Divine Office eight times a day. She believed that singing was the highest form of prayer and music connected humankind directly to the divine. During her interdict, she was prohibited from singing, which was the harshest punishment for her. Hildegard said in a letter to the prelates of Mainz that “the soul is arises from heavenly harmony” (Fox, 1987, p. 359) and in music she referred to herself as a feather on the breath of God. She wrote over 70 songs and Ordo Virtutum, which is sometimes considered to be the first opera. A sampling of her songs may be found at the following sites: https://www.youtube.com/watch?v=Q8gK0_PgIgY or http://www.slacker.com/artist/hildegard-von-bingen

Her mystical visions still bring inspiration. Often, they reflect her concept of Viriditas, the greening power, which she believed was the divine made manifest in everything on earth. She wrote, “I, the fiery life of divine essence, am aflame beyond the beauty of the meadows, I gleam in the waters, and I burn in the sun, moon and stars … I awaken everything to life” (Fox, 1987, p. 8-10). Hildegard felt the creation of all things reflected the face of the divine and that nature was sacred, something that is “highly relevant for us in this age of climate change and the destruction of natural habitats” (Sharratt, 2012, para. 6).

Hildegard’s death on September 17, 1179 marks a date of commemoration for this woman, a medieval mystic, visionary, healer, and saint. She was ordained a Doctor of the Church 900 years after her death. Today, women the world over still find solace and strength in her words and songs. We can use her for guidance to find our own viriditas, strength, and sacredness in nature, regardless of faith or lack thereof.

References

Classical Music goturhjem2. (2013, Feb 13). Hildegard von Bingen – Music and Visions [Video file]. Retrieved from https://www.youtube.com/watch?v=Q8gK0_PgIgY.

Hildegard of Bingen. (1987). Hildegard of Bingen’s Book of Divine Works: With Letters and Songs. Matthew Fox (Ed.). Santa Fe, NM: Bear & Company.  

Hildegard von Bingen. (n.d.). Slacker Radio. Retrieved from http://www.slacker.com/artist/hildegard-von-bingen.

Newman, B. (1987). Sister of Wisdom: St. Hildegard’s Theology of the Feminine. Berkeley: University of California Press.

Sharratt, M. (2012, Oct 27). 8 Reasons Why Hildegard Matters Now. Huffington Post. Retrieved from http://www.huffingtonpost.com/mary-sharratt/8-reasons-why-hildegard-matters-now_b_2006626.html.

The History of William Marshal

29006215The History of William Marshal translated by Nigel Bryant

Her Grace’s rating:  3 out of 5 stars

Genre: nonfiction/biography

I read it as a: paperback

Source: my own collection

Length: 243 pp

Published by: The Boydell Press (1 Aug 2016)

This medieval chronicle, written in the 1220s in verse, depicts the life of William Marshal, The Greatest Knight. The author is unknown, but he was likely a close friend or a member of Marshal’s household. He wrote events as he knew them, both from firsthand knowledge or by asking those closest to Marshal. It certainly exaggerates Marshal’s life and abilities and glosses cheerfully over the times he blew it, but it is overall a valuable document of medieval noble life.

As a medievalist, I’ve read my share of chronicles and documents of the time. This one was a delightful change from the texts that are often dry accounts. It was easy to read and surprisingly funny. In part, this is due to Bryant’s skillful translation, but he can’t translate what wasn’t already there to begin with. The chronicler had a witty and sometimes playful tone to his writing. 

The whole document gives a fascinating glimpse into medieval noble life and the ways in which a knight can make a name for himself. The medieval mindset and things that the chronicler focused on are so intriguing. The politics and balancing acts these people had to perform must have been exhausting. It is also clear that women may have been respected (Eleanor of Aquitaine is mentioned in glowing terms) but they are still very much second-class citizens. One of Marshal’s horses is given a name, Blancart, and yet none of his sisters were named. Even queens are often referred to as ‘the queen’ or so and so’s wife. 

I wonder how much of the Stoics the author knew. Some passages were very Stoic in their reader: ‘But I tell you truly, no heart should grieve or rejoice excessively’ (p 28). Almost certainly he was influenced by Boethius as well; The Consolation of Philosophy had a lot of influence on medieval thought, and throughout Marshal’s history, numerous references exist to Fortune and her wheel. It feels like there may be some influences of the Beowulf poet on the chronicler as well. I’ll have to look into that more, because I’m a nerd. But the intro reminded me very much of the intro to Beowulf: þæt wæs god cyning! Yes, þæt wæs god knight! 

 This is definitely a must-read for any medievalist. Who doesn’t like learning about knights anyway, especially the one who was known as the greatest knight even in his own lifetime? 

Favorite parts/ lines:

  • On helping Empress Mathilda escape but she slowed them down by riding sidesaddle: ‘By Christ, lady, you can’t spur when you’re seated so! You’ll have to part your legs and swing over the saddle!’ (29)
  • And the fact is, sirs, the prowess of a single valiant knight can embolden a whole army… (37)
  • …joy and happiness are the due reward and stimulus for aptitude and prowess. (43)
  • Let’s be honest: being sedentary is shameful to the young. (52)
  • He won something of far more value, for the man who wins honour has made a rich profit indeed. (59)
  • I loved the part where the Marshal was at a tourney and he got smacked on the helmet so hard that it got stuck and he had to go lay on the smith’s anvil so the smith could pry it off. LOL. 
  • A man reveals himself by his actions! (70)
  • People often get what they deserve, and those who covet all lose all. (72)

 

 

Earl of Huntingdon

42551630Earl of Huntingdon (Outlaw’s Legacy Book 3)* by NB Dixon

I read it as an: ARC

Source: Helen Hollick at Discovering Diamonds 

Length: 418 pp

Publisher: Beaten Track

Year: 2019

Earl of Huntingdon is the third in the Outlaw’s Legacy series, a reimagining of the Robin Hood legend by NB Dixon. In this installation, Robin of Huntingdon, formerly of Locksley, is an earl, a former outlaw pardoned by King Richard for his lawless ways. He had married Marian, the heiress of Huntingdon, though his heart was given to one of his companions, Will Scathelock. Now, years later, Robin is facing an old enemy from his Crusading days, Roger of Doncaster, who had been promised to Marian in his youth and never forgave her or Robin for coercing her marriage to Robin instead. Roger is determined to do all he can to destroy Robin, whose only solace now is in the arms of the man whose heart he broke.

The action begins with a new group of outlaws in Sherwood. The difference here is that these outlaws are truly bad people, raping, pillaging, and plundering from the innocent. The new sheriff of Nottingham, Matthew Picard, is as inept as Guy of Gisbourne ever could have been, and does nothing to stop them. Robin takes matters into his own hands and dispatches the outlaws himself with the aid of his loyal men…and Will Scathelock. However, the outlaws were connected to a spy in Robin’s midst working with Roger of Doncaster to bring Robin down and killing the outlaws sets in motion a chain of events neither Robin nor his men could have anticipated.

This was an utterly unstoppable read. While I confess I’ll read just about anything labelled “Robin Hood,” that doesn’t mean all such are actually well written or entertaining; Earl of Huntingdon, however, is both. I enjoyed the rich historical details, such as the training the men did in the lists and at the tiltyard, or the ways in which castles could be besieged. Adding in the historical details in this way make these novels which are based on legend spring to life, making it seem that much more possible that people like Robin Hood really could have existed.

The characters were all interesting and well developed. I loved how very human Robin was – he was conflicted in wanting to do right by Marian and by what I think was his genuine affection for her, but also his desire for Will and wanting to be with the man he truly loves. He isn’t a perfect person, and never tries to be, and it makes him that much more believable.

Marian is not always likeable and her reasons are understandable. She’s endured many losses and suffered a lot of heartache, which makes her rather shrewish at first. We get to know her more as the book goes on and I grew to like her more. Having Marian be less likeable than she often is in more traditional versions makes this novel compelling and more relatable – it reminds readers that she is a woman of her time and subject to the whims of the men in charge of her, and yet she has endured it all as best she can.

All the secondary characters – Will, John Little, Tuck, John’s wife Daphne, Alan a Dale, and so on – have distinct personalities and foibles of their own. Daphne in particular is a woman to be reckoned with. She’s awesome, even though her role in this novel was relatively minor.

Roger of Doncaster is a complex antagonist. He is so incredibly hateful towards Robin that, without having read the previous books, I am left to wonder if he is supposed to have been closeted. He hates Robin and other gay men so much, and bases his hatred for them in his religious devotions, that it makes me wonder if the hatred isn’t really supposed to be a projection of his own self-loathing. That possibility wasn’t really addressed in this book, but it did make me wonder as I was reading.

My only quibble, and it is minor, is that a couple of the secondary antagonists are a little stereotypical. Picard, for example, is very good at being a stupid fop and not much else. It makes him a rather boring antagonist because he is one-dimensional. There didn’t seem to be much else going for him. Again, this is a minor issue and didn’t detract from the rest of the plot overall, other than it made a few things a little predictable.

I loved the queering of the Robin Hood legend. It’s always fun to read a reimagining of any beloved story, and to see it done in a way that is socially relevant is a treat. It brings new discussion into the mix and raises a lot of interesting new questions to the traditional story everyone is familiar with. The chemistry between Robin and Will is unmistakable and fierce, but not over the top. As a non-reader of romance in general, I appreciate it when the romance isn’t actually smacking me in the face. The romance and sex in this novel were, I felt, very nicely done for both the gay and hetero couples.

I do feel I would have enjoyed the book even more had I read the previous two in the series. However, I do not feel like I was lost, plot-wise, for having missed them. Enough of the backstory was given so that any gaping plot holes were filled in, though I do feel like I missed out. I enjoyed the book enough that I went and purchased the first two in the series, and will quickly remedy that deficiency. Even without having read the first two in the series, I still happily recommend this book even as it is, and am looking forward to reading the whole series in order.

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The Column of Burning Spices

43458335The Column of Burning Spices: A Novel of Germany’s First Female Physician (Hildegard of Bingen)* by PK Adams

I read it as a: digital book

Source: my own collection

Length: 370 pp

Publisher: Iron Knight Press

Year: 2019

The Column of Burning Spices is the second in PK Adams’s duology about the renowned medieval holy woman, Hildegard of Bingen. This picks up right where the first book left off and covers the latter part of Hildegard’s life, when she was writing and creating the works for which she is most well known.

Where the first book had given Hildegard an interesting background and a plausible history that filled in gaps in the historical record, this second book continued with what is known of her and fleshed her out in a human way. I don’t feel that there was quite the depth of character as there was in the first book, but I think this is simply because there was so much that Hildegard did in her life that it is impossible to capture it all in the scope of one novel. Authors have to make a choice – are they going to focus on her music or her scientific writing? On her struggles with the men of the church or on her charitable work? Adams is no different, and she did exceedingly well with what she chose to include. I thought the details were sufficient for Hildegard fans like me while also serving to whet the appetite of readers who may not be as familiar with her, hopefully inspiring them to go out and learn more about her.

How Hildegard dealt with the troublesome men of the church was handled deftly, and accurately. One of my favorite parts of the book, as well as actual events of her life, was how she handled the question of the burial of a man who had been excommunicated and then forgiven. He was buried, then the canons demanded that he be exhumed and reburied in unconsecrated ground. Hildegard refused because she said his sins had been forgiven. The canons told local authorities to exhume the body, so Hildegard and her nuns went around and removed all the grave markers from the cemetery. I love that so much. She sounds like my granny, a salty old crone. The canons placed Hildegard, her nuns, and the abbey under interdict, so no Mass could be performed and, worse for Hildegard, no songs could be sung. But eventually, she won and they could have their Mass and music back.

I enjoyed how the relationships between Hildegard and others were developed. Volmar, who was her confessor in real life, was given a deeper place in her life. It is not part of the historical record, but the way it was written in the book was believable and still within the scope of acceptable behavior for a Benedictine nun, and raised a poignant “what if” for them both. Similarly with Ricardis, Hildegard’s personal assistant. The two women had a close bond in real life, prompting some scholars to speculate that Hildegard was actually a lesbian. Maybe she was, but I also think that is a stupid assumption; she lived almost entirely in the company of women from the time she was 8 years old and most of the men of her acquaintance were her adversaries. It is no wonder that she formed her closest bonds with other women. It should have no bearing on her sexual preferences. I disagree, however, with how the author handled Ricardis leaving the convent. There is no indication in the historical record that she left because she’d been spying on Hildegard to Abbot Helenger or that she was in the church only to advance her family’s standing. If that had been the case, I doubt very much Hildegard would have continued to write to her after she left, asking her to come back, which she did several times. That part of the novel required too much of a suspension of disbelief, and didn’t fit with the existing historical record, for me to buy.

Overall, the duology was very pleasing – Hildegard of Bingen is hands down my favorite medieval holy woman, and favorite medieval woman second only to Eleanor of Aquitaine. The first installment was stronger, and I would rate it 4.5 stars, but the second still offered a solid performance and I would rank it at at 4 stars. I heartily recommend both books to anyone interested in this fascinating woman, or to anyone who has never heard of her and would like a starting point to learn about her.

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The Greenest Branch

40331955The Greenest Branch: A Novel of Germany’s First Female Physician (Hildegard of Bingen)* by PK Adams

I read it as an: ARC

Source: my own collection

Length: pp/time

Publisher: Iron Knight Press

Year:  2017

In the early 12th century, a young girl was given as a tithe to the church with the intention that she would be enclosed as an anchoress at the abbey of Disibodenberg. That girl was Hildegard, known to history as Hildegard of Bingen. This novel tells the story of her early years at the abbey of Disibod and attempts to fill in a gap in the historical record.

Author PK Adams does a lovely job bringing a young Hildegard to life with her clear and elegant prose. The setting of the medieval Rhineland is well described and gives readers a vivid image of life during the Investiture Controversy. The conflicts brewing between the Church and secular authorities were complex and distressing to people at the time, and Adams captured these emotions plainly in her characters.

I have, at times, railed against authors of historical fiction who take liberties with historical fact for the sake of telling a story. I think if they can’t tell a good story without embellishing the facts then they aren’t good storytellers. However, Adams has found a sweet spot with regard to Hildegard’s story, and she’s run with it. Little is known about Hildegard’s life after she initially entered the abbey until Jutta’s death. Adams uses that gap in knowledge and creates a detailed and plausible version of her own, enhanced with excellent and accurate details of medieval life. We may not know about what Hildegard’s life was really like for a number of years, but this novel presents us with a viable option for consideration.

Adams wove in many lyrics from Hildegard’s songs, which was a nice touch. A vital touch, in my opinion. I don’t think one should write about Hildegard without including some of her songs, given that she wrote SO MANY of them. I do wish there had been more about herbology, such as recipes she might have used, but that’s just because I am super interested in herbalism. There was enough on that front to appeal to most readers who aren’t as interested as I am, I believe.

The characters are nicely developed overall. I would like more development with Helenger; right now, he just seems like the flat archvillain, mean just for the sake of being mean. I would also like more development with Volmar, particularly since he played such a large role in Hildegard’s real life. Maybe that will be in book two. The issue with Jutta and her bodily mortification left me a little wanting – I wanted to know more about Hildegard’s thoughts behind it. But overall, these were minor issues and didn’t impact my enjoyment of the book as a whole.

I am excited that I don’t have to wait to read the next in the series – thanks, Netgalley! It will be interesting to see how the next book handles the later parts of Hildegard’s much more well-documented life. Hopefully, Adams will continue Hildegard’s story with the same eye for detail as she has begun.

*Amazon affiliate link.

Mother Julian

Mother Julian
Mother Julian

November 8 marks the 673rd birthday of Julian of Norwich, the famed anchoress from the Church of St Julian in Norwich, England. Julian is one of my girls, the women I studied in graduate school. I was drawn to her various and sundry reasons which none of my 12 readers worldwide likely care about. But who was Julian, really, and why should we care?Read More »