The Leavers

Red book cover with a blurred man's face in the background. The text reads The Leavers A Novel by Lisa Ko

The Leavers by Lisa Ko

Genre: contemporary fiction/ literary 

I read it as a(n): hardback

Length: 335 pp

Her Grace’s rating: 3 out of 5 stars

Peilan “Polly” Guo arrives in NYC at the age of 19, pregnant and in debt up to her eyeballs to a loan shark. She left her small village in China to come to America for a better life as so many people have before her. She has her son, Deming, and works at various jobs to support him, living first in what is basically a flophouse with a dozen other women and then with her boyfriend, Leon; his sister, Vivian; and Vivian’s son, Michael. One day, Polly goes to work and doesn’t come home. Eventually, Deming is given into the foster system and adopted by the Wilkersons, a white couple living in rural upstate New York, who promptly rename him Daniel. Over the years, Deming/Daniel struggles to fit in anywhere and is haunted by the thought that his mother abandoned him.

There’s a lot we can say about this book. It is hard to organize my thoughts about it concisely so I probably won’t try too hard. But first, I thought it was just an ok novel. The book was technically well written, Ko did everything right in crafting the tale she had to tell. I just didn’t like it as well as I wanted to. It wasn’t a bad book at all, and I did like a lot about it. But I didn’t love it, and that was disappointing. 

It addresses the obvious themes of immigration and belonging, playing with the concept of home in some interesting ways. Deming, though American by birth, spent his first several years in China being cared for by Peilin’s father. He didn’t remember America before that so he felt at home in China. He felt somewhat at home in NYC with his mother once he got to know her again, but mostly that was because of their close bond. Home is where your mama is, after all. But he felt out of place in society at large, and far more so once the Wilkersons adopted him. Peilin, too, never quite fit in, partly because her English wasn’t very good and she had difficulty communicating, and partly because she didn’t fit the mold of the stereotypical Chinese woman. She’s loud and brash and fiery, and a lot of people don’t know what to do with all that. 

Peilin’s story was sad and, I suspect, mirrors the stories of thousands of immigrants. People talk about coming to America to make a better life for themselves. The American Dream, as it were. And yes, I would rather live here than in China or many other places. But I think emphasis needs to be placed upon dream in that phrase because the American Dream is really more of a pipedream than anything resembling reality. It isn’t real. Peilan wanted adventure and excitement in her life, not tedium and sameness. She went from a small village to a larger city, working in what sounded like a sweatshop and living in a dormitory of other women, on to NYC, where she also seemed to have worked in a sweatshop and piled in with a shitload of other women in a small apartment, all while owning tens of thousands of dollars to a loan shark who said he could get her legal immigration status. Really nothing changed for her, and I think I could argue that it in fact got worse for her in America. She was still working shit jobs day in and day out like she was in China. Only in America, she was also under a crushing debt while working insane hours for slave wages and hardly got to see her own child. And she was in a society that viewed her with suspicion or disdain and who didn’t speak her language. That sounds more like a nightmare to me, not a dream. 

Lisa Ko made Deming see music in color, which I thought was different. I think that condition is synesthesia, where you use one sense but process it through another. He hears music but sees colors in varying intensities, depending on what kind of music he’s listening to. It didn’t seem to be a huge component of the story, but I wonder if it was supposed to be part of the reason why Deming wasn’t a good student ever. Even before Peilan disappeared and he was happy, Deming was struggling in school and either the school lacked the resources to help him or lacked the desire to help him. Either way, I thought it was an interesting addition to the story.

This may be an unpopular opinion, but I hated the Wilkersons. I thought they were just gross. I felt deeply that they adopted Deming so they could say they adopted a non-white, underprivileged person and saved him from whatever horrible life they imagined he had before they managed to save him. They acted like they were fucking White Saviors. If I met people like them in real life, I would expect that they would say things to goad others into congratulating them on how accepting they are, how good they are to have adopted a kid who was older and a person of color to boot. Living in a rural area as they did, it was like they were putting Deming on display like an object, and he was certain to be noticed since he was one of only two people of color in the area that I noticed (his friend Roland, who was half Hispanic, was the second POC in town). Anyway, the Wilkersons take Deming and shove him into a fancy school and, when he’s college age, expect him to study what they want and go into the career they think he ought to. There is a heavy overtone of “you owe us” in their actions, a sense of obligation like Deming is indebted to them for adopting him and giving him what they consider to be a better life. I don’t feel like they actually loved him, just that they wanted to raise him up, as it were, and then make him follow in their footsteps even though he doesn’t want to, simply because he owes them.

I primarily blame the Wilkersons for Deming’s terrible choices. He is a gambling addict, which I know is a disease. He can’t help it. But the gambling, the drinking, the crappy grades, and the general failure to launch, I place that largely on the Wilkersons. There is no indication that they got Deming into therapy (if he did, then I’ve already completely forgotten that part!). Seems to me that if you adopt an older child who was abandoned and who has very recent memories of his mother you would want to get him into therapy for that. Childhood abandonment will fuck you up. It might make you feel you are not worthy of love which might manifest in, I don’t know, poor school performance or addiction. But they just dragged him to church with them right off the bat, like that’s going to help anyone, and then bemoaned their lot in their academic life. That was another thing – the Wilkersons are both professors at the local university and their whole relationship seems based on research and publishing and being very stereotypical elitist shits deep in some weird academia wankfest. It’s no wonder so many people hate liberal elites. If they were all like the Wilkersons, I’d hate liberal elites, too.

Anyway, I did like the book in general. There were a lot of great parts and vivid scenes. I got a glimpse of some elements of Chinese culture and the immigration experience, which was horrifying. No one should have to go through all that. I think it is an important book and feel that a lot of people need to read it. I just didn’t love it, and actively hated several characters.

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Ejaculate Responsibly

Ejaculate Responsibly by Gabrielle Blair

Genre: nonfiction/ social issues/ abortion

I read it as a(n): paperback

Length: 135 pp

Her Grace’s rating: 4 out of 5 stars

In this slim book, Blair lays out 28 arguments why abortion is a major men’s issue. She quickly takes readers through the issues and argues why she thinks so. Using examples and logic, she shifts the focus away from moronic arguments like when life begins or legislating women’s bodies and into a discussion that is actually fair and makes sense. 

I think this book ought to be required reading for every human, especially men and anyone who says they are pro-life. Blair herself is a religious (Mormon, I think) mother of six and is open about that but her arguments are not based in religion. She wants to reduce the number of abortions, and doing so makes sense when the blame for unwanted pregnancy is placed with men. Like it or not, 100% of pregnancies, wanted or otherwise, are caused by a man. 

Of course, neither this book nor anything else like it will ever be compulsory because too many men are special little snowflakes who think that the sun rises and sets on them and whom all women want. They will not take responsibility for anything. 

Men who are self-described allies, feminists, or who just love their wives and daughters and other women in their life may agree with everything in this book but I don’t hear many of them touting the benefits of vasectomies or condoms with other men. Conversations like that should not be considered emasculating or a stigma. Women talk plenty about menstruation issues, which tampons they like better and why, or what to do when your nursing baby makes your nipples bleed. I see no reason why men can’t have similar discussions about ways they can take responsibility – actually be a man – about one simple thing. It’s not unmanly to wear a rubber or have a vasectomy. It’s sexy as hell when a man actually cares about a woman and is willing to help keep her safe and respect her, as well as keeping himself safe. So please, be better allies, all you good menz. 

My only real issue with this book, and why I gave it 4 instead of 5 stars, was that it too often seemed to assume unwanted pregnancy comes from consensual sex. There IS a chapter on the uneven power dynamic between men and women, but it is #17 out of 28 arguments and uses the word rape only twice. Nowhere in the book does it discuss sexual abuse/ molestation of a child which also leads to pregnancy. I think this is the book’s only real failing. Yes, I appreciate that there is a discussion of sexual power dynamics at all. No, I do not think it is placed in a high enough priority in the list of arguments and I think there should be more emphasis on rape and coercion mingled throughout the whole book. No, this is not the only reason why unwanted pregnancies occur. Nobody is stupid enough to argue that. But I do think it happens more than anyone wants to admit and so it should have a more prominent place in these arguments. 

As I mentioned above, Blair is very open about her religion and her views on abortion. I am not pro-life because it seems that almost no one who says they are pro-life are really. I think Blair is genuinely pro-life, and is using her desire to prevent more abortions by advocating for logical things that actually prevent pregnancy in the first place. I could be wrong, but I don’t think I am. I am not pro-life by the standard definition, and I honestly don’t care one way or another about preventing abortions. It’s a woman’s decision, nobody else’s business, and it’s not like we’re running out of humans. So whatever. 

If you want to say you’re genuinely pro-life and want to prevent abortions, too, then you had better also be in favor of universal health care which would help women find out they are pregnant a lot earlier; free birth control pills, IUDs, tubal ligations, condoms, vasectomies, etc; paid parental leave; free or nearly free childcare services; free, universal pre-K and K; tightened and enforced laws requiring men to pay half of all bills related to any child they father, like it or not, including prenatal care, delivery and hospital fees, and abortion if relevant; free school lunches at every grade level; comprehensive sex education at an age-appropriate level at ALL levels of school; and tax the fucking churches and corporations that spend so much time and money into pushing their legislative agendas. You know, just a few of the things that actually place value on human life, health, safety, and happiness. 

If you are not in favor of these things and simply want to regulate women’s bodies, then you are a hypocrite and protecting life or whatever the fuck was never your goal. You only want to control women and children, punish us for having sex, and lack the critical thinking to make any meaningful and effective change. 

Catch-Up Round: There There and Running with Sherman

There There by Tommy Orange

Genre: contemporary literature/ Indigenous

I read it as a(n): paperback

Length: 294 pp

Her Grace’s rating: 4 out of 5 stars

This novel highlights the lives of 12 people and how they intersect at the Big Oakland Powwow. There are people whose lives have been ruined by alcohol, drugs, the murder or suicide of loved ones, and somehow they still manage to keep going. There is an underlying discussion about generational trauma, especially among the Native tribes. There is also vast systemic racism, which impacts people in so many ways, sometimes in ways no one even is aware of. 

This was a short but powerful book. It was a fast read as well, but not an easy one. It is hard to read about the suffering of others and to know how very privileged you are by comparison. 

I always love reading about a culture I’m not that familiar with. Even though I live in the Southwest and there are several different Native American tribes in the area, I don’t know anyone personally who is Native. My exposure to actual Native culture is mostly confined to the occasional powwow I go to and reading books written by Native authors. 

Definitely recommended!

Running with Sherman by Christopher McDougall

Genre: nonfiction

I read it as a(n): audiobook

Length: 12:13:03

Her Grace’s rating: 2.5 out of 5 stars

Christopher McDougall and his wife, Mika, are tired of living in Philly so they buy a place in Amish country and basically now have a hobby farm. One of the neighbors tells McDougall that one of the members of his church needs help and that he’s an animal hoarder. McDougall goes with his friend to the hoarder’s farm and they rescue a little donkey who was severely ill, standing on horrifically overgrown hooves in filthy straw in a tiny stall. McDougall and his friends and family rally to take care of the donkey, who they name Sherman, and eventually he gets better. Then McDougall learns about donkey racing. 

This was not exactly what I thought it would be. I heard about it in an article I read somewhere recently and I thought it was about the Born to Run guy teaching the donkey how to go running with him, like you take your dog running with you. I had visions of a fuzzy donkey trotting alongside McDougall on the road and it is something I would desperately love to see. But no. Apparently there is a whole community of donkey racers who, from what it sounds like, allow their donkeys to drag them up hills and mountains in some kind of hard core trail running crossed with Mountain Man stuff. Much like running a marathon, it doesn’t sound at all fun. 

I thought this book was only OK, partly because I misunderstood the premise of running with Sherman and partly because it kind of dragged in a lot of places. There wasn’t as much about Sherman as I would have liked; instead, there was a lot about the people involved, the training involved, the stories of the people involved, and I just didn’t care that much about them. I stuck through to the end because I did want to see how Sherman did in his big donkey race in Colorado, and parts of it were funny, but overall I thought it was just mediocre.

I Wish You All the Best

i wish you all the bestI Wish You All the Best by Mason Deaver (Website | IG)

Genre: YA/ contemporary fiction

Setting: Raleigh area, NC

I read it as a(n): paperback

Source: my daughter’s collection 

Length: 329 pp

Her Grace’s rating: 3.5 out of 5 stars

Deaver’s novel centers 17-year-old Benjamin, a nonbinary kid living in the suburbs of Raleigh. When they finally work up the nerve to tell their parents they’re nonbinary, their parents flip the fuck out and kick them out of the house. In that instant. Without shoes or a jacket on, even though it’s winter and snowing out. Ben manages to call Hannah, their estranged older sister, who comes and gets Ben and takes them to her house. She and her husband, Thomas, a local school teacher, take Ben under their wing, get them enrolled in Thomas’s school for the last semester of high school, and get them into some therapy for the traumas caused by their parents. During all this, Ben makes new friends, including Nathan. At first, Ben thinks Nathan is a little too much but as the months pass, their feelings for him change into something else. 

This book is a great look at several social issues and the impact they can have on families. Mostly the impact is brought about by intolerant, asshole parents. And crappy society. And mostly well-meaning but clueless people. Ben’s world is shattered by the way their parents treated them. They don’t feel they can be who they truly are, which is a sad state of affairs for anyone. We all want to be loved and accepted for who we truly are, not for how others want us to be. I do not have any experience similar to Ben’s but it seems like it was handled extremely well. It was visceral. I don’t know anything about the author beyond the fact that Deaver is also nonbinary, but I hope their writing doesn’t come from first-hand experience. I wish people would just be kind to each other. 

I also really liked how Deaver handled Ben’s mental health. They suffer from depression, crippling anxiety, and panic attacks. At times, these manifest in an inability for Ben to say anything other than “Yeah” or “Okay,” and sometimes nothing at all. It can be really frustrating to witness that, but also understandable. I myself have been frozen in social situations before. It blows. 

Now for some things I didn’t care for as much. Hannah. She’s Ben’s much older sister and she took off when she was 18. I don’t blame her for that since her and Ben’s parents seem awful. I don’t even blame her for not thinking it through when she left her number for Ben to call, not realizing that a 10 year old child wouldn’t be able to call her without their parents finding out. I DO blame her for not reaching out later, when she was older and hopefully wiser. I think just bailing out of Ben’s life like that was a shitty thing to do, especially knowing what kind of parents they had. I think it is even worse that she seems to have actually forgotten him entirely for a span of several years. I’m glad she stepped up and is able to help Ben when they need it the most, but I don’t know that it makes up much for her absence in the years preceding. 

The secondary characters were kind of, well. Boring. Hannah was overbearing, Thomas was mostly a blank slate, and the school friends, even Nathan, were all sort of interchangeable to an extent. 

Also, things seemed to work out remarkably well in the end. I know this is fiction and it is nice when the characters who deserve it get good things. But it also seemed simplistic and not realistic. Don’t get me wrong. I’m GLAD it worked out as it did and I think Ben deserves everything good that happened. I just also think real life rarely works that way and it didn’t set well with me for some reason. Maybe we will get to see more of Ben and company in later books that could explore more deeply. A lot of this book felt like setting up and introducing characters. 

This is maybe a silly thing to nitpick, but I think the book should have had some resources included for people, especially teens, who are struggling with their gender identity, how to find safe places or mental health help, suicide crisis hotlines, and so forth. So, I will include one. One of my work friends started a nonprofit organization for helping LGBTQIA+ kids (they focus on kids ages 11-22). It is called Scaffolding Youth and is a fairly new but growing organization. It seems awesome, helpful, hopeful, and can connect kids with strong advocates. 

Overall, I really enjoyed this book, even though it’s a YA and I hardly ever read YA anymore. I have too many adult books to read to go back to high school, but I read this one because my daughter asked me if I would read it. I’m trying to read more books that she reads as well so we can talk about them. But I’m glad I read this and I think it’s really important that we have books that are representative. Diversity is vital. I definitely recommend this book, and also that everyone go and find other representative and diverse books when you’re done with this one.

Also, the correct answer is waffles.

Concrete Rose

Concrete RoseConcrete Rose by Angie Thomas (Website, Twitter, Insta)

Genre: YA

Setting: Garden Heights

I read it as a(n): audiobook

Narrator: Dion Graham

Source: my own collection

Length: 8:17:00

Published by: Harper Audio (12 Jan 2021)

Her Grace’s rating: 5 out of 5 stars

Concrete Rose is the sequel story to Thomas’s The Hate U Give. This tells the story of Maverick Carter when he was a teenager struggling to find his place in the world. Maverick always expected that he would grow up to be in a gang like his dad. His future as a gang member seemed cemented when he learns that the baby of one of his classmates is also his. Selling drugs seems to him to be the only way to make enough money to make ends meet, support his son, and help his mother with their bills. When his girlfriend Lisa also becomes pregnant, Maverick understandably freaks out. He assumes he will never amount to anything and so why NOT join a gang and sell drugs? His part time job working for Mr Wyatt’s store has shown him that “honest work” doesn’t pay anything. When Maverick suffers a catastrophic loss, he finds that life takes you in directions you never expected and that the help we might need is right there with us if we can open our eyes enough to see it.

So, I loved this book. I have loved all of Angie Thomas’s books so far, which is a record not even Neil Gaiman holds with me. This is a sequel to THUG but you don’t have to have read that one to get this one. I love how she weaves in bits of her other novels throughout the narrative. For example, when Lisa’s mom kicks her out of the house, she goes to stay with Miss Rosalie and takes her friend Brenda’s bedroom. When Brenda comes to visit with her new baby, they all get a kick out of meeting baby Khalil. That hit me right in the feels when I realized it is Khalil from THUG. Little tidbits like that really bring the story to life and serve as sort of an insider’s view for those of us who have read the other books, but it isn’t necessary to get the story. It is fully standalone. 

The power of names is a strong theme throughout the story as well. Maverick names his son Seven because it is the number of perfection, and to him, his son is perfect. Maverick says his father named him so because he wanted him to be a freethinker and independent. The course of the narrative leads Maverick all over but he does eventually live up to his name, though not at all in the way he expects. 

I how Mr Wyatt was a father figure to Maverick, teaching him some transferable skills and encouraging him with tough love. Mr Wyatt talks a lot about his garden, especially his roses, which are stronger than they seem and can grow anywhere, even through concrete. I assume the title, and the theme of hidden strength, is inspired by the poem “The Rose That Grew from Concrete” by Tupac. Maverick has that strength and his life could easily have been ceaseless heartbreak and danger. But he chooses to do what he thinks is best for his family, and his losses to date have shown him what he DOESN’T want for them or for himself. He is brave enough to try something that is out of his realm of experience, and like the rose, he learns that he can bloom. “Long live the rose that grew from concrete when no one else ever cared.” 

I could really go on about this book all day but I will just stop before I actually do so. If you haven’t read any of Angie Thomas’s books, you are really missing out. This would be a good place to start, but honestly I think you should read THUG first. This one will have more of an emotional impact if you know Starr’s story already. 

Favorite part/ lines:

  • The apple don’t fall far from the tree, but it can roll away from it. It simply need a little push.
  • We left the roses untouched. I expected them to be dead by now, but they got blooms as big as my palm. … “What I tell you? Roses can bloom in the hardest conditions.”

On the Come Up

On the Come UpOn the Come Up by Angie Thomas (Website, Twitter, Insta, Facebook)

Genre: YA/contemporary literature

Setting: Garden Heights, a fictional neighborhood

I read it as an: audiobook

Narrator: Bahni Turpin

Source: my own collection

Length: 11:43:00

Published by: HarperAudio (5 Feb 2019)

Her Grace’s rating:  out of 5 stars

Bri Jackson is a 16 year old who wants nothing more than to be a rapper like her father was before he died. People call her Lil Law, an homage to her father’s stage name Lawless. But Bri is very much her own person with her own style and ideas, not a copy of her father. When she wins a rap battle in the ring, Bri finds herself suddenly in the spotlight, and not always in a good way. Navigating her way through a fledgling career in the music industry and helping/worrying about her mother’s unexpected job loss, Bri has to figure out how to be on the come up in a way that is true to herself.

Initially, I was hesitant to read this because how could it possibly be as good as The Hate U Give? I went ahead and bought it when it was an Audible daily deal, but I didn’t work up the nerve to listen until now. Am I ever glad I did! This was a fantastic novel! Thomas does such a good job of bringing readers inside the heads of her characters. You can really feel the anger, disillusionment, disappointment, and fear of the characters. Frankly, anyone who reads a book like this and doesn’t feel rage at all the injustice must have something wrong with them. Bri is angry, yes. She’s got an attitude and can be rude. But she was doing nothing wrong and got thrown to the ground by two grown male security guards at her school. That’s a whole lot of bullshit. I’d be furious if that happened to me, too. I’m furious just reading about it happening to a fictional character. 

I felt Bri’s pain and worry when she saw her mother and older brother trying to scrape together enough money to pay the utility bill AND also buy food; her shame when her shoes fell apart and she couldn’t afford new ones; her embarrassment at having to go with her mother to the food bank. Children shouldn’t have to worry about things like this, and it hurts and is shameful that children anywhere, let alone one of the richest countries in the world, deal with food insecurity and poverty daily. 

The references to various rap and hip-hop artists throughout the book made me want to listen. I’ve never been much of a fan of rap, but I know that some artists use it to highlight social injustice. This story made me want to educate myself better. 

I listened to this on audio and Bahni Turpin’s performance is fire. She is one of my favorite narrators anyway, but she really went above and beyond in bringing these characters to life, especially Bri and her music. Also, here is Angie Thomas rapping one of Bri’s songs. 

I can’t wait to see what Angie Thomas writes next, and I hope Bahni Turpin narrates it. 

Favorite part/ lines (potential spoilers!):

  • Jay’s a people person. I’m more of a “yes, people exist, but that doesn’t mean I need to talk to them” person.
  • There’s only so much you can take being described as somebody you’re not.
  • That’s when I learned that when people die, they sometimes take the living with them.
  • But it’s kinda like saying one side of the Death Star is safer than the other. It’s still the goddamn Death Star.
  • Not everything deserves your energy.
  • All these flavors out here, and you choose to be salty.

 

Angels in America

51vmgruhwl._sl500_Angels in America by Tony Kushner

Her Grace’s rating: 4 out of 5 stars

Genre: contemporary literature/plays

I read it as an: audiobook (audio play?)

Narrator: National Theatre Broadway cast

Source: public library

Length: 06:53:00

Published by: Random House Audio (14 May 2019)

A two-part play, Angels in America focuses on gender identity, social justice, and AIDS in the time of the Reagan Republican counter-revolution. It features various storylines of several people living in NYC, primarily Prior Walter, Joe Pitt, his wife Harper, Roy Cohn, and Belize. Each person is struggling to make sense of themselves, often hiding who they really are, and the miseries and fears that go along with denying your true self. 

This was a brutal read. It was set in the 80s, my childhood, so when it was actually happening, I was too young to understand or care about issues like AIDS, the gay community, or why it is so important not to cover up your identity. I also wouldn’t have understood why that was sometimes the only way people could survive. Although it was a painful story to hear, I am so glad I did. My favorite character was Belize, so quick to tell you just what he thinks but at the same time also quick to care for another person, even if that person just royally offended or insulted him. We need more people like Belize in the world.

I have never listened to a play on audiobook before, though I’ve certainly been to several live performances. I didn’t know what I would think of the experience, but it was fantastic! The cast was amazing, of course, and the way the narration and stage directions were delivered made it really easy to follow. I would definitely listen to more plays on audiobook. 

Catch-Up Round: Book Club edition

122943In the Country of the Young  by Lisa Carey (WEBSITE, TWITTER, FACEBOOK)

Her Grace’s rating:  4.5 out of 5 stars

Genre: magical realism/ ghost story

I read it as a: paperback

Source: my own collection

Length: 286 pp

Published by: Perennial (1 Oct 2000)

In the late 1800s during Ireland’s Potato Famine, hundreds of Irish immigrated to America and Canada on ‘famine ships.’ One ship, the Tir na Nog, ran aground off the coast of Maine and most aboard died, including a young girl, Aisling. In modern times, artist Oisin MacDara lives an almost hermit life in the woods of Tiranogue Island. He rarely has any contact with other people and the islanders have come to accept him on his own terms. On Samhain night, Oisin lights a candle and leaves his door open, as tradition dictates, and from the mist comes a girl. Oisin had been able to see ghosts and spirits in his youth, but lost the ability when his twin sister died. In all the years since, Oisin has tried to figure out how to bring his Sight back. Now, it seems he is able to See spirits once more, or at least one spirit, who enters his life on Samhain night.

Carey’s novel is a delight. It is atmospheric and gothic, full of Irish myth and tradition. Readers get a sense of disbelief at first when Aisling wanders in out of the shadows, and, very slowly, come to realise the girl is the same as the one who died on the famine ship. As Aisling’s stay with Oisin becomes longer, she begins to grow at an astronomical rate, catching up to her adult self and gaining the experiences she missed out on in life. Oisin reluctantly takes on the role of provider, by turns pleased for and interested in the companionship and resenting her presence in his quiet, solitary life. With the help of an open-minded and trusting neighbor, Deirdre, Oisin is able to give Aisling a lifetime of experiences in what he knows will be the limited time available to her.

The character development here was extraordinary. I loved seeing Aisling’s growth and how she changed from a scared little girl into a self-confident young woman. Oisin, too, changed and grew to accept love and help from others. I identified with him a lot since I am also a very solitary person and don’t trust easily. 

Various themes of loss, mental illness, sexuality, and inflexible social customs made for some very rich discussion during this particular book club meeting.

Favorite part/ lines (potential spoilers!):

  • It’s the same as day turning to night. Your life is like the day, and after death comes, it’s all different – not worse or better, just different – because, as at night, the world no longer looks the same. It’s why twilight is the holy time, when day and night come together, and the living and the dead can meet one another on the road.
  • “It’s wrong to spend your life afraid, Oisin,” she said. “No matter what you see.”
  • What that night became for her was the moment she stepped away from all her definitions and into herself. Suddenly it no longer mattered who she was, only that she was. She stopped editing her thoughts and analyzing her actions. When she looked in the mirror, her brown eyes were tired or angry, often amused, but no longer plain. Beneath the fears and posing, she had been there all along.
  • Doesn’t he know that every minute counts? That waiting is often the same as missing a lifetime?
  • My mom says if you wait for people to read your mind, most of them will hear only your silence. … Which is why I have to tell you something,” Gabe says. … “When I’m old enough to have my first love, I’m going to remember you. Is that okay?”

 

5730888The Unit  by Ninni Holmqvist 

Her Grace’s rating:  3.5 out of 5 stars

Genre: dystopian 

I read it as a: paperback

Source: my own collection

Length: 268 pp

Published by: Other Press (9 June 2009)

In this dystopian society, when people reach a certain age (50 for women, 60 for men), and have no family or an irreplaceable skill, they are sent to live in ‘reserve banks’, like retirement homes. It is not optional and everyone goes if they didn’t have children in their life. Dorrit Weger dutifully checks into the Second Reserve Bank Unit on her 50th birthday. From there, she makes new friends among the other residents, engages in experiments with new drugs and therapies, and eventually begins making donations as needed and required to the outside community. She and her fellow residents are there to provide their organs to people who need them and who have been deemed of more value to society. 

This was fascinating, if somewhat derivative of many other dystopian novels. As with many books dealing with the lives of women in the future, this society has decided that people who have never had children are ‘dispensable’ and are therefore a perfect group upon which to experiment with new drugs or psychological therapies, forcing them to donate organs to indispensable recipients until they make their final donation, usually their heart or lungs. It is terrifying because I can see something like this happening. What was the most disturbing of all was how quickly the Unit’s residents accepted their fate and even managed to convince themselves that it was for the good. 

It was also just…sad…since Dorrit only found love for the first time once she entered the Unit and it would necessarily be cut short by the practices they are enduring. While I do NOT think one has to have a great love to have a great life or to be complete, it is sad when someone wants that and only finds it at the end of her life. 

There is a lot of material to unpack about what makes a life or a person worthwhile and fulfilled. Why is having children the be all and end all of a person’s worth? It takes no skill at all to have a baby. I always look side-eye at anyone who says having their children was their greatest accomplishment. Really? I LOVE my child but having her took no particular skill on my part. I’m prouder of the things I’ve written, dragged out of my brain by sheer determination, persistence, and force of will, because those things took a lot of effort. Saying this does not mean I am not proud of my daughter. I am proud – of HER accomplishments and the person she is becoming, not of simply having her. See the difference? And who is to say what I accomplish is somehow more important than, say, my friends who have chosen to remain childless? It’s not like we aren’t overpopulated as it is. Humans are like cockroaches. We’re all over the fucking place. It’s just a scary thing to think that people might one day be valued on their ability to reproduce rather than on their actual ability to contribute. 

This was another excellent book for a book club. There were so many things to consider from ethics, love, the value of a human life, and spirit. We had a very lively discussion for this one!

There were many lines that I highlighted while reading this, but the one below sums up everything perfectly for me:

  • “People who read books,” he went on, “tend to be dispensable. Extremely.”

History Rhymes: The Function and Importance of Historical Fantasy*

Within every issue of Historical Novels Review one section of reviews is labeled “Historical Fantasy,” where readers find books like Guy Gavriel Kay’s that introduce magical or supernatural elements into their historical framework. Tolkien is perhaps the most famous writer to have brought the realms of myth and magic into solidly historical contexts. Certainly, one result of this blending of history and fantasy is greater entertainment — escape, if you will. On this subject, Tolkien, in his essay “On Fairy Stories” wrote:

I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which ‘Escape’ is now so often used: a tone for which the uses of the word outside literary criticism give no warrant at all. (Tolkien, 1947)

Most of us enjoy escaping through fiction and agree with Tolkien’s embrace of it as a virtue of reading. But, along with providing marvelous exits out of the everyday world, historical fantasy also appeals to so many readers because it is a particularly rich and effective medium to explore current social issues.

More than one study shows that the genres of science fiction and fantasy promote deeper empathy in readers who are introduced to the genre at a young age. One study published in the Journal of Applied Social Psychology quantifiably demonstrates how reading books like Harry Potter increases tolerance and reduces prejudice (Vezzali, et al., 2015). Vezzali explains that the fantasy genres are “especially effective in assuaging negative attitudes [toward social issues] because the genre typically doesn’t feature actual populations and thus avoids potential defensiveness and sensitivities around political correctness” (quoted in Stetka, 2014). Writing fantasy grants authors the creative room to explore sensitive or controversial contemporary issues without triggering readers’ preset ideas and biases. Combine fantasy with the distancing effect overall of any historically set fiction and readers find a potent mix for examining controversy without building mental barriers.

Exploring this mind-opening aspect of historical fantasy with several writers of the genre seemed particularly worthwhile amidst our current social debates. I therefore approached Guy Gavriel Kay, Judith Starkston, Juliet Marillier, Marie Brennan and Roshani Chokshi to get their views on writing historical fantasy that addresses current social issues.  The resulting conversations offer an insider’s view of these authors’ approaches regarding emotional engagement with social issues.

When asked how writing historical fantasy allows him to bring current social issues to his readers’ awareness, author Guy Gavriel Kay (A Brightness Long Ago, Berkley Books 2019) explained, 

I have argued for the universalizing effect of deploying the fantastic. Stories and themes from history cannot be read as specific only to a given time and place. Beyond this, I find it important to explore both the “strangeness” of the past and the ways in which people and lives can offer a startling familiarity at times. Among other things, this can erode an a-historical sense that what we are living through is new. Usually it isn’t.  As has been said, history may not repeat, but it rhymes.

Through historical fantasy, authors highlight issues that continue to concern modern society as well as help readers learn more about a topic. However, as author Judith Starkston (Priestess of Ishana, Bronze Age Books 2018) noted, “Combining history and fantasy has to be done with care.” She explained that being able to lift readers out of the regular world is liberating for both author and reader. Starkston believes when readers experience a book that draws them into its own world, they tend to leave behind the locked, preconceived notions of how things are and how they ought to be. Incorporating fantastical elements into historical events or people lets us 

accept unusual solutions as entirely normal. When I talk about the historic queen who is the model for my main character, people are incredulous that a woman held such power and influence across the ancient Near Eastern world. We harbor a false notion of history as gradually progressive. Things are supposedly better now and worse in the past, but that isn’t accurate.

Starkston added that the best way to accomplish this blend of magic with historical accuracy is to adopt “fantastical elements that arise from the beliefs and practices of the period. That the Hittites practiced so many rites we would call magical made this especially easy for me—I had only to extend their scope.” Fidelity to history even within the magical creates believable historical fantasy. Incorporating elements of reality that lend themselves well to the use of magic helps to carry readers over the threshold of disbelief and encourages new patterns of thought, precisely the area in which historical fantasy excels.

Juliet Marillier (The Harp of Kings, Ace 2019) also takes a similar approach in her own writing. She stated that her writing has three main purposes: “to teach, to heal and to entertain … Real life challenges (tyranny, cruelty, conflict, flood, famine) might become the dragon, the monster, the fearful place in the dark wood.” Using real life examples of illness or emotional damage brings such topics front and center while at the same time fostering empathy and an awareness of their causes. The capacity to heal in particular has found a vibrant ally in Marillier. Many of her books deal with themes touching on violence, repression, PTSD, or other issues that Marillier draws from historical fact as well as current events. She highlighted the vital role literature plays: 

Storytelling is a powerful tool for helping the troubled (and for helping others understand and support them.). Many other issues relevant to contemporary society find a place in my books – notably, women dealing with domestic violence or other forms of repression. The voice of those characters, whose stories come from long ago and are touched by the uncanny, still seem to ring true for today’s reader. 

Seeing in works of historical fantasy topics that are relevant to contemporary society strikes a chord with readers who may be struggling to make sense of the world and the current events. Ultimately, it can help bring about hope and healing.

Marie Brennan (Turning Darkness into Light, Tor Books 2019) and Roshani Chokshi (The Gilded Wolves, Wednesday Books 2019) both discussed the importance of historical fantasy mirroring reality at least tangentially in order to create a believable and relevant world. Brennan stated that historical fantasy “has the advantage of being able to come at a topic from a slantwise angle. It lets us show how various problems have played out in the past—which encourages the reader to think about how things have and haven’t changed, or what alternatives might look like.” Holding up a mirror of our world through the lens of historical fantasy does, indeed, allow authors to look at our own world, society, or beliefs in new ways. By doing so, Brennan goes on to say, showing a world “in the context of a society that’s not the one we currently live in, it can slip its points in under the radar, instead of having to come at them directly.” Chokshi’s position also meshes with Brennan’s in that she finds that historical fantasy “allows me to take an issue and breathe life into it by tangling it up with a character’s emotional stakes and placing it beneath a lens of magic. A story is nothing if it evokes no feeling. I want to make my readers feel even as they’re thinking, and hopefully that inspires my audience to research an issue further.” Inspiring feelings and igniting curiosity in a topic seems to be a unifying goal for these authors, even if they know their role is not to solve the questions their works may pose. Rather, they seek to “make it a present question in the minds of my readers,” as Chokshi explains. This is an important point because authors have the platform to effect change and influence society. Consider the changes that were inspired by novels such as Uncle Tom’s Cabin, The Jungle, or Beloved. What we read has a definite impact on what we think, and authors have the power to influence societies. 

Other influential authors, including Zen Cho (The True Queen, Ace 2019), Mary Robinette Kowal (The Fated Sky, Tor 2018), and Nalo Hopkinson (The Salt Roads, Open Road Media Sci-Fi & Fantasy 2015), impact the way readers think by incorporating an abundance of diversity in their novels. Their novels have a focus on the strength of women, the second-class role of women and people of color, sexism, and narratives of freedom, highlighted beautifully by fantasy/speculative elements. On her website, Cho states that she writes in the genres she does because “It’s as good a form for understanding the world as any other” (Cho, 2019). Kowal, in a blog post, makes an excellent point: homogeneity in historical literature is a choice, for the fact is that Europe and the UK had a “wide range of classes and abilities/disabilities. … People of color were throughout the UK and Europe and had been basically since people started to travel, which means always” (Robinette, 2012). Hopkinson draws on the deep traditions and narratives of the people brought as slaves to what is now Haiti, exploring various themes of freedom, linked by elements which bind women across the world: blood, sweat, tears, birth fluids, and sex. On her website, Hopkinson states that certain genres “…allow us to step outside our known reality and examine that reality from a different perspective. They do so by creating imaginary worlds as lenses through which we can view our world” (Hopkinson, 2019). 

Historical fantasy holds a striking place in literature through its universalizing effect to allow readers to internalize new views on social issues and to understand the ways in which history “rhymes.”
References

Hopkinson, Nalo. “FAQ.” Nalo Hopkinson, Author, 2019.

Kowal, Mary Robinette. “Don’t blame the homogeneity of your novel on historical accuracy. That’s your choice, as an author.” Mary Robinette Kowal, 2012.

Kowal, Mary Robinette. “About the Lady Astronaut series.” Mary Robinette Kowal, 2019.

Stetka, Bret. “Why Everyone Should Read Harry Potter.” Scientific American, 9 Sept 2014. 

Tolkien, JRR. “On Fairy Stories.” In Essays Presented to Charles Williams, compiled by CW Lewis, Oxford University Press, 1947.

Vezzali, Loris, et al. “The Greatest Magic of Harry Potter: Reducing Prejudice.” Journal of Applied Social Psychology, 45, 2015, pp. 105-121.

*Originally published in Historical Novels Review, issue 90, Nov 2019.

Ghost Wall

43660486Ghost Wall: A Novel* by Sarah Moss

I read it as an: audiobook

Narrator: Christine Hewett

Source: my own collection

Length: 03:48:00

Publisher: Macmillan Audio

Year: 2019

Ghost Wall is the story of Silvie and the two weeks in which her father, an amateur ancient historian, drags her and her mother into the woods of north England to live as ancient Britons. They join a group of anthropology students who are also there to reenact living the lives of simpler times and try to understand how the “bog bodies” came to be so. The group forages for food, hunts and fishes, all using Bronze Age tools. When they erect a “ghost wall”, the spiritual barrier made of stakes topped with ancestral skulls intended to ward off enemies, the group taps into a deep-seated, primal connection to their distant ancestors as well as a desire to deeply understand their motivations. What follows is a deeply unsettling narrative of abuse and sacrifice. 

This slim novel (or rather, in my case, short audiobook) highlights how taut prose can tell just as good a story as any giant epic doorstopper of a novel any day. This was an excellent read. Told from the point of view of Sylvie, the young woman whose father, Bill, is the amateur historian, we learn fragments of life about ancient Britons based on what she has learned in turn from her father. More importantly, we learn that her father is an abusive bag of dicks and has convinced her that people only hit the things they care about. Sylvie has a quick wit and salty attitude, which we only see in her internal dialogue; she never really says what she’s thinking for fear of what her father will do to her if she does. However, once they join up with the students and professor of the anthropology group, she begins to envision a different life for herself which includes going to university, having her own money, making her own decisions, living away from home and even away from England. She is afraid, however, to voice her interests since she has learned they will probably be thwarted. 

The anthropology students are an interesting group, ranging from barely engaged in the reenactment to ready to go back in time and embrace prehistoric life. Jim Slade, The Prof, as their instructor is called, leads the group overall, though Sylvie’s dad is the unacknowledged ruler since everyone tip toes around him. The students – Dan, Pete, and Molly – are by turns helpful and dismissive, indifferent and supportive. Molly in particular shines here and is a great example of a strong woman and role model. 

Sylvie’s father uses his love of history as a justification to abuse his family as well as to try to go back to some ephemeral time of British purity. Anyone who actually knows history knows there is no such thing for really any culture, let alone British culture. He names his daughter after a goddess – Sulevia – claiming she is a British goddess when in reality she is Roman in origin. You can’t “take back” a country when it was never pure or yours to begin with. There is a lot to unpack here with regard to cultural or racial purity, cultural and historical ignorance, and the ways in which humans have used history and a connection to past events, imperfectly understood, to justify and rationalize current cruelty and brutality. I could go on a long political rant about this, but suffice to say GOP/Trump.

I think this book makes a terrific argument for why we need to study and understand history. Yes, there is the old wheeze about people who don’t know history are doomed to repeat it. More than that, though, is the message that those who imperfectly understand history (not that there is really a perfect way to understand it) can twist it to do awful things on both large and small scales. Bill uses history to justify abusing his wife and daughter; politicians use it as a way to whip up their base with the idea of “making __ country great again”, the implication being that it wasn’t just fine the way it was before, with all the people from all different places living there. Racism. 

It also touches on the vital issue of domestic abuse, shame, and fear associated with it. Sylvie is ashamed and afraid because her dad beats her with his belt. Her mother is useless in protecting her, and while I tend not to understand that mentality – I think I’d kill anyone who hurt my daughter – I am also not a long-time victim of abuse. I don’t know how it must wear you down and make you think it is normal. That is important to try to understand. It is something I have to work on because I felt anger and disgust at Sylvie’s mom for not protecting her, and it isn’t probably fair of me. 

In short, I loved this book. It was deceptively nuanced and complex. Highly recommended.

 

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